{"id":19736,"date":"2016-07-15T19:00:00","date_gmt":"2016-07-15T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/the-sweetest-taboo-sade-botellas-vasos-y-lluvia\/"},"modified":"2026-09-27T00:00:25","modified_gmt":"2026-09-26T22:00:25","slug":"the-sweetest-taboo-sade-botellas-vasos-y-lluvia","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/the-sweetest-taboo-sade-botellas-vasos-y-lluvia\/","title":{"rendered":"The Sweetest Taboo – Sade: botellas, vasos y lluvia en el Power Plant"},"content":{"rendered":"

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El loop de Martin Ditcham, y luego vasos de vino en la toma vocal<\/h3>\n

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The Sweetest Taboo<\/em> fue el primer sencillo de Promise<\/em>, publicado el 4 de octubre de 1985, un mes antes del \u00e1lbum. Sade Adu escribi\u00f3 la letra. Martin Ditcham, el percusionista, escribi\u00f3 la m\u00fasica con ella. Robin Millar lo produjo en el Power Plant, al noroeste de Londres, con Mike Pela de ingeniero. La versi\u00f3n del \u00e1lbum dura 4:37. El sencillo brit\u00e1nico de 7 pulgadas es unos segundos m\u00e1s corto, con You’re Not the Man<\/em> en la cara B.<\/p>\n

Promise<\/em> se grab\u00f3 de febrero a agosto de 1985, sobre todo en el Power Plant, con una estancia en el Studio Miraval, en Provenza. Ditcham empez\u00f3 Taboo<\/em> como un patr\u00f3n de bater\u00eda en una Yamaha RX11 y una secuencia de acordes. Dave Early, el bater\u00eda, no quer\u00eda dejar una m\u00e1quina en la pista, as\u00ed que toc\u00f3 la parte en directo. El kit se qued\u00f3 en lo justo: sin hi-hat, sin toms. Paul Denman toc\u00f3 el bajo por DI en la sala de control, una l\u00ednea corta que no se pasea. La guitarra ac\u00fastica de Stuart Matthewman pas\u00f3 a un sampler AMS, disparada desde la bater\u00eda, y luego se ajust\u00f3 para que el loop cayera en el comp\u00e1s. La voz principal de Adu, un Neumann U87 en la sala de control, se grab\u00f3 en tomas completas. Pela ha dicho que era aireada, y que no la compusieron hasta gastarla.<\/p>\n

Los extras explican por qu\u00e9 el disco no suena a una balada quiet storm lisa. Ditcham y Early se sentaron en mesas de caf\u00e9. Early soplaba una botella. La hoja de pistas llamaba a esas botellas porky pipes. Ditcham golpeaba vasos con un tenedor. Se re\u00edan tanto que Pela tuvo que ponerle una puerta a la toma. La lluvia del intro y del final sali\u00f3 de un disco de efectos. El trueno fue un ampli Roland, con la reverb alta, soltado a unos cent\u00edmetros para que sonaran los muelles. En el estribillo, unas l\u00edneas a medio hablar pasaban por un vocoder. Los metales del puente: Matthewman al tenor, Terry Bailey a la trompeta, Pete Beachill al tromb\u00f3n. El v\u00eddeo de Brian Ward pone a la banda en un loft de Nueva York y corta a escenas de desierto rodadas en Andaluc\u00eda. La historia sigue en el clip de Is It a Crime?<\/em>.<\/p>\n

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Luego, al final, mientras lo repas\u00e1bamos y Sade cantaba en el estudio, Dave y Martin golpeaban vasos de vino y ceniceros. El micro de Sade lo capt\u00f3 y acabamos usando esa toma.<\/p>\n<\/blockquote>\n

(Stuart Matthewman, International Musician, diciembre de 1985)<\/em><\/p>\n

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Reino Unido lleg\u00f3 al 31. Estados Unidos hizo lo contrario. El Hot 100 alcanz\u00f3 el n\u00famero 5 en marzo de 1986, con 13 semanas en el top 40 y 22 semanas en la lista en total. Fue n\u00famero 1 en el Adult Contemporary de Billboard, el segundo seguido de la banda despu\u00e9s de Smooth Operator<\/em>, y n\u00famero 3 en la lista R&B. La lista black contemporary de Cash Box tambi\u00e9n lleg\u00f3 al n\u00famero 1. El Adult Contemporary de Canad\u00e1 lleg\u00f3 al 1. Irlanda lleg\u00f3 al 11. La lista de sencillos de Pa\u00edses Bajos lleg\u00f3 al 12. En el balance de 1986 del Hot 100 qued\u00f3 en el puesto 55.<\/p>\n

La frase del quiet storm nombra el formato de radio nocturna estadounidense que pon\u00eda este tipo de disco. La banda no se detuvo en un lema para ese formato. Apilaron percusi\u00f3n, samplearon una guitarra y guardaron una voz que no empuja. Promise<\/em> sali\u00f3 el 4 de noviembre de 1985. The Sweetest Taboo<\/em> ya era el sencillo que le dec\u00eda a Am\u00e9rica que el segundo \u00e1lbum no ser\u00eda una copia de Diamond Life<\/em>.<\/p>\n

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