{"id":21044,"date":"2014-01-17T16:00:00","date_gmt":"2014-01-17T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/im-the-boy-serge-gainsbourg-stravinsky-under-a-new-jersey-funk-track\/"},"modified":"2026-09-26T23:59:51","modified_gmt":"2026-09-26T21:59:51","slug":"im-the-boy-serge-gainsbourg-stravinsky-under-a-new-jersey-funk-track","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/im-the-boy-serge-gainsbourg-stravinsky-under-a-new-jersey-funk-track\/","title":{"rendered":"I&#8217;m the Boy &#8211; Serge Gainsbourg: Stravinski bajo un funk de Nueva Jersey"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Una l\u00ednea de fagot de La consagraci\u00f3n, sobre una caja de ritmos<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En junio de 1984, en House of Music, West Orange, Nueva Jersey, Serge Gainsbourg busca un marco americano. Billy Rush toca la guitarra, el bajo y la caja de ritmos. Larry Fast programa los sintetizadores. Stan Harrison toca el saxo. George y Steve Simms, los hermanos que hab\u00edan cantado con David Bowie, apilan los coros. John Rollo graba, con Nelson Ayres de asistente. Philippe Lerichomme coproduce con Rush. El \u00e1lbum es <em>Love on the Beat<\/em>, en Philips, publicado el 2 de octubre de 1984, mezclado por Larry Alexander en el Power Station de Nueva York. Gainsbourg canta y toca el sintetizador. Despu\u00e9s de los a\u00f1os reggae, quiere funk y rock tocados por gente que vive en eso.<\/p>\n<p style=\"text-align: justify;\"><em>I&#8217;m the Boy<\/em> est\u00e1 en la cara B, cuatro minutos y veintiocho segundos. El estribillo levanta una melod\u00eda que coincide con la l\u00ednea de fagot que abre <em>La consagraci\u00f3n de la primavera<\/em> de Stravinski, el tema que arm\u00f3 una pelea en 1913, aparcado aqu\u00ed bajo una caja de ritmos y una respuesta de saxo. El gancho en ingl\u00e9s, \u00abI&#8217;m the boy that can enjoy invisibility\u00bb, sale de un fragmento de canci\u00f3n al principio del <em>Ulises<\/em> de Joyce. Alrededor, las estrofas en franc\u00e9s pasan por las sombras, los hombres entre hombres, y una noche sexual sin rodeos: bares, backrooms, la ciudad despu\u00e9s del cierre. En un disco que ya iba hacia el esc\u00e1ndalo, con <em>Lemon Incest<\/em> cantado con Charlotte sobre el Estudio op. 10 n.\u00ba 3 de Chopin, este es el tema que habla del deseo gay sin poner un nombre cl\u00e1sico en el t\u00edtulo. La l\u00ednea cl\u00e1sica est\u00e1 escondida en la melod\u00eda.<\/p>\n<p style=\"text-align: justify;\">La toma de estudio es seca y clara. La guitarra y el bajo de Rush se encajan en los sintes de Fast. El saxo de Harrison responde a la voz. Los hermanos Simms engrosan el estribillo. Gainsbourg no grita. Coloca las palabras. El mismo a\u00f1o Philips prensa un disco promo de entrevista con Philippe Man\u0153uvre, fragmentos del \u00e1lbum alrededor de la conversaci\u00f3n, y un trozo de <em>I&#8217;m the Boy<\/em> est\u00e1 ah\u00ed. El sello oye el tema como parte del argumento del disco, no como un resto.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">I&#8217;m the boy that can enjoy invisibility.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Serge Gainsbourg, \u00abI&#8217;m the Boy\u00bb, Love on the Beat, 1984)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb21039&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700021039{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Un a\u00f1o despu\u00e9s lleva una versi\u00f3n m\u00e1s corta al escenario. El 3, el 4 y el 5 de octubre de 1985 en el Casino de Paris, Rush dirige, John Kumnick toca el bajo, Gary Georgett los teclados, Tony \u00abThunder\u00bb Smith la bater\u00eda, Harrison vuelve al saxo y los hermanos Simms siguen cantando. La canci\u00f3n abre con m\u00e1s de dos minutos de bajo antes de la voz. El \u00e1lbum en directo <em>Gainsbourg Live<\/em> (1986) guarda estrofas escogidas y no todo el texto de estudio: la sombra, el hombre entre los hombres, la \u00faltima l\u00ednea sin rodeos. La grabaci\u00f3n del reproductor, aqu\u00ed, es esa noche, no un remaster del m\u00e1ster de Nueva Jersey. La composici\u00f3n, el robo a Stravinski, la l\u00ednea de Joyce y el tema son el disco de 1984.<\/p>\n<p style=\"text-align: justify;\">Empieza por la toma de estudio si quieres el saxo y la caja de ritmos clavados a la forma del fagot. Usa la versi\u00f3n del Casino si quieres o\u00edr a la banda estirar la intro hasta que el estribillo suene a desaf\u00edo. En los dos casos es Gainsbourg haciendo lo que a menudo hac\u00eda con la m\u00fasica cl\u00e1sica, solo que esta vez la l\u00ednea robada es m\u00e1s dif\u00edcil de ver, y la letra no se esconde detr\u00e1s.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>En junio de 1984, en House of Music, West Orange, Serge Gainsbourg esconde un motivo de Stravinski en un funk sobre la noche.<\/p>\n","protected":false},"author":1,"featured_media":21036,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,273,299,278],"tags":[272,458,961,906],"class_list":["post-21044","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-chronicles","category-criticas","category-tracks","tag-newwave-electro-triphop","tag-newwave-electro-triphop-es","tag-serge-gainsbourg-es","tag-serge-gainsbourg"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>I&#039;m the Boy - Serge Gainsbourg: Stravinski bajo un funk de Nueva Jersey - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/im-the-boy-serge-gainsbourg-stravinsky-under-a-new-jersey-funk-track\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I&#039;m the Boy - Serge Gainsbourg: Stravinski bajo un funk de Nueva Jersey - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"En junio de 1984, en House of Music, West Orange, Serge Gainsbourg esconde un motivo de Stravinski en un funk sobre la noche.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/im-the-boy-serge-gainsbourg-stravinsky-under-a-new-jersey-funk-track\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2014-01-17T15:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T21:59:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/boy-feat.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/tracks\\\/im-the-boy-serge-gainsbourg-stravinsky-under-a-new-jersey-funk-track\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/tracks\\\/im-the-boy-serge-gainsbourg-stravinsky-under-a-new-jersey-funk-track\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"I&#8217;m the Boy &#8211; 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