{"id":21453,"date":"2016-06-20T19:00:00","date_gmt":"2016-06-20T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/as-stevie-wonder-dos-rhodes-luego-el-puente-del-predicador\/"},"modified":"2026-09-27T02:00:24","modified_gmt":"2026-09-27T00:00:24","slug":"as-stevie-wonder-dos-rhodes-luego-el-puente-del-predicador","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/as-stevie-wonder-dos-rhodes-luego-el-puente-del-predicador\/","title":{"rendered":"As – Stevie Wonder: dos Rhodes, luego el puente del predicador"},"content":{"rendered":"

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Siete minutos en el \u00e1lbum, la mitad cuando Tamla parpade\u00f3<\/h3>\n

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As<\/em> est\u00e1 en el segundo disco de Songs in the Key of Life<\/em>, el doble \u00e1lbum de Tamla del 28 de septiembre de 1976, despu\u00e9s de que los singles I Wish<\/em> y Sir Duke<\/em> ya hubieran hecho el trabajo de las listas. Wonder lo produce y lo canta. No lo toca solo. Herbie Hancock est\u00e1 en un segundo Fender Rhodes, doblando el de Wonder, con palmas en el vamp. Nathan Watts toca el bajo. Dean Parks la guitarra. Gerry Brown la bater\u00eda. Mary Lee Whitney y Yolanda Simmons cantan detr\u00e1s. El corte de \u00e1lbum dura 7:08.<\/p>\n

La primera mitad es una lista que se comporta como un voto. Mientras haya sol, una rosa en mayo, una persona todav\u00eda en pie, el amor de la canci\u00f3n aguanta. La armon\u00eda es gospel a tempo de disco, Rhodes sobre Rhodes, Watts trabando el bajo con el bombo de Brown. Luego Wonder baja la voz a un ronquido y la letra deja de describir para ordenar: cambia tus palabras en verdad, y esa verdad en amor, y quiz\u00e1 los nietos lo cuenten. El ronquido es el asunto. No adorna el estribillo. Cambia de oficio, de cantante a quien habla delante de la iglesia, y luego el vamp largo sobre \u00abhey\u00bb carga los dos \u00faltimos minutos, como Hey Jude<\/em> ense\u00f1\u00f3 a los \u00e9xitos a negarse un final.<\/p>\n

Tamla espera. I Wish<\/em> es el primer single, en noviembre de 1976. Sir Duke<\/em> sigue y tambi\u00e9n llega al n\u00famero uno. Another Star<\/em> llega en el verano de 1977. As<\/em> es el \u00faltimo single, octubre de 1977, con Contusion<\/em> en la cara B. El edit del sencillo dura 3:27. Corta el puente gospel y la coda larga, o sea que corta la raz\u00f3n por la que el corte de \u00e1lbum dura siete minutos. Ese edit llega al n\u00famero 36 del Billboard Hot 100 y de la lista soul, y al 24 de easy listening. Respetable, y una canci\u00f3n m\u00e1s peque\u00f1a.<\/p>\n

La l\u00ednea de Spotify que dice \u00abedit\u00bb es ese corte de radio. La pieza que Wonder termin\u00f3 en 1976 es la larga. El Rhodes de Hancock es el detalle que impide que el tema sea un escaparate en solitario: dos teclistas, los dos famosos por otros grupos, de acuerdo en un brillo en lugar de un duelo de solos. La guitarra de Parks se queda en el ritmo. Brown no apura el backbeat cuando la voz se vuelve un serm\u00f3n.<\/p>\n

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\n

Change your words into truth and then change that truth into love.<\/p>\n<\/blockquote>\n

(Stevie Wonder, el puente de As, 1976)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb21448″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_17590016784{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

En 1979 Kimiko Kasai lo graba otra vez con Hancock, en su \u00e1lbum Butterfly<\/em>. Esa versi\u00f3n es la siguiente escucha \u00fatil: el mismo pianista, otra cantante, la armon\u00eda tirada hacia el jazz. La versi\u00f3n posterior de George Michael y Mary J. Blige demostr\u00f3 que la canci\u00f3n pod\u00eda sostener un d\u00fao. Ninguna sustituye el corte de 1976, donde los minutos que le faltan al edit son los que cambian la temperatura.<\/p>\n

Pon la duraci\u00f3n del \u00e1lbum. El primer estribillo es la promesa. El puente es la exigencia. El fundido es Hancock y Wonder todav\u00eda en el Rhodes mientras las palmas marcan el tiempo. Tamla pod\u00eda vender tres minutos y medio. El disco que public\u00f3 Wonder es el que no se detiene cuando la radio lo har\u00eda.<\/p>\n

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As est\u00e1 en el segundo disco de Songs in the Key of Life, el doble \u00e1lbum de Tamla del 28 de septiembre de 1976, despu\u00e9s de que los singles I Wish y Sir Duke ya hubieran hecho el trabajo de las listas. Wonder lo produce y lo canta. No lo toca solo. Herbie Hancock est\u00e1 en un segundo Fender Rhodes, doblando el de Wonder, con palmas en el vamp. Nathan Watts toca el bajo. Dean Parks la guitarra. Gerry Brown la bater\u00eda. Mary Lee Whitney y Yolanda Simmons cantan detr\u00e1s. El corte de \u00e1lbum dura 7:08.<\/p>\n","protected":false},"author":1,"featured_media":21445,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[537,778],"class_list":["post-21453","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-soul-rb","tag-stevie-wonder"],"yoast_head":"\nAs - Stevie Wonder: dos Rhodes, luego el puente del predicador - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/as-stevie-wonder-dos-rhodes-luego-el-puente-del-predicador\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"As - Stevie Wonder: dos Rhodes, luego el puente del predicador - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"As est\u00e1 en el segundo disco de Songs in the Key of Life, el doble \u00e1lbum de Tamla del 28 de septiembre de 1976, despu\u00e9s de que los singles I Wish y Sir Duke ya hubieran hecho el trabajo de las listas. 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