{"id":25689,"date":"2012-09-10T11:00:00","date_gmt":"2012-09-10T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/joe-jackson-steppin-out\/"},"modified":"2026-10-17T08:07:07","modified_gmt":"2026-10-17T06:07:07","slug":"joe-jackson-steppin-out","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/joe-jackson-steppin-out\/","title":{"rendered":"Joe Jackson – Steppin’ Out"},"content":{"rendered":"

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Una noche en SoHo, piano y caja de ritmos<\/h3>\n

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Joe Jackson publica Steppin’ Out<\/em> en Estados Unidos en agosto de 1982, y en el Reino Unido el 22 de octubre. \u00c9l la escribe. La produce con David Kershenbaum. Se graba en enero de 1982 en Blue Rock Studio, en SoHo, Nueva York, durante las sesiones de Night and Day<\/em>, el \u00e1lbum que A&M publica el 25 de junio de 1982. La versi\u00f3n del \u00e1lbum dura 4 minutos y 23 segundos. La edici\u00f3n del sencillo dura 3 minutos y 43. En Gran Breta\u00f1a, la cara B del sencillo es Another World<\/em>. En Am\u00e9rica es Chinatown<\/em>. Night and Day<\/em> se parte en una cara noche y una cara d\u00eda. Steppin’ Out<\/em> cierra la cara noche. No hay guitarra en el \u00e1lbum.<\/p>\n

Jackson toca la voz, el piano, el \u00f3rgano Hammond, el Minimoog, el vibr\u00e1fono y la caja de ritmos, una Korg KR-55 de 1979. El bater\u00eda de sesi\u00f3n Larry Tolfree a\u00f1ade una caja y unos platillos de verdad. En una gira de 2019 Jackson dijo que eso era toda la banda en este tema, y segu\u00eda llevando esa caja de ritmos para tocarlo. La letra es una salida nocturna: luces tras un cristal empa\u00f1ado, se dejan la televisi\u00f3n y la radio, un taxi amarillo. El t\u00edtulo del \u00e1lbum apunta a la canci\u00f3n de Cole Porter del mismo nombre. El dibujo de la portada es de Philip Burke. La foto de estudio del interior de la carpeta es de George DuBose. Night and Day<\/em> llega al n\u00famero 3 en el Reino Unido y al n\u00famero 4 del Billboard 200, el \u00fanico \u00e1lbum de estudio de Jackson en el top 5 de los dos pa\u00edses.<\/p>\n

El sencillo se convierte en su mayor \u00e9xito en Estados Unidos. Se queda en el n\u00famero 6 del Hot 100 durante cuatro semanas desde el 11 de diciembre de 1982, llega al n\u00famero 4 de adult contemporary y al n\u00famero 7 de rock de \u00e1lbum. Cash Box lo pone en el n\u00famero 5. El pico brit\u00e1nico tambi\u00e9n es el 6, un puesto por detr\u00e1s de It’s Different for Girls<\/em>, su mayor sencillo ingl\u00e9s. Canad\u00e1 lo tiene en el 5, Irlanda en el 5. En los Grammy de 1983 est\u00e1 nominado a grabaci\u00f3n del a\u00f1o y a mejor interpretaci\u00f3n vocal pop masculina. Rosanna<\/em> de Toto y Truly<\/em> de Lionel Richie se llevan esos premios.<\/p>\n

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\n

El rock ‘n’ roll se est\u00e1 convirtiendo en un gran circo, y los v\u00eddeos y MTV forman parte de eso.<\/p>\n<\/blockquote>\n

(Joe Jackson, Time Out)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb25684″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1727502845{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Steve Barron dirige el v\u00eddeo en una noche en el hotel St. Regis de Nueva York, en el verano de 1982, con la mezcla corta del sencillo. Una camarera imagina una salida. Jackson dijo a Time Out que no hab\u00eda querido hacer el clip. La canci\u00f3n no lo necesitaba. Lo que la sostiene es la frase de piano, la caja de ritmos bajo una caja de verdad, y una noche neoyorquina escrita en SoHo en enero. Listas posteriores la conservaron: Pitchfork la coloca entre las mejores canciones de los a\u00f1os 80, y Rolling Stone en una lista de las mejores canciones de 1982. La versi\u00f3n que hay que o\u00edr es la de Night and Day<\/em>, no una recopilaci\u00f3n posterior de los ochenta.<\/p>\n

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