{"id":25612,"date":"2008-04-04T16:00:00","date_gmt":"2008-04-04T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/gerry-rafferty-baker-street\/"},"modified":"2026-10-16T09:44:03","modified_gmt":"2026-10-16T07:44:03","slug":"gerry-rafferty-baker-street","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/gerry-rafferty-baker-street\/","title":{"rendered":"Gerry Rafferty – Baker Street"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Una l\u00ednea que cant\u00f3 y luego pas\u00f3 al saxo<\/h3>\n

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El 3 de febrero de 1978, United Artists public\u00f3 Baker Street<\/em>, el sencillo que sosten\u00eda el \u00e1lbum City to City<\/em> de Gerry Rafferty. La hab\u00eda escrito mientras estaba atascado. Stealers Wheel, el grupo que compart\u00eda con Joe Egan, se separ\u00f3 en 1975, y los pleitos contractuales impidieron a Rafferty publicar m\u00fasica nueva durante unos tres a\u00f1os. Viajaba entre su familia en Paisley y los abogados en Londres, y a menudo se quedaba en el piso de un amigo junto a Baker Street, en Marylebone. El t\u00edtulo del \u00e1lbum nombra ese trayecto. La \u00faltima estrofa suena al final del viaje: una ma\u00f1ana nueva, y el cantante volviendo a casa.<\/p>\n

El tema se grab\u00f3 en 1977 en Chipping Norton Studios, en Oxfordshire. Lo produjeron Rafferty y Hugh Murphy. Rafferty cant\u00f3 y toc\u00f3 la guitarra r\u00edtmica. Gary Taylor el bajo, Henry Spinetti la bater\u00eda, Tommy Eyre los teclados y Hugh Burns el solo de guitarra, con cuerdas arregladas por Graham Preskett. La versi\u00f3n del \u00e1lbum dura 6 minutos y 6 segundos. La edici\u00f3n del sencillo, 4 minutos y 10 segundos. La cara B era Big Change in the Weather<\/em>.<\/p>\n

El corte que todo el mundo recuerda son ocho compases de saxo alto, tocados por Raphael Ravenscroft. Rafferty hab\u00eda pedido primero a Pete Zorn. Zorn no pod\u00eda. Ravenscroft lleg\u00f3 para tocar el soprano y propuso el alto que llevaba consigo. Le pagaron unos 27 libras, la tarifa de una sesi\u00f3n. A\u00f1os despu\u00e9s dijo que casi todo lo que toc\u00f3 era una frase vieja de blues, y que Rafferty no le hab\u00eda dado una l\u00ednea escrita. Rafferty no estaba de acuerdo. Le molestaba que la gente le diera la melod\u00eda al saxofonista.<\/p>\n

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\n

Era mi l\u00ednea. Se la cant\u00e9.<\/p>\n<\/blockquote>\n

(Gerry Rafferty)<\/em><\/p>\n

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El guitarrista Hugh Burns respald\u00f3 la versi\u00f3n de Rafferty. La frase ya est\u00e1 en la demo de Rafferty, tocada con guitarra. Burns la prob\u00f3, y acordaron que un saxo la llevar\u00eda mejor. Esa demo apareci\u00f3 en la reedici\u00f3n de 2011 de City to City<\/em>. En las notas, el colaborador de Rafferty, Rab Noakes, escribi\u00f3 que deber\u00eda cerrar la discusi\u00f3n. En 2011 Ravenscroft dijo tambi\u00e9n que la parte segu\u00eda irrit\u00e1ndole porque est\u00e1 un poco baja.<\/p>\n

El sencillo lleg\u00f3 al n\u00famero 3 en el Reino Unido. En Estados Unidos pas\u00f3 seis semanas en el n\u00famero 2 del Billboard Hot 100, frenado por Shadow Dancing<\/em> de Andy Gibb, y s\u00ed lleg\u00f3 al n\u00famero 1 de la lista Cash Box. Fue n\u00famero 1 en Canad\u00e1 y en Australia. City to City<\/em> alcanz\u00f3 el n\u00famero 1 de \u00e1lbumes en Estados Unidos y desplaz\u00f3 de ese puesto la banda sonora de Saturday Night Fever<\/em>. En 1979 la canci\u00f3n gan\u00f3 el premio Ivor Novello a la mejor canci\u00f3n en lo musical y en la letra. Una broma que Stuart Maconie escribi\u00f3 en el NME aseguraba que el presentador Bob Holness hab\u00eda tocado el saxo. No fue \u00e9l. En 2010, BMI contaba m\u00e1s de cinco millones de reproducciones de la canci\u00f3n.<\/p>\n

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