{"id":5940,"date":"2018-12-29T11:00:00","date_gmt":"2018-12-29T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/2023\/05\/02\/reptilia-the-strokes\/"},"modified":"2026-11-09T07:11:16","modified_gmt":"2026-11-09T06:11:16","slug":"reptilia-the-strokes","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/reptilia-the-strokes\/","title":{"rendered":"The Strokes &#8211; Reptilia"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Room on Fire, principios de 2004: single del 2.\u00ba \u00e1lbum que sigue magro<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Una figura de bajo inquieta arranca; luego las guitarras se encajan y la canci\u00f3n ya se mueve. <em>Reptilia<\/em> sali\u00f3 a principios de 2004 como segundo single del segundo \u00e1lbum de The Strokes, <em>Room on Fire<\/em> (RCA, octubre de 2003). Julian Casablancas, Nick Valensi, Albert Hammond Jr., Nikolai Fraiture y Fabrizio Moretti lo grabaron con el productor Gordon Raphael, el mismo que dio forma a <em>Is This It<\/em>. La pregunta de la campa\u00f1a era simple: \u00bfpod\u00eda el quinteto de Nueva York pegar dos veces sin copiar el debut l\u00ednea a l\u00ednea? Room on Fire, producido con Gordon Raphael a\u00fan en el c\u00edrculo, lleg\u00f3 en octubre de 2003 en Rough Trade \/ RCA; Reptilia sigui\u00f3 como single a principios de 2004 tras 12:51.<\/p>\n<p style=\"text-align: justify;\">La respuesta en este tema es un arreglo rock magro y r\u00e1pido, casi sin compases de m\u00e1s. Las guitarras de Valensi y Hammond chasquean y se cruzan; el bajo de Fraiture se mantiene ocupado; la bater\u00eda de Moretti golpea duro y corto. Casablancas canta a trav\u00e9s de la distorsi\u00f3n como si el micro fuera otro ampli, mitad distante y mitad urgente. El estribillo cae limpio. La letra sobre una habitaci\u00f3n en llamas mientras alguien se arregla el pelo se volvi\u00f3 atajo de la distancia fr\u00eda de la banda: La emoci\u00f3n se cuenta, no se suplica. El bajo de Nikolai Fraiture arranca la figura inquieta; Albert Hammond Jr. y Nick Valensi clavan guitarras secas; la bater\u00eda de Fabrizio Moretti se mantiene tensa; la voz de Julian Casablancas queda tras un filtro garage familiar.<\/p>\n<p style=\"text-align: justify;\">La radio rock de principios de los 2000 estaba entre el nu-metal restante y el post-grunge beige. The Strokes ofrec\u00edan canciones cortas, chaquetas de cuero y partes de guitarra que se pueden tararear. <em>Reptilia<\/em> entr\u00f3 en listas UK y alternative US sin reescritura de balada. El v\u00eddeo mantuvo el anti-glamour: pantallas partidas, caras impasibles, sin trama. En directo la canci\u00f3n sigue fija en el setlist porque funciona a volumen de club y de festival. Las listas modern rock UK y US tomaron el single en serio; la banda rechaz\u00f3 engordar el sonido con barniz de segundo \u00e1lbum aunque esperaran salas m\u00e1s grandes. El chasquido nocturno de la letra y la rejilla de dos guitarras se volvieron plantilla para otras bandas de Nueva York.<\/p>\n<p style=\"text-align: justify;\">Room on Fire lleg\u00f3 bajo presi\u00f3n despu\u00e9s de que Is This It reescribiera las expectativas de bandas de guitarra en 2001. Raphael mantuvo las sesiones disciplinadas; el grupo resisti\u00f3 la tentaci\u00f3n de inflar arreglos con invitados y outros largos. El recorrido UK de Reptilia y el airplay alternative US confirmaron que el segundo \u00e1lbum pod\u00eda viajar. El cuaderno de letras de Casablancas de la \u00e9poca prefiere im\u00e1genes cortadas a la confesi\u00f3n. La l\u00ednea del pelo que se arregla es la prueba: el desastre se informa como peque\u00f1o detalle dom\u00e9stico, por eso el estribillo sigue seco m\u00e1s que teatral.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb5362&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790423182{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Dos d\u00e9cadas despu\u00e9s, el tema se lee a\u00fan como prueba de que el segundo \u00e1lbum aguantaba, no como una vuelta de honor del primero. No invent\u00f3 el revival de guitarra indie de principios de los 2000, pero le dio una de sus formas radiof\u00f3nicas m\u00e1s claras: tensa, seca y terminada antes de que nadie la rellene. En directo, Reptilia sigue funcionando a mitad de set cuando el p\u00fablico quiere energ\u00eda Is This It sin un abridor solo nost\u00e1lgico. La figura de bajo, el encaje de guitarras y el single de principios de 2004 siguen siendo las partes m\u00e1s claras de esta salida del segundo \u00e1lbum.<\/p>\n<p style=\"text-align: justify;\">La entrada de bajo abre el tema. Cuando llegan las guitarras, el arreglo deja poco espacio libre.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Reptilia de The Strokes, 2.\u00ba single de Room on Fire (2003\/04), es un corte rock magro de Gordon Raphael que demostr\u00f3 que el quinteto de Nueva York pod\u00eda pegar dos veces.<\/p>\n","protected":false},"author":1,"featured_media":5371,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[313,504],"class_list":["post-5940","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-alternative-indie-punk-es","tag-the-strokes-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Strokes - Reptilia - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Reptilia de The Strokes, 2.\u00ba single de Room on Fire (2003\/04), es un corte rock magro de Gordon Raphael que demostr\u00f3 que el quinteto de Nueva York pod\u00eda pegar dos veces.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/reptilia-the-strokes\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Strokes - Reptilia - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Reptilia de The Strokes, 2.\u00ba single de Room on Fire (2003\/04), es un corte rock magro de Gordon Raphael que demostr\u00f3 que el quinteto de Nueva York pod\u00eda pegar dos veces.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/reptilia-the-strokes\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2018-12-29T10:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-09T06:11:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/882633-the-strokes-se-sont-formes-a-new-york-en-1998.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/canciones\\\/reptilia-the-strokes\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/canciones\\\/reptilia-the-strokes\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"The Strokes &#8211; 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