{"id":21746,"date":"2010-02-05T11:00:00","date_gmt":"2010-02-05T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/the-logical-song-supertramp-one-dictionary-then-who-i-am\/"},"modified":"2026-09-27T03:11:21","modified_gmt":"2026-09-27T01:11:21","slug":"the-logical-song-supertramp-one-dictionary-then-who-i-am","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/the-logical-song-supertramp-one-dictionary-then-who-i-am\/","title":{"rendered":"The Logical Song – Supertramp: un diccionario, y qui\u00e9n soy"},"content":{"rendered":"

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Abri\u00f3 un diccionario una vez, por las palabras en -al<\/h3>\n

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Roger Hodgson tiene 29 a\u00f1os y abre un diccionario. Ha dicho que fue la \u00fanica vez. The Logical Song<\/em> necesitaba una racha de palabras que acaban igual: sensible, logical, responsible, practical, luego clinical, intellectual, cynical, luego radical, liberal, fanatical, criminal. La lista es el gancho. Debajo, un piano el\u00e9ctrico Wurlitzer marca un ritmo antes de que la banda explique nada. Cuando era joven, la vida parec\u00eda maravillosa, un milagro, bella, m\u00e1gica. Luego lo mandaron fuera para que aprendiera a ser esos adjetivos.<\/p>\n

La letra sale del internado. Sus padres se divorcian cuando \u00e9l tiene 12 a\u00f1os. Se lleva la guitarra de su padre y toca porque est\u00e1 solo. A\u00f1os despu\u00e9s la pregunta no se ha encogido. La escuela, ha dicho, ense\u00f1a a funcionar por fuera y se salta qui\u00e9n eres por dentro. Trabaja la canci\u00f3n en las pruebas de sonido, y letra y arreglo est\u00e1n listos meses antes de las maquetas de Breakfast in America<\/em>. A finales de abril y principios de mayo de 1978 el grupo graba nueve temas nuevos a ocho pistas en Southcombe, la sala de ensayo dentro de la oficina de su management en Burbank. The Logical Song<\/em> es una de ellas. Take the Long Way Home<\/em> todav\u00eda no est\u00e1 escrita.<\/p>\n

El disco se hace en el Studio B del Village Recorder, al oeste de Los \u00c1ngeles, una sala en un antiguo templo mas\u00f3nico, mesa Harrison y dos Ampex de 24 pistas. Peter Henderson coproduce con la banda y es el ingeniero. El primer d\u00eda llega con dos ojos morados tras un choque en el camino desde Topanga. En esta canci\u00f3n el Wurlitzer de Hodgson est\u00e1 en la cabina de bater\u00eda, la bater\u00eda de Bob Siebenberg y el bajo de Dougie Thomson en la sala, y el saxo de John Helliwell en el ba\u00f1o, la \u00fanica pieza peque\u00f1a que queda. Henderson dice que el solo de sax se qued\u00f3 de esa toma en vivo, igual que la voz del tramo final. Una parte de Clavinet de Rick Davies se mezcl\u00f3 fuera. Helliwell pone tambi\u00e9n el suspiro del principio y un silbido hacia el final. Entre tomas, Davies juega a un f\u00fatbol electr\u00f3nico Mattel. El pitido del gol est\u00e1 en la coda, justo despu\u00e9s de que Hodgson cante \u00abdigital\u00bb.<\/p>\n

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\n

Ten\u00eda 29 a\u00f1os cuando escrib\u00ed The Logical Song. Buscaba respuestas. La pregunta que ard\u00eda en esa canci\u00f3n era: por favor, dime qui\u00e9n soy.<\/p>\n<\/blockquote>\n

(Roger Hodgson, Classic Rock, febrero de 2016)<\/em><\/p>\n

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Hodgson no firma la mezcla hasta que queda bien. Ha dicho que eso llev\u00f3 unas dos semanas. A&M publica el sencillo en marzo de 1979, delante de un \u00e1lbum que pasar\u00e1 seis semanas en el n\u00famero 1 de Estados Unidos. En Gran Breta\u00f1a The Logical Song<\/em> entra en la lista el 31 de marzo y llega al n\u00famero 7 el 28 de abril. En Estados Unidos alcanza el 6 del Billboard Hot 100. En Canad\u00e1 pasa dos semanas en el n\u00famero 1 y es la canci\u00f3n del a\u00f1o. En 1980 los premios Ivor Novello la nombran mejor canci\u00f3n musical y l\u00edricamente. El cr\u00e9dito, como en cada tema de Supertramp de esa \u00e9poca, dice Rick Davies y Roger Hodgson, aunque la escribi\u00f3 Hodgson. Ese era el trato editorial. No impide que la canci\u00f3n sea suya.<\/p>\n

La versi\u00f3n de Scooter devuelve el estribillo a varios top 10 europeos en 2001, y eso dice algo simple: la pregunta viaja sin el Wurlitzer. El disco que hay que o\u00edr sigue siendo el de 1979. El saxo de Helliwell est\u00e1 en la sala, no pegado despu\u00e9s. Los adjetivos hacen gracia porque son exactos. Y la \u00faltima nota aguda, Hodgson todav\u00eda se r\u00ede, es alt\u00edsima. Escribi\u00f3 una queja de colegio que se convirti\u00f3 en el mayor sencillo de Supertramp. El diccionario solo estaba para las rimas. La pregunta ya era suya.<\/p>\n

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