{"id":21077,"date":"2011-02-04T09:00:00","date_gmt":"2011-02-04T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/god-save-the-queen-sex-pistols-jubilee-week-banned-and-stuck-at-number-two\/"},"modified":"2026-09-27T01:16:41","modified_gmt":"2026-09-26T23:16:41","slug":"god-save-the-queen-sex-pistols-jubilee-week-banned-and-stuck-at-number-two","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/god-save-the-queen-sex-pistols-jubilee-week-banned-and-stuck-at-number-two\/","title":{"rendered":"God Save The Queen – Sex Pistols: la semana del Jubileo, prohibida y clavada en el n\u00famero dos"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Una portada plateada, una prohibici\u00f3n de la BBC, un blanco en la lista<\/h3>\n

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La canci\u00f3n no nace en la semana del Jubileo. Escrita en 1976 como No Future<\/em>, deb\u00eda salir en marzo de 1977 en A&M. El sello deja caer a la banda a los diez d\u00edas. Unos pocos prensados de A&M sobreviven y se vuelven caros. Virgin publica el single el 27 de mayo de 1977, cat\u00e1logo VS181, portada azul y plata con los colores del Jubileo de plata, la reina de Jamie Reid con un imperdible en el labio. La cara B es Did You No Wrong<\/em>. Se grab\u00f3 en marzo de 1977 en Wessex, Londres, con Chris Thomas de productor y Bill Price de ingeniero. La voz es Johnny Rotten. Guitarra y bajo, Steve Jones. Bater\u00eda, Paul Cook. Sid Vicious ya ha sustituido a Glen Matlock y no toca en la toma final. El cr\u00e9dito de autores sigue incluyendo a Matlock, que estaba en la banda cuando se construy\u00f3 la canci\u00f3n.<\/p>\n

La letra llama a la monarqu\u00eda r\u00e9gimen fascista y a la reina \u00abno human being\u00bb, y repite que no hay futuro en el sue\u00f1o de Inglaterra. El 31 de mayo la BBC la proh\u00edbe. Charles McLelland, jefe de Radio 2, habla de muy mal gusto. Tiendas, entre ellas Woolworths, no quieren tenerla. El diputado laborista Marcus Lipton dice que si el pop va a usarse para destruir las instituciones, hay que destruirlo primero. El single entra en la lista oficial el 4 de junio de 1977 y llega al n\u00famero 2 el 11 de junio, por detr\u00e1s de I Don’t Want to Talk About It<\/em> de Rod Stewart. Se queda nueve semanas. Malcolm McLaren y la banda insisten en que la lista se ama\u00f1\u00f3, que se dejaron fuera las ventas de las tiendas Virgin, que vendieron m\u00e1s que Stewart. El pico oficial sigue siendo el 2. Durante una quincena el disco est\u00e1 en todas partes y, en algunas listas impresas, es un blanco donde deber\u00eda ir el t\u00edtulo.<\/p>\n

El 7 de junio, semana del Jubileo, la banda toca un set corto en un barco, el Queen Elizabeth, en el T\u00e1mesis, a la vista del Parlamento. Entran Anarchy in the U.K.<\/em> y God Save the Queen<\/em>. La polic\u00eda sube a bordo. McLaren est\u00e1 entre los detenidos. La banda, no. Julien Temple los filma. Las im\u00e1genes del r\u00edo se convierten en la foto que se pega al single. El disco en s\u00ed es la toma de marzo en Wessex: la guitarra de Jones en overdubs apilados, la caja de Cook, Rotten entregando el estribillo como un canto de estadio y una amenaza a la vez.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

No escribes God Save the Queen porque odies al pueblo ingl\u00e9s. Escribes una canci\u00f3n as\u00ed porque lo quieres, y porque est\u00e1s harto de verlo maltratado.<\/p>\n<\/blockquote>\n

(John Lydon)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb21072″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700021072{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

La lista hace lo contrario del mito. Never Mind the Bollocks, Here’s the Sex Pistols<\/em>, publicado el 28 de octubre de 1977, vuelve a meter el single en un \u00e1lbum y llega al n\u00famero uno. Paul Cook llamar\u00e1 despu\u00e9s a God Save the Queen<\/em> la cima, y dir\u00e1 que a partir de ah\u00ed todo se agri\u00f3. La gira americana y el final en el Winterland en enero de 1978 son la parte agria. El single es el pico: una canci\u00f3n, una prohibici\u00f3n, un barco, un n\u00famero 2 del que el pa\u00eds discuti\u00f3 m\u00e1s que del n\u00famero 1.<\/p>\n

La grabaci\u00f3n que hay que poner es el m\u00e1ster Virgin de 1977, no una campa\u00f1a de remaster posterior. El bajo de Jones, porque Sid no est\u00e1. El estribillo, porque la prohibici\u00f3n iba de esas l\u00edneas. Si quieres el d\u00eda mismo, las im\u00e1genes del T\u00e1mesis son el documento. La canci\u00f3n es m\u00e1s corta que su leyenda, y por eso sigue funcionando: tres minutos, un t\u00edtulo de himno robado, y un puesto en la lista que los peri\u00f3dicos no quer\u00edan imprimir.<\/p>\n

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