{"id":25667,"date":"2019-05-04T09:00:00","date_gmt":"2019-05-04T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/indeep-last-night-a-d-j-saved-my-life\/"},"modified":"2026-10-18T08:11:28","modified_gmt":"2026-10-18T06:11:28","slug":"indeep-last-night-a-d-j-saved-my-life","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/indeep-last-night-a-d-j-saved-my-life\/","title":{"rendered":"Indeep – Last Night a D.J. Saved My Life"},"content":{"rendered":"

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Un sencillo de club neoyorquino que se queda en el 101<\/h3>\n

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En 1982, Indeep publica Last Night a D.J. Saved My Life<\/em> en Sound of New York y Becket, referencia SNY-5102. Michael Cleveland lo escribe. Lo produce con Reggie Thompson. Lo cantan R\u00e9jane \u00abReggie\u00bb Magloire y Rose Marie Ramsey. Cleveland, que arm\u00f3 el grupo en Nueva York, se queda \u00e9l con la parte hablada. Andy Wallace es el ingeniero. En el maxi, Tony Humphries mezcla la versi\u00f3n Sure Shot, y Gene Griffin es el productor ejecutivo. La versi\u00f3n larga, la del \u00e1lbum de 1983 Last Night a D.J. Saved My Life!<\/em>, dura 5 minutos y 40 segundos. La edici\u00f3n de sencillo dura 4 minutos y 16. La cara B es D.J. Delight<\/em>. Las recopilaciones posteriores, incluida The Collection<\/em>, solo reempaquetan la misma grabaci\u00f3n de 1982.<\/p>\n

La letra es una historia peque\u00f1a. Una mujer est\u00e1 en casa, aburrida, llama a un hombre que no contesta. Piensa en irse. Un DJ pone un disco y la noche cambia. El rap de Cleveland dice que no hay problema que no pueda arreglar, porque puede hacerlo en la mezcla. El maxi incluso a\u00edsla los efectos del texto: un tel\u00e9fono, unos neum\u00e1ticos, una cisterna. La idea, entonces, era dar a los DJ de club piezas para meter en sus propias sesiones. Magloire y Ramsey llevan el estribillo cantado. Cleveland dijo despu\u00e9s a Billboard que \u00e9l escrib\u00eda las canciones, pero que su o\u00eddo ven\u00eda de lo que las mujeres le contaban.<\/p>\n

La radio pop de Estados Unidos apenas lo toca. El Hot 100 de Billboard coloca el sencillo en el n\u00famero 101, justo fuera de la lista, no dentro. En el club es otra cosa: n\u00famero 2 en la lista de clubs y n\u00famero 10 en R&B. En febrero de 1983 llega al n\u00famero 13 en el Reino Unido, y la BPI lo marca despu\u00e9s como plata. Pa\u00edses Bajos lo lleva al n\u00famero 2. Francia, B\u00e9lgica y Alemania Occidental lo meten en el top 10, y Grecia y Zimbabue lo listan en el n\u00famero 1.<\/p>\n

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\n

Yo escribo las canciones, pero mi o\u00eddo viene de lo que las mujeres me cuentan.<\/p>\n<\/blockquote>\n

(Michael Cleveland, Billboard)<\/em><\/p>\n

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El siguiente, When Boys Talk<\/em>, entra en la lista de clubs y en la brit\u00e1nica, y luego se apaga. Indeep no tiene un segundo \u00e9xito pop. El grupo sigue grabando hasta mediados de los a\u00f1os 80, incluido el \u00e1lbum de 1984 Pajama Party Time<\/em>, sin otro disco de este tama\u00f1o. Magloire cantar\u00e1 m\u00e1s tarde con Technotronic. En 2001 Mariah Carey versiona esta canci\u00f3n para la pel\u00edcula y el \u00e1lbum Glitter<\/em>. En 2025 Billboard todav\u00eda coloca el original en el puesto 62 de una lista de las 100 mejores canciones de baile. La grabaci\u00f3n que se sigue poniendo es el sencillo de 1982: dos cantantes, un rap en medio, una l\u00ednea de bajo que no afloja, y un t\u00edtulo que la m\u00fasica de club sigui\u00f3 repitiendo mucho despu\u00e9s de que el Hot 100 mirara hacia otro lado.<\/p>\n

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