{"id":21444,"date":"2016-02-16T11:00:00","date_gmt":"2016-02-16T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/isnt-she-lovely-stevie-wonder-un-bano-en-la-cinta-y-ningun-sencillo\/"},"modified":"2026-09-27T01:17:49","modified_gmt":"2026-09-26T23:17:49","slug":"isnt-she-lovely-stevie-wonder-un-bano-en-la-cinta-y-ningun-sencillo","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/isnt-she-lovely-stevie-wonder-un-bano-en-la-cinta-y-ningun-sencillo\/","title":{"rendered":"Isn’t She Lovely – Stevie Wonder: un ba\u00f1o en la cinta, y ning\u00fan sencillo"},"content":{"rendered":"

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La cara tres se abre con un llanto que no quiso cortar<\/h3>\n

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Isn’t She Lovely<\/em> abre la tercera cara de Songs in the Key of Life<\/em>, el doble \u00e1lbum que Tamla publica el 28 de septiembre de 1976. Wonder lo escribe para su hija Aisha Morris, nacida en febrero de 1975, de \u00e9l y de Yolanda Simmons. El tema no empieza con una estrofa. Empieza con el llanto de un reci\u00e9n nacido. Ese llanto no es el de Aisha. El ba\u00f1o, al otro extremo de la canci\u00f3n, s\u00ed. Se oye el agua, una protesta peque\u00f1a, y a Wonder gui\u00e1ndola: vamos, sal por el otro lado.<\/p>\n

Toca casi todo. Bater\u00eda, percusi\u00f3n, bajo sintetizado, Fender Rhodes, RMI Electra Piano, arm\u00f3nica crom\u00e1tica, la voz. Greg Phillinganes a\u00f1ade algunas partes de teclado. El bajista Nathan Watts graba una l\u00ednea gu\u00eda para que Wonder tenga un mapa, y Wonder la sustituye por su propio bajo de teclado. El solo de arm\u00f3nica se improvisa en la sala y se queda. Los ingenieros John Fischbach y Gary Olazabal son los nombres en la hoja de sesi\u00f3n de las largas tomas de Key of Life<\/em> que producen el tema. La canci\u00f3n terminada dura 6 minutos 34, y el ba\u00f1o y el solo se reparten el fundido.<\/p>\n

Motown quiere un sencillo de 7 pulgadas. Wonder no acepta acortarlo para el formato. Un edit promocional, poco m\u00e1s de tres minutos, sale a la radio a finales de 1976, con el llanto recortado y el final adelantado. No hay single comercial en Estados Unidos. La difusi\u00f3n igual empuja la canci\u00f3n al n\u00famero 23 de la lista adult contemporary de Billboard en enero de 1977. En Gran Breta\u00f1a roza la lista solo con el aire. El \u00e1lbum ya hab\u00eda pasado trece semanas en el n\u00famero uno. No necesita que esta canci\u00f3n sea un single, y lo trata como una decisi\u00f3n musical, no como un truco.<\/p>\n

Yolanda est\u00e1 en la letra, cantada como Londi, la persona a la que la \u00faltima estrofa da las gracias. El nombre de Aisha se glosa en la propia canci\u00f3n: vida. El disco es un anuncio de nacimiento que se niega a comportarse como tal. Es alegre, y tambi\u00e9n son seis minutos de un hombre tocando una banda, con una ni\u00f1a real audible al final.<\/p>\n

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\n

Vamos, Aisha. Sal del agua, nena.<\/p>\n<\/blockquote>\n

(Stevie Wonder, en la grabaci\u00f3n, 1976)<\/em><\/p>\n

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La versi\u00f3n que merece o\u00edrse es el corte de \u00e1lbum. El edit promo demuestra el argumento por lo que quita: el llanto, casi toda la arm\u00f3nica, el ba\u00f1o. Sin eso es una sucesi\u00f3n bonita de acordes. Con eso es un documento. Los cantantes de jazz se quedaron los acordes igual. Se volvi\u00f3 un est\u00e1ndar sin haber tenido nunca un single de verdad, que es una forma rara de ser un \u00e9xito.<\/p>\n

En junio de 2012 Wonder la canta en el concierto del jubileo de diamante de la reina y dobla la letra hacia Elizabeth. La grabaci\u00f3n de 1976 no necesita esa ocasi\u00f3n. Ya tiene a la ni\u00f1a para la que fue escrita, en la cinta, neg\u00e1ndose a salir del ba\u00f1o, mientras la arm\u00f3nica sigue. Ese es el tema. Las compilaciones que lo archivan como extra deluxe solo est\u00e1n clasificando.<\/p>\n

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Isn’t She Lovely abre la tercera cara de Songs in the Key of Life, el doble \u00e1lbum que Tamla publica el 28 de septiembre de 1976. Wonder lo escribe para su hija Aisha Morris, nacida en febrero de 1975, de \u00e9l y de Yolanda Simmons. El tema no empieza con una estrofa. Empieza con el llanto de un reci\u00e9n nacido. Ese llanto no es el de Aisha. El ba\u00f1o, al otro extremo de la canci\u00f3n, s\u00ed. Se oye el agua, una protesta peque\u00f1a, y a Wonder gui\u00e1ndola: vamos, sal por el otro lado.<\/p>\n","protected":false},"author":1,"featured_media":21436,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[537,778],"class_list":["post-21444","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-soul-rb","tag-stevie-wonder"],"yoast_head":"\nIsn't She Lovely - Stevie Wonder: un ba\u00f1o en la cinta, y ning\u00fan sencillo - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/isnt-she-lovely-stevie-wonder-un-bano-en-la-cinta-y-ningun-sencillo\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Isn't She Lovely - Stevie Wonder: un ba\u00f1o en la cinta, y ning\u00fan sencillo - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Isn't She Lovely abre la tercera cara de Songs in the Key of Life, el doble \u00e1lbum que Tamla publica el 28 de septiembre de 1976. 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