{"id":25634,"date":"2021-10-23T11:00:00","date_gmt":"2021-10-23T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/guns-n-roses-welcome-to-the-jungle\/"},"modified":"2026-10-16T09:48:16","modified_gmt":"2026-10-16T07:48:16","slug":"guns-n-roses-welcome-to-the-jungle","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/guns-n-roses-welcome-to-the-jungle\/","title":{"rendered":"Guns N&#8217; Roses &#8211; Welcome To The Jungle"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Los primeros cuatro minutos y medio de Appetite<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><em>Welcome to the Jungle<\/em> es el primer tema del \u00e1lbum de debut de Guns N&#8217; Roses, <em>Appetite for Destruction<\/em>, publicado por Geffen el 21 de julio de 1987. El sencillo sali\u00f3 en Gran Breta\u00f1a el 21 de septiembre de 1987, con un <em>Whole Lotta Rosie<\/em> en directo en la cara B. Una edici\u00f3n estadounidense sigui\u00f3 en octubre de 1988, con <em>Mr. Brownstone<\/em> al reverso, y esa edici\u00f3n lleg\u00f3 al n\u00famero 7 del Billboard Hot 100. La canci\u00f3n dura 4 minutos y 31 segundos. La produjo Mike Clink. El cr\u00e9dito de autor\u00eda nombra a Slash, Axl Rose, Izzy Stradlin y Duff McKagan. Steven Adler toc\u00f3 la bater\u00eda.<\/p>\n<p style=\"text-align: justify;\">Slash ha contado que el riff principal, el que baja, empez\u00f3 en su casa una tarde, cuando se lo toc\u00f3 a Axl. M\u00e1s tarde, en el ensayo, Duff sac\u00f3 la secci\u00f3n lenta del medio, y Slash a\u00f1adi\u00f3 la introducci\u00f3n, construida alrededor de un pedal que repite la nota, que acababa de comprar. Recuerda que las piezas encajaron el mismo d\u00eda. La letra era la imagen que Axl ten\u00eda de Los \u00c1ngeles. Ha dicho que la escribi\u00f3 en Seattle, donde la ciudad le parec\u00eda m\u00e1s peque\u00f1a y m\u00e1s extendida, y el contraste hac\u00eda de Hollywood un sitio dispuesto a venderle cualquier cosa a un reci\u00e9n llegado, si pod\u00eda pagarla. El corte hablado del medio, el que pregunta si sabes d\u00f3nde est\u00e1s, es esa llegada dicha en voz alta.<\/p>\n<p style=\"text-align: justify;\">El grupo grab\u00f3 el \u00e1lbum con Clink despu\u00e9s de una reuni\u00f3n con Paul Stanley de Kiss que no encajaba con lo que quer\u00edan. Duff ha descrito la primera prueba de Clink: coloc\u00f3 micr\u00f3fonos, los grab\u00f3 de forma simple y se lo puso. En Rumbo Recorders, en Canoga Park, con m\u00e1s trabajo en Take One y Can-Am, Clink impidi\u00f3 que las sesiones se dispersaran. Las dos guitarras van delante, el solo de Slash y el ritmo de Izzy, con el bajo de Duff y la bater\u00eda de Adler bajo Axl, que pasa de hablar a gritar dentro del mismo verso. El v\u00eddeo que circul\u00f3 cuando MTV tom\u00f3 el \u00e1lbum sigue siendo la imagen que casi todo el mundo asocia a la canci\u00f3n.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Todo ese disco son primeras, segundas o terceras tomas de cada canci\u00f3n. Tocamos todo el tiempo, no necesit\u00e1bamos hacer 19 tomas de nada.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Duff McKagan, sobre la grabaci\u00f3n con Mike Clink)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb25629&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1727502845{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><em>Appetite for Destruction<\/em> se vendi\u00f3 despacio al principio. <em>Sweet Child o&#8217; Mine<\/em> abri\u00f3 luego el \u00e1lbum, y <em>Welcome to the Jungle<\/em> volvi\u00f3 con \u00e9l en el sencillo de 1988. La canci\u00f3n se qued\u00f3 como el primer n\u00famero habitual del concierto. Slash cit\u00f3 m\u00e1s tarde la l\u00ednea de saxo de <em>Baker Street<\/em>, de Gerry Rafferty, entre lo que ten\u00eda en la cabeza al escribir el solo de <em>Sweet Child o&#8217; Mine<\/em>. <em>Jungle<\/em> no necesita esa continuaci\u00f3n para dejar claro lo que dice. Ya plantea los t\u00e9rminos del disco: una ciudad nueva, un precio, y un grupo que lo dej\u00f3 en cinta antes de que el precio fuera famoso.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Welcome to the Jungle abre Appetite for Destruction, el debut de Guns N&#8217; Roses que Geffen public\u00f3 el 21 de julio de 1987, con Mike Clink en la producci\u00f3n.<\/p>\n","protected":false},"author":1,"featured_media":25626,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,273,299,278],"tags":[357,267],"class_list":["post-25634","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-chronicles","category-criticas","category-tracks","tag-guns-n-roses","tag-hardrock-metal","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Guns N&#039; 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