{"id":21570,"date":"2016-03-19T11:00:00","date_gmt":"2016-03-19T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/you-are-the-sunshine-of-my-life-stevie-wonder-gilstrap-sings-the-first-line\/"},"modified":"2026-09-27T02:00:21","modified_gmt":"2026-09-27T00:00:21","slug":"you-are-the-sunshine-of-my-life-stevie-wonder-gilstrap-sings-the-first-line","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/you-are-the-sunshine-of-my-life-stevie-wonder-gilstrap-sings-the-first-line\/","title":{"rendered":"You Are The Sunshine Of My Life – Stevie Wonder: Gilstrap canta la primera l\u00ednea"},"content":{"rendered":"

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Los coros primero. El Rhodes despu\u00e9s.<\/h3>\n

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La primera voz de You Are the Sunshine of My Life<\/em> no es la de Stevie Wonder. Jim Gilstrap canta las dos primeras l\u00edneas, Lani Groves las dos siguientes, y Wonder entra solo despu\u00e9s, con el Fender Rhodes ya en marcha debajo. Gloria Barley se suma a los coros. Es una puerta rara para una canci\u00f3n de amor, y es lo que se oye antes de cualquier puesto en las listas.<\/p>\n

El tema abre Talking Book<\/em>, publicado en Estados Unidos el 27 de octubre de 1972 en Tamla. Wonder lo escribi\u00f3, lo produjo, y toca el Rhodes y la bater\u00eda. Scott Edwards lleva el bajo el\u00e9ctrico, Daniel Ben Zebulon las congas. Malcolm Cecil y Robert Margouleff, la pareja del sintetizador TONTO, trabajan como productores asociados e ingenieros, con sesiones repartidas entre Electric Lady en Nueva York, Crystal Sound, Record Plant y AIR. Edwards cont\u00f3 despu\u00e9s que Wonder ten\u00eda la forma \u00e9l solo, sent\u00f3 a la banda, lo toc\u00f3, y reserv\u00f3 el estudio esa misma noche porque la sala ya sonaba a \u00e9xito.<\/p>\n

Tamla publica el single el 10 de marzo de 1973, con Tuesday Heartbreak<\/em> en la cara B. El 45 a\u00f1ade metales que la mezcla del \u00e1lbum no lleva del mismo modo. Llega al n.\u00ba 1 del Billboard Hot 100 la semana del 19 de mayo de 1973, y es el primer n.\u00ba 1 de Wonder en Easy Listening. En el Reino Unido pasa dos semanas en el n.\u00ba 7 aquel junio. En los Grammy de 1974 gana Best Male Pop Vocal Performance, con nominaciones a Record of the Year y Song of the Year.<\/p>\n

Wonder tiene 22 a\u00f1os cuando el single llega al n.\u00ba 1, ya fuera de los a\u00f1os de aprendiz en Motown y dentro de los \u00e1lbumes que controla \u00e9l mismo. Talking Book<\/em> es el disco donde las canciones de amor y los temas funk comparten un m\u00e9todo: \u00e9l toca la mayor\u00eda de los instrumentos, Cecil y Margouleff llevan el sintetizador, y los invitados est\u00e1n para un color. Aqu\u00ed ese color es el bajo de Edwards y las congas de Zebulon. Los metales llegan en el single porque la radio de 1973 todav\u00eda quiere un agudo brillante. La toma del \u00e1lbum es m\u00e1s seca, y por eso la entrada de Gilstrap se siente cerca, una voz en la habitaci\u00f3n de al lado y no un coro puesto encima de la mezcla.<\/p>\n

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\n

Hab\u00eda estado trabajando la estructura \u00e9l solo. Pero en cuanto nos tuvo a todos juntos, se puso a tocarla. Nos sumamos y todos sentimos que el ambiente y el rumbo del tema eran de \u00e9xito. Estaba tan excitado que dijo: esta noche vamos al estudio y lo grabamos.<\/p>\n<\/blockquote>\n

(Scott Edwards, Songfacts)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb21565″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700021565{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

El arreglo se queda ligero a prop\u00f3sito. Acordes de Rhodes, un bajo redondo, congas contra la bater\u00eda de Wonder, los coros que caen en un motivo suave cuando \u00e9l toma la melod\u00eda. Despu\u00e9s del ataque de clavinet de Superstition<\/em>, el single anterior del mismo \u00e1lbum, este vende la facilidad. Ese contraste es el punto de Talking Book<\/em>: un disco, dos maneras de ser n.\u00ba 1 pop.<\/p>\n

Las versiones llegan r\u00e1pido, Frank Sinatra entre ellas, pero la toma que importa es la de 1972. Pon la versi\u00f3n del \u00e1lbum, no una portada de \u00e9xitos posterior. Gilstrap sigue abriendo la puerta. Wonder sigue esperando dos l\u00edneas. El Rhodes sigue sonando a alguien que hab\u00eda terminado la canci\u00f3n en la cabeza antes de que la banda se sentara.<\/p>\n

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En el verano de 1972, en Electric Lady en Nueva York, Jim Gilstrap canta la apertura de You Are the Sunshine of My Life antes de que Stevie Wonder tome la voz.<\/p>\n","protected":false},"author":1,"featured_media":21562,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,273,299,278],"tags":[537,538,778,1026],"class_list":["post-21570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-chronicles","category-criticas","category-tracks","tag-soul-rb","tag-soul-rb-es","tag-stevie-wonder","tag-stevie-wonder-es"],"yoast_head":"\nYou Are The Sunshine Of My Life - Stevie Wonder: Gilstrap canta la primera l\u00ednea - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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