{"id":21691,"date":"2008-10-08T19:00:00","date_gmt":"2008-10-08T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/time-supergrass-rainy-living-room-then-the-slow-side-of-a-number-two\/"},"modified":"2026-09-27T03:11:05","modified_gmt":"2026-09-27T01:11:05","slug":"time-supergrass-rainy-living-room-then-the-slow-side-of-a-number-two","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/time-supergrass-rainy-living-room-then-the-slow-side-of-a-number-two\/","title":{"rendered":"Time – Supergrass: sal\u00f3n bajo la lluvia, y la cara lenta de un n\u00famero dos"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

La otra cara A, con arm\u00f3nica en lugar de la sonrisa<\/h3>\n

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Mick Quinn recordaba un d\u00eda de lluvia en su sal\u00f3n. Gaz Coombes apareci\u00f3 con una secuencia de acordes, la tocaron del tir\u00f3n, y el boceto acab\u00f3 en un cuatro pistas. Eso era Time<\/em>, tema 11 de I Should Coco<\/em>, y la segunda cara A del single que se iba a quedar en el n\u00famero dos. No esprinta. Caught by the Fuzz<\/em> y Mansize Rooster<\/em> son el repertorio de pub a fondo. Time<\/em> se sienta: un blues lento, Gaz menos bromista, y un solo de arm\u00f3nica que los cr\u00e9ditos de la sesi\u00f3n dan a Quinn.<\/p>\n

Las sesiones del \u00e1lbum se partieron en dos. La primera, pagada con turnos en un Harvester, fueron seis canciones en cinco d\u00edas en Sawmills, Cornualles, con el productor Sam Williams ya en la sala. El presupuesto de Parlophone compr\u00f3 despu\u00e9s una estancia m\u00e1s larga. MusicBrainz sit\u00faa Time<\/em> entre febrero y agosto de 1994, John Cornfield de ingeniero, Williams a los teclados, Quinn al bajo y la arm\u00f3nica, Danny Goffey a la bater\u00eda, Gaz a la guitarra y la voz. En el 30 aniversario Coombes le dijo a The Independent que cuanto m\u00e1s entraban en la reserva de hierba del estudio, m\u00e1s psicod\u00e9lico se volv\u00eda el disco. Time<\/em> y los seis minutos de Sofa (Of My Lethargy)<\/em> son donde se oye. Danny ha dicho que las ocho o nueve primeras canciones van a unas 150 millas por hora. Estas dos son donde el tempo baja y se deja ver la escucha de Beatles y Kinks.<\/p>\n

Como single, Time<\/em> no tuvo las bicicletas. Alright<\/em> s\u00ed. Dom and Nic rodaron igual un v\u00eddeo, colgado despu\u00e9s por la banda en HD, pero la historia de la lista era la doble cara A. Publicado el 3 de julio de 1995 en Parlophone, Alright\/Time<\/em> entr\u00f3 en la Official Singles Chart en el n\u00famero dos el 15 de julio y pas\u00f3 diez semanas en ella. El disco llevaba tambi\u00e9n Condition<\/em>, su versi\u00f3n de Just Dropped In (To See What Condition My Condition Was In)<\/em> de Mickey Newbury, un hit de Kenny Rogers, y Je suis votre papa sucre<\/em>, un instrumental corto. I Should Coco<\/em> hab\u00eda llegado el 15 de mayo de 1995 y hab\u00eda sido n\u00famero uno. Time<\/em> ya estaba ah\u00ed, esperando, mientras Alright<\/em> se convert\u00eda en la canci\u00f3n que los desconocidos reconoc\u00edan en la calle.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Recuerdo escribir esa canci\u00f3n en mi sal\u00f3n un d\u00eda de lluvia, y Gaz apareci\u00f3 con esta secuencia de acordes, la tocamos del tir\u00f3n y la grabamos en un 4 pistas.<\/p>\n<\/blockquote>\n

(Mick Quinn, BBC Radio London, 2005)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb21686″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700021686{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

La l\u00f3gica de la cara B importa. Parlophone podr\u00eda haber enterrado Time<\/em>. En cambio se sent\u00f3 al mismo nivel que el hit, y por eso el n\u00famero de cat\u00e1logo que la gente recuerda es el doble encabezado. Quien solo conoc\u00eda el v\u00eddeo de Portmeirion recibi\u00f3 una segunda canci\u00f3n que no sonr\u00ede a la orden. La arm\u00f3nica es la pista. Quinn sale del bajo unas barras, el teclado de Williams sostiene un lecho m\u00e1s oscuro, y la bater\u00eda de Goffey deja de intentar adelantar a la voz. Sigue siendo Supergrass, sigue siendo sobria, pero es la primera vez que el debut admite que el d\u00eda puede ir despacio.<\/p>\n

En las giras de aniversario las canciones r\u00e1pidas siguen abriendo la noche. Time<\/em> es la prueba de que la segunda visita a Sawmills no fue un accidente. La frase de la hierba hace gracia porque la cinta est\u00e1 de acuerdo: despu\u00e9s del esprint, un blues, y luego Sofa<\/em>. Si Alright<\/em> congel\u00f3 a la banda como adolescentes en bici, Time<\/em> es el sal\u00f3n de Oxford donde los acordes llegaron con la lluvia, antes de que nadie tuviera un n\u00famero dos del que quejarse.<\/p>\n

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