{"id":5940,"date":"2023-05-02T19:06:41","date_gmt":"2023-05-02T17:06:41","guid":{"rendered":"https:\/\/riffsandbeats.com\/2023\/05\/02\/reptilia-the-strokes\/"},"modified":"2025-05-30T08:22:26","modified_gmt":"2025-05-30T06:22:26","slug":"reptilia-the-strokes","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/reptilia-the-strokes\/","title":{"rendered":"Reptilia &#8211; The Strokes"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Sin coro, sin piedad<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Reptilia pisa fuerte, muestra los dientes y estalla en uno de los ataques de rock m\u00e1s ajustados y \u00e1giles de los 2000 justo despu\u00e9s de que esa l\u00ednea de bajo serpenteante se desliza desde las sombras. Sin preparaci\u00f3n, sin aviso, solo The Strokes empu\u00f1ando la actitud fr\u00eda y descontenta de Nueva York como siempre amenazaron hacer. A principios de 2004, lanzado como el segundo sencillo de Room on Fire, es la canci\u00f3n que demostr\u00f3 que un rayo puede caer dos veces incluso con un cigarrillo a\u00fan colgando de sus labios.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Mientras que This Is Reptilia lleg\u00f3 m\u00e1s afilada, m\u00e1s fuerte y m\u00e1s hambrienta; estaba llena de encanto l\u00e1nguido y grasa de garaje. Como cables el\u00e9ctricos en una pelea a pu\u00f1etazos, las guitarras, cortes\u00eda de Nick Valensi y Albert Hammond Jr., chascan y se entrelazan. Aunque quir\u00fargica, no es extravagante. Luego est\u00e1 Julian Casablancas, raspando a trav\u00e9s de un muro de distorsi\u00f3n como si intentara asfixiar al micr\u00f3fono para que obedezca. Desapegado pero desesperado, ir\u00f3nico pero fuerte. Es una interpretaci\u00f3n vocal tan sosa que fuma.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Reptilia se destaca por su resistencia a desviarse. Esta canci\u00f3n no tiene desperdicio. Cada comp\u00e1s est\u00e1 apretado; cada nota es necesaria. El coro golpea fuerte. Como si fuera un martes m\u00e1s en el purgatorio post-ruptura, Julian canta: \u00abLa habitaci\u00f3n est\u00e1 en llamas mientras ella se arregla el cabello\u00bb. Y a\u00fan as\u00ed le crees. La genialidad de The Strokes est\u00e1 en hacer que el desapego se sienta como una confesi\u00f3n. Hacer que la apat\u00eda parezca que podr\u00eda aplastar tu pecho.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">El rock estaba en un limbo extra\u00f1o en ese momento. El mainstream se estaba ahogando en un post-grunge beige mientras el nu-metal se asfixiaba con su propia rabia. The Strokes le mostr\u00f3 c\u00f3mo mirarse en el espejo y no pesta\u00f1ear. El renacer del indie sleaze encontr\u00f3 su estrella brillante en Reptilia, una canci\u00f3n que devolvi\u00f3 la rudeza a la m\u00fasica de guitarra sin nostalgia alguna. De una manera que no buscaba aprobaci\u00f3n, fue contempor\u00e1nea, fr\u00eda y cool.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Capturado en pantallas divididas y miradas muertas, el video de la canci\u00f3n era totalmente anti-glamour, sin historia, sin brillo. Reptilia siempre ha sido no una declaraci\u00f3n sino una postura. Un remate sin chiste. Un riff que tararear\u00e1s mientras finges que no te importa. Y dos d\u00e9cadas despu\u00e9s, todav\u00eda se retuerce por tu columna como un recuerdo que no buscaste pero no puedes soltar.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Reptilia sacude sus tacones, muestra los dientes y estalla en uno de los ataques de rock m\u00e1s compactos y contundentes de los 2000s, justo despu\u00e9s de que ese bajo retorcido se desliza desde las sombras.<\/p>\n","protected":false},"author":1,"featured_media":5371,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"give_campaign_id":0,"footnotes":""},"categories":[305,299],"tags":[313,504],"class_list":["post-5940","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-alternative-indie-punk-es","tag-the-strokes-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Reptilia - The Strokes - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/reptilia-the-strokes\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reptilia - The Strokes - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Reptilia sacude sus tacones, muestra los dientes y estalla en uno de los ataques de rock m\u00e1s compactos y contundentes de los 2000s, justo despu\u00e9s de que ese bajo retorcido se desliza desde las sombras.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/reptilia-the-strokes\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2023-05-02T17:06:41+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-30T06:22:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/882633-the-strokes-se-sont-formes-a-new-york-en-1998.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1953\" \/>\n\t<meta property=\"og:image:height\" content=\"1302\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/reptilia-the-strokes\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/reptilia-the-strokes\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Reptilia &#8211; 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