{"id":21426,"date":"2008-12-18T19:00:00","date_gmt":"2008-12-18T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/pretty-vacant-sex-pistols-matlock-oyo-sos-rotten-doblo-la-ultima-silaba\/"},"modified":"2026-09-27T01:16:14","modified_gmt":"2026-09-26T23:16:14","slug":"pretty-vacant-sex-pistols-matlock-oyo-sos-rotten-doblo-la-ultima-silaba","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/pretty-vacant-sex-pistols-matlock-oyo-sos-rotten-doblo-la-ultima-silaba\/","title":{"rendered":"Pretty Vacant – Sex Pistols: Matlock oy\u00f3 SOS, Rotten dobl\u00f3 la \u00faltima s\u00edlaba"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Un riff salido de SOS, y un n\u00famero seis que les dejaron tener<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Glen Matlock escribi\u00f3 Pretty Vacant<\/em> antes de que lo empujaran fuera de los Sex Pistols, y el gancho lleg\u00f3 en un bar. Ha seguido el riff descendente hasta SOS<\/em> de ABBA, o\u00eddo en la gramola de Moonies, en Charing Cross Road, mientras se gastaba el subsidio. La letra arranca de un cartel de Richard Hell que Malcolm McLaren trajo de Nueva York, el que anunciaba Blank Generation<\/em>. Matlock ley\u00f3 el \u00e1nimo al rev\u00e9s, a prop\u00f3sito. Quer\u00eda un sentimiento vac\u00edo, en blanco, que aun as\u00ed se moviera.<\/p>\n

Escribi\u00f3 la letra, y luego Rotten reescribi\u00f3 un par de l\u00edneas de la segunda estrofa. El borrador de Matlock se encog\u00eda de hombros camino del pub. La l\u00ednea de Rotten, \u00abStop your cheap comments, we know we’re for real\u00bb, es la que se qued\u00f3. Los acordes del estribillo, dice Matlock, salen directos de Wham Bam, Thank You Ma’am<\/em> de los Small Faces, el mismo R&B londinense que los Pistols ven\u00edan pateando desde 1975. Una demo de Denmark Street, de julio de 1976, se filtr\u00f3 despu\u00e9s en el bootleg Spunk<\/em> como Lots of Fun<\/em>.<\/p>\n

Cuando Virgin publica el single, el 1 de julio de 1977, Matlock ya no est\u00e1. El m\u00e1ster, cortado en Wessex en marzo, otra vez con Chris Thomas y Bill Price, tiene a Rotten cantando, a Paul Cook en la bater\u00eda y a Steve Jones en la guitarra y en el bajo. Sid Vicious es el bajista que el p\u00fablico ve. No es su bajo en este disco. La cara B es una versi\u00f3n cruda de No Fun<\/em> de los Stooges, sacada de las viejas demos de Goodman.<\/p>\n

El single entra en la lista brit\u00e1nica en el 45 el 9 de julio y llega al n\u00famero 6 el 30 de julio, cat\u00e1logo VS 184. Es el primer disco de los Pistols que la radio acepta de verdad, sobre todo porque suena menos a insulto directo que Anarchy in the UK<\/em> o God Save the Queen<\/em>. El truco de Rotten est\u00e1 en la vocal. Apoya la \u00faltima s\u00edlaba de \u00abvacant\u00bb hasta que cae como otra cosa. Bastantes programadores no lo oyeron.<\/p>\n

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\n

Pretty Vacant es una especie de grito primario: no sabemos qu\u00e9 vamos a hacer, pero lo vamos a hacer igual.<\/p>\n<\/blockquote>\n

(Glen Matlock, Uncut, junio de 2022)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb21421″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_17590016781{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

El 11 de julio de 1977 la banda rueda un promo en los estudios de ITN, en Wells Street, dirigido por Mike Mansfield. Le tiran cerveza a un c\u00e1mara y los echan. Vuelven el 12 y lo terminan. El 14 de julio, Top of the Pops pone el clip, contra la voluntad del grupo y contra la prohibici\u00f3n que el programa ya se hab\u00eda impuesto. Es su primera aparici\u00f3n en el show, y ellos no est\u00e1n en el edificio.<\/p>\n

El disco que hay que poner es ese, no la ficha de cat\u00e1logo de un remaster de 2012. El bajo de Jones sigue la figura de guitarra en lugar de sentarse debajo, Cook mantiene la caja seca, y Rotten suena divertido m\u00e1s que heroico. Un n\u00famero 6, ocho semanas en la lista, y un riff tomado de ABBA en un bar de Charing Cross: as\u00ed consiguieron los Pistols un \u00e9xito que la BBC acept\u00f3 mostrar.<\/p>\n

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Glen Matlock escribi\u00f3 Pretty Vacant antes de que lo empujaran fuera de los Sex Pistols, y el gancho lleg\u00f3 en un bar. Ha seguido el riff descendente hasta SOS de ABBA, o\u00eddo en la gramola de Moonies, en Charing Cross Road, mientras se gastaba el subsidio. La letra arranca de un cartel de Richard Hell que Malcolm McLaren trajo de Nueva York, el que anunciaba Blank Generation. Matlock ley\u00f3 el \u00e1nimo al rev\u00e9s, a prop\u00f3sito. Quer\u00eda un sentimiento vac\u00edo, en blanco, que aun as\u00ed se moviera.<\/p>\n","protected":false},"author":1,"featured_media":21418,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[268,327],"class_list":["post-21426","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-alternative-indie-punk","tag-sex-pistols"],"yoast_head":"\nPretty Vacant - Sex Pistols: Matlock oy\u00f3 SOS, Rotten dobl\u00f3 la \u00faltima s\u00edlaba - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/pretty-vacant-sex-pistols-matlock-oyo-sos-rotten-doblo-la-ultima-silaba\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pretty Vacant - Sex Pistols: Matlock oy\u00f3 SOS, Rotten dobl\u00f3 la \u00faltima s\u00edlaba - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Glen Matlock escribi\u00f3 Pretty Vacant antes de que lo empujaran fuera de los Sex Pistols, y el gancho lleg\u00f3 en un bar. 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