{"id":21055,"date":"2016-03-17T19:00:00","date_gmt":"2016-03-17T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/la-javanaise-serge-gainsbourg-written-overnight-for-juliette-greco\/"},"modified":"2026-09-27T00:00:21","modified_gmt":"2026-09-26T22:00:21","slug":"la-javanaise-serge-gainsbourg-written-overnight-for-juliette-greco","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/la-javanaise-serge-gainsbourg-written-overnight-for-juliette-greco\/","title":{"rendered":"La Javanaise – Serge Gainsbourg: escrita de noche para Juliette Gr\u00e9co"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

La ma\u00f1ana despu\u00e9s del champ\u00e1n, 33 rue de Verneuil<\/h3>\n

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Verano de 1962, 33 rue de Verneuil, el gran sal\u00f3n de Juliette Gr\u00e9co en Saint-Germain. Discos, champ\u00e1n. Gainsbourg sigue siendo el telonero de algunas de sus noches, todav\u00eda no el nombre del cartel. Gr\u00e9co contar\u00e1 la historia sin el idilio que la gente quer\u00eda o\u00edr. \u00c9l se va a casa, no duerme, y a la noche siguiente llega con una hoja, se sienta al piano y canta La Javanaise<\/em>. Lo que pas\u00f3 entre ellos, dice ella, fue una canci\u00f3n, y no de las menores. El t\u00edtulo se deposita en la SACEM el 8 de octubre de 1962. Juega con dos cosas a la vez: la java, el vals parisino, y el javan\u00e9s, la jerga que mete el sonido \u00abav\u00bb en las palabras. Gainsbourg construye la letra con palabras francesas que ya contienen ese sonido, as\u00ed que el idioma parece cifrado y no lo est\u00e1.<\/p>\n

\u00c9l la graba primero. Entre el 2 y el 5 de enero de 1963, en el Studio Fontana de Londres, una sala de Philips, Jacques Plait es el director art\u00edstico y el arreglista escoc\u00e9s Harry Robinson dirige. Las partituras de Robinson alejan la canci\u00f3n de las orquestaciones de Alain Goraguer en los discos anteriores de Gainsbourg, hacia un sonido de cuerdas m\u00e1s claro, m\u00e1s brit\u00e1nico. La toma dura 2:29. Philips la publica en marzo de 1963 en el EP Vilaine fille, mauvais gar\u00e7on<\/em> (432-862), como cara B, junto a canciones escritas para Brigitte Bardot y Petula Clark. El vals es lento, a tres tiempos, y la voz se queda cerca, casi hablada.<\/p>\n

La versi\u00f3n de Gr\u00e9co viene despu\u00e9s. Ella ya hab\u00eda puesto la canci\u00f3n al frente de su gira de cabaret de marzo de 1963, La T\u00eate de l’art. El 4 de abril de 1963 la graba en el Studio Blanqui de Par\u00eds, arreglos de Jean-Michel Defaye, el orquestador habitual de L\u00e9o Ferr\u00e9, un color m\u00e1s c\u00e1lido que el de Robinson. Philips guarda su toma para el \u00e1lbum de mayo, el disco que luego se conoce como N\u00b08<\/em>, en lugar de un single competidor, m\u00e1s un 45 canadiense. En el escenario ya es suya. La conservar\u00e1 d\u00e9cadas: un directo de 1966 en el Th\u00e9\u00e2tre National Populaire, una nueva versi\u00f3n en 1982 y otra en 1998 despu\u00e9s de la muerte de Gainsbourg.<\/p>\n

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\n

Lo que pas\u00f3 fue una canci\u00f3n, y no de las menores.<\/p>\n<\/blockquote>\n

(Juliette Gr\u00e9co, sobre la noche en que se escribi\u00f3 la canci\u00f3n, 1962)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb21050″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700021050{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

La melod\u00eda tiene un primo. En 1957 Boris Vian escribe La java javanaise<\/em> para Louis Massis, con m\u00fasica de Alain Goraguer, que orquestar\u00e1 a Gainsbourg. La canci\u00f3n de 1963 no es esa pieza, pero el juego de palabras ya est\u00e1 en el aire. El disco del propio Gainsbourg no estalla en 1963 como lo hace la versi\u00f3n de escenario de Gr\u00e9co a partir de 1964. \u00c9l vuelve a la letra en 1979 en el \u00e1lbum de Kingston, retitulada Javanaise remake<\/em>, con el texto cambiado y la misma banda de las I-Threes que detr\u00e1s de Aux armes et caetera<\/em>. En octubre de 1985, en el Casino de Paris, vuelve a cantar la canci\u00f3n de 1963. El \u00e1lbum en directo la deja por debajo de los tres minutos, m\u00e1s quieta que los n\u00fameros funk de alrededor. El reproductor, aqu\u00ed, es esa noche posterior. La canci\u00f3n es el m\u00e1ster de Londres.<\/p>\n

La grabaci\u00f3n que hay que conocer es Fontana: las cuerdas de Robinson, el juego del \u00abav\u00bb, dos minutos y medio, marzo de 1963. La toma de Gr\u00e9co en Blanqui es la otra puerta, m\u00e1s c\u00e1lida, m\u00e1s cabaret. La noche del Casino es una visita, no un reemplazo. La canci\u00f3n se escribi\u00f3 en una noche y se arregl\u00f3 en Londres unos meses despu\u00e9s. Esa es toda su escala, y basta.<\/p>\n

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En el verano de 1962, despu\u00e9s de una noche en casa de Juliette Gr\u00e9co, Serge Gainsbourg vuelve al d\u00eda siguiente con La Javanaise.<\/p>\n","protected":false},"author":1,"featured_media":21047,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,273,299,278],"tags":[256,468,906,961],"class_list":["post-21055","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-chronicles","category-criticas","category-tracks","tag-pop","tag-pop-es-2","tag-serge-gainsbourg","tag-serge-gainsbourg-es"],"yoast_head":"\nLa Javanaise - Serge Gainsbourg: escrita de noche para Juliette Gr\u00e9co - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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