{"id":21724,"date":"2008-07-31T16:00:00","date_gmt":"2008-07-31T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/cant-get-up-supergrass-a-forest-of-reasons-with-tony-hoffer-on-the-clock\/"},"modified":"2026-09-27T03:11:03","modified_gmt":"2026-09-27T01:11:03","slug":"cant-get-up-supergrass-a-forest-of-reasons-with-tony-hoffer-on-the-clock","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/cant-get-up-supergrass-a-forest-of-reasons-with-tony-hoffer-on-the-clock\/","title":{"rendered":"Can’t Get Up – Supergrass: un bosque de razones, con Tony Hoffer al cron\u00f3metro"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Tema cinco del primer \u00e1lbum que acredita a Rob Coombes<\/h3>\n

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La letra empieza un domingo despu\u00e9s de una noche o dos al volante, mirando por la ventana, lo bastante cansado como para que otra copa baste. No es un single. Es el tema cinco de Life on Other Planets<\/em>, 4:02, entre Brecon Beacons<\/em> y Evening of the Day<\/em>. Gaz Coombes canta que vive una historia o\u00edda en un 45, una autopista, California que aparece, y luego el estribillo: no puede levantarse, aunque lo intenta, de pie en un bosque de razones. Una estrofa m\u00e1s adelante mete las noticias, sangre en las calles, una polilla y una llama. Una cr\u00edtica de la \u00e9poca oy\u00f3 Gimme Shelter<\/em> en la escala del tema: blues-rock, no el esprint britpop.<\/p>\n

Life on Other Planets<\/em> es el cuarto \u00e1lbum de Supergrass y el primero que lista a Rob Coombes como miembro de pleno derecho, a los teclados, junto a Gaz, Mick Quinn y Danny Goffey. Hab\u00edan sentido que el tercer \u00e1lbum, hom\u00f3nimo, de 1999, carec\u00eda de urgencia, as\u00ed que contrataron a Tony Hoffer. La grabaci\u00f3n fue de octubre de 2001 a marzo de 2002 en Mayfair, Heliocentric y Rockfield. Hoffer produjo. Las notas de la banda acreditan a Dave Sardy la mezcla de Can’t Get Up<\/em>. Sobrevivi\u00f3 una demo de Heliocentric y apareci\u00f3 en el remaster de 2023, cerca de un minuto m\u00e1s corta, lo que dice que el arreglo creci\u00f3 en la sala en vez de llegar terminado.<\/p>\n

El \u00e1lbum lleg\u00f3 a las tiendas el 30 de septiembre de 2002 v\u00eda Parlophone y lleg\u00f3 al n\u00famero nueve en Gran Breta\u00f1a. Los singles estaban en otra parte: Never Done Nothing Like That Before<\/em>, Grace<\/em>, Seen the Light<\/em>, Rush Hour Soul<\/em>. Can’t Get Up<\/em> se qued\u00f3 como tema de \u00e1lbum, y le iba bien. Los otros pr\u00e9stamos del disco son m\u00e1s ruidosos. Gaz se inclina hacia Marc Bolan en Seen the Light<\/em>, hay un giro Elvis, y Evening of the Day<\/em> saluda a Spinal Tap. Can’t Get Up<\/em> es el m\u00e1s lento, con forma de Stones, con los cuatro por fin en cuarteto en la portada. Antes del lanzamiento tocaron canciones nuevas en el festival Meltdown que comisari\u00f3 David Bowie en el Royal Festival Hall el 28 de junio de 2002. El 9 de diciembre hicieron Can’t Get Up<\/em> en el Heineken Music Hall de \u00c1msterdam, una versi\u00f3n que luego cay\u00f3 en la edici\u00f3n deluxe, junto a una ac\u00fastica de XFM.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Nos ayud\u00f3 a mantener las tomas bastante cortas y claras. De verdad no nos enred\u00e1bamos porque nos hac\u00eda seguir. Si lo hubi\u00e9ramos hecho otra vez solos, nos habr\u00edamos puesto anal\u00edticos, nos habr\u00edamos echado a llorar y a arreglar cosas que no estaban rotas.<\/p>\n<\/blockquote>\n

(Danny Goffey sobre el productor Tony Hoffer, 2002)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb21719″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700021719{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

El trabajo de Hoffer era el ritmo. Dejados solos, hab\u00edan empezado a editarse hasta un rinc\u00f3n. Aqu\u00ed la canci\u00f3n puede durar cuatro minutos, largo para ellos, pero no se pierde. El estribillo es una frase. El bosque de razones es bastante concreto: una banda famosa a los 19, escribiendo sobre no poder empezar el d\u00eda. Es un problema distinto de Alright<\/em>, y no fingen lo contrario.<\/p>\n

El remaster de 2023 puso la demo al lado de la toma terminada, y esa es la comparaci\u00f3n \u00fatil. La demo es el boceto de Heliocentric. La versi\u00f3n del \u00e1lbum es lo que Sardy y Hoffer dejaron en pie. Si quieres el Supergrass de 2002 sin el single glam, empieza aqu\u00ed, y luego Grace<\/em>. El bosque sigue siendo la l\u00ednea que se queda, y el cron\u00f3metro que miraba Hoffer es la raz\u00f3n de que se quede en cuatro minutos y no en ocho.<\/p>\n

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Can’t Get Up es la quinta canci\u00f3n de Life on Other Planets, grabada de octubre de 2001 a marzo de 2002 y publicada el 30 de septiembre de 2002.<\/p>\n","protected":false},"author":1,"featured_media":21716,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,273,299,278],"tags":[268,313,342,487],"class_list":["post-21724","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-chronicles","category-criticas","category-tracks","tag-alternative-indie-punk","tag-alternative-indie-punk-es","tag-supergrass","tag-supergrass-es"],"yoast_head":"\nCan't Get Up - Supergrass: un bosque de razones, con Tony Hoffer al cron\u00f3metro - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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