{"id":21757,"date":"2008-08-12T19:00:00","date_gmt":"2008-08-12T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/goodbye-stranger-supertramp-the-neighbours-piano-then-hodgsons-solo\/"},"modified":"2026-09-27T03:11:03","modified_gmt":"2026-09-27T01:11:03","slug":"goodbye-stranger-supertramp-the-neighbours-piano-then-hodgsons-solo","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/goodbye-stranger-supertramp-the-neighbours-piano-then-hodgsons-solo\/","title":{"rendered":"Goodbye Stranger – Supertramp: el piano de la vecina, luego el solo de Hodgson"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Lleg\u00f3 mientras esperaba el t\u00e9<\/h3>\n

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Rick Davies vuelve a casa y la canci\u00f3n aparece mientras se hace el t\u00e9. Lo ha contado sin adorno. Sus padres no ten\u00edan piano, as\u00ed que de ni\u00f1o en Swindon aprende en el de al lado. La vecina prepara el t\u00e9. \u00c9l toca mientras espera. A\u00f1os despu\u00e9s regresa, se sienta a ese mismo piano, y Goodbye Stranger<\/em> sale de una vez. Llevaba tiempo sin escribir. Todav\u00eda no sab\u00eda que la letra iba de irse por la ma\u00f1ana.<\/p>\n

Las palabras caen en Breakfast in America<\/em>, grabado en 1978 en el Village Recorder de Los \u00c1ngeles, con la banda y Peter Henderson en la producci\u00f3n. Davies canta. Toca el Wurlitzer y el \u00f3rgano Hammond. Dougie Thomson est\u00e1 al bajo, Bob Siebenberg a la bater\u00eda. John Helliwell suma armon\u00edas y un silbido que cruza el medio del tema. Roger Hodgson no coge la voz principal. Apila el \u00abgoodbye\u00bb agudo, el casi falsete que Billboard se\u00f1al\u00f3, y luego, tarde, un solo de guitarra el\u00e9ctrica. Hodgson ha dicho que, cuando Davies tra\u00eda una canci\u00f3n, sol\u00eda ser \u00e9l quien o\u00eda los colores de m\u00e1s. Ese es el trato en una sola pista: el piano y la historia de Davies, la guitarra de Hodgson como una salida que no se sienta.<\/p>\n

La letra es un hombre al que le gust\u00f3 la estancia y se va igual. It must be so. Tiene que hacer las cosas a su manera. Davies admiti\u00f3 despu\u00e9s que la canci\u00f3n iba de una noche sin ma\u00f1ana, sacada de la carretera, y que no lo vio al escribirla. La m\u00fasica no se lamenta. El tempo est\u00e1 en el medio, el Wurlitzer rebota, el silbido es casi alegre. Billboard habl\u00f3 de un tema fluido a medio tempo, con voces cerca del falsete, teclados dominantes y una melod\u00eda fuerte. El mordisco est\u00e1 en la negativa, no en un tono menor.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Volv\u00ed de visita una vez, y por alguna raz\u00f3n sali\u00f3 esta canci\u00f3n. Llevaba tiempo sin escribir. Sali\u00f3 todo de golpe.<\/p>\n<\/blockquote>\n

(Rick Davies, sobre c\u00f3mo escribi\u00f3 Goodbye Stranger)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb21752″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700021752{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

A&M publica el sencillo en el verano de 1979, despu\u00e9s de que The Logical Song<\/em> ya hab\u00eda hecho el \u00e1lbum dif\u00edcil de esquivar. Goodbye Stranger<\/em> entra en el Billboard Hot 100 en el n\u00famero 78 a principios de julio y llega al 15 la semana del 8 de septiembre. Canad\u00e1 la sube al 6. Gran Breta\u00f1a es m\u00e1s fr\u00eda: el 57. Ese reparto le pega al disco. Breakfast in America<\/em> fue un acontecimiento mucho m\u00e1s americano que brit\u00e1nico, incluso con un grupo ingl\u00e9s y un t\u00edtulo que gui\u00f1a al pa\u00eds que hab\u00edan dejado. El solo de guitarra del final es el tramo que mantuvo la canci\u00f3n en las discusiones sobre lo mejor que toc\u00f3 Supertramp. No es largo. Es mel\u00f3dico, y es del cantante que no escribi\u00f3 la letra. Se oye la pareja sin un discurso.<\/p>\n

Si solo conoces The Logical Song<\/em>, empieza aqu\u00ed por el otro autor. El Wurlitzer pone el humor antes que la voz. El silbido es Helliwell pas\u00e1ndoselo bien en el arreglo. La \u00faltima guitarra es el sonido de una banda capaz de pasarse una canci\u00f3n en el escenario y aun as\u00ed hacer un solo disco. La mitad Davies de Supertramp es piano primero, una salida ir\u00f3nica, ninguna s\u00faplica para quedarse. El solo de Hodgson no discute eso. Saluda.<\/p>\n

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Rick Davies escribe Goodbye Stranger en el piano de una vecina, en su ciudad, y Supertramp la graba para Breakfast in America: Wurlitzer, silbido y la guitarra de Roger Hodgson al final.<\/p>\n","protected":false},"author":1,"featured_media":21749,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,273,299,278],"tags":[481,255,772,774],"class_list":["post-21757","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-chronicles","category-criticas","category-tracks","tag-classic-rock-es","tag-classic-rock","tag-supertramp","tag-supertramp-es"],"yoast_head":"\nGoodbye Stranger - Supertramp: el piano de la vecina, luego el solo de Hodgson - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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