{"id":19599,"date":"2008-10-21T13:00:00","date_gmt":"2008-10-21T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=19599"},"modified":"2026-09-26T22:20:44","modified_gmt":"2026-09-26T20:20:44","slug":"radio-ga-ga-queen-taylors-linndrum-then-the-wembley-clap","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/radio-ga-ga-queen-taylors-linndrum-then-the-wembley-clap\/","title":{"rendered":"Radio Ga Ga – Queen: El LinnDrum de Taylor y el aplauso de Wembley"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Felix dijo radio ca-ca. Un estadio aprendi\u00f3 el aplauso.<\/h3>\n

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Roger Taylor oy\u00f3 el t\u00edtulo de su hijo. Felix Taylor ten\u00eda tres a\u00f1os en 1983, en un coche en Los \u00c1ngeles, cuando son\u00f3 una canci\u00f3n en la radio y la llam\u00f3 ca-ca. Taylor se encerr\u00f3 tres d\u00edas con un Roland Jupiter-8 y una LinnDrum, y escribi\u00f3 Radio Ga Ga<\/em> a partir de esa frase. Al principio pens\u00f3 que el tema ir\u00eda en un disco en solitario. Cuando la banda oy\u00f3 la demo, se lo qued\u00f3 Queen.<\/p>\n

John Deacon escribi\u00f3 una l\u00ednea de bajo bajo la caja de ritmos. Freddie Mercury reconstruy\u00f3 el arreglo y empuj\u00f3 a Taylor a que no se quedara en un single pop recto. El cr\u00e9dito de autor sigui\u00f3 siendo de Taylor. Fred Mandel, el teclista canadiense de la gira de Hot Space, program\u00f3 el arpegio del Jupiter-8 que sostiene las estrofas. Taylor cant\u00f3 los coros a trav\u00e9s de un vocoder Roland VP-330 y toc\u00f3 la bater\u00eda ac\u00fastica y la LinnDrum. Brian May a\u00f1adi\u00f3 el solo de guitarra. Queen y el productor Reinhold Mack grabaron la canci\u00f3n en el Record Plant de Los \u00c1ngeles en agosto y principios de septiembre de 1983. Fue la \u00fanica vez que hicieron un \u00e1lbum en Norteam\u00e9rica. The Works<\/em> es el disco que abre.<\/p>\n

EMI public\u00f3 el single en Gran Breta\u00f1a el 23 de enero de 1984. La cara B era I Go Crazy<\/em> de Brian May. Entr\u00f3 en la lista brit\u00e1nica el 4 de febrero y se qued\u00f3 en el n\u00famero 2 durante dos semanas, detr\u00e1s de Relax<\/em> de Frankie Goes to Hollywood. En Estados Unidos lleg\u00f3 al 16 del Billboard Hot 100. Tambi\u00e9n fue n\u00famero 1 en Irlanda, Italia, Pa\u00edses Bajos y Suecia. The Works<\/em> sali\u00f3 el 27 de febrero. David Mallet rod\u00f3 el v\u00eddeo en los estudios Shepperton y en Carlton en noviembre de 1983 y enero de 1984: los cuatro de rojo, montados sobre im\u00e1genes de Metropolis<\/em> de Fritz Lang, de 1927. Queen compr\u00f3 los derechos de explotaci\u00f3n al gobierno de Alemania del Este, que entonces era due\u00f1o de la pel\u00edcula. El clip fue nominado a mejor direcci\u00f3n art\u00edstica en los MTV awards de 1984. Un verso apunta a la emisi\u00f3n de 1938 de Orson Welles, War of the Worlds<\/em>. Otro toma el \u00ab finest hour \u00bb de Churchill.<\/p>\n

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\n

Recuerdo que pens\u00e9 \u00ab muy bien, lo han pillado \u00bb, y luego pens\u00e9: este no es un p\u00fablico de Queen. Es un p\u00fablico general que compr\u00f3 entradas antes de saber siquiera que est\u00e1bamos en el cartel. Y todos lo hicieron. \u00bfC\u00f3mo lo sab\u00edan? Nadie les dijo que lo hicieran.<\/p>\n<\/blockquote>\n

(Brian May, sobre el aplauso de Live Aid)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb19593″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_170007be62{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

El 13 de julio de 1985 en el estadio de Wembley, en Live Aid, Radio Ga Ga<\/em> fue la segunda canci\u00f3n, justo despu\u00e9s de la secci\u00f3n de \u00f3pera de Bohemian Rhapsody<\/em>. Unas 72.000 personas aplaudieron el estribillo a la vez, copiando al p\u00fablico del v\u00eddeo. Queen la toc\u00f3 m\u00e1s corta y m\u00e1s r\u00e1pida, y Mercury cant\u00f3 \u00e9l mismo las l\u00edneas agudas. La canci\u00f3n cerraba el set principal de la gira Works y sigui\u00f3 en la gira Magic, incluidas las dos noches de Wembley en julio de 1986, la \u00faltima gira con los cuatro. La versi\u00f3n del \u00e1lbum dura 5:48. La edici\u00f3n de radio, 4:23.<\/p>\n

Taylor dijo entonces que la imagen empezaba a importar m\u00e1s que el sonido. El aplauso de Live Aid es el caso en que el v\u00eddeo ense\u00f1a una parte a la sala, y la sala la devuelve m\u00e1s fuerte que el disco. El single sigue siendo la toma del Record Plant: LinnDrum, Jupiter-8, el bajo de Deacon, la voz de Mercury, el solo de May. Los remasters posteriores no la escribieron.<\/p>\n

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Roger Taylor arma Radio Ga Ga a partir de una frase de su hijo Felix, de tres a\u00f1os, en Los \u00c1ngeles, y Queen la grab\u00f3 en el Record Plant en 1983.<\/p>\n","protected":false},"author":1,"featured_media":19590,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[255,354],"class_list":["post-19599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-classic-rock","tag-queen"],"yoast_head":"\nRadio Ga Ga - Queen: El LinnDrum de Taylor y el aplauso de Wembley - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/radio-ga-ga-queen-taylors-linndrum-then-the-wembley-clap\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta 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