{"id":6542,"date":"2025-06-03T10:34:08","date_gmt":"2025-06-03T08:34:08","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/sign-%e2%98%ae-the-times-prince\/"},"modified":"2025-06-03T16:56:47","modified_gmt":"2025-06-03T14:56:47","slug":"sign-%e2%98%ae-the-times-prince","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/","title":{"rendered":"Sign \u262e\ufe0e The Times &#8211; Prince"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">La joya suprema de la locura creativa<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Publicado por Prince en marzo de 1987, <em data-start=\"1003\" data-end=\"1021\">Sign \u262e\ufe0e The Times<\/em>\u00a0fue un \u00e1lbum doble que lleg\u00f3 con inevitabilidad m\u00e1s que con publicidad. Era el ruido de un artista en pleno vuelo, generando a tal velocidad que la industria apenas pod\u00eda seguirle el ritmo. El disco no fue concebido como la mayor\u00eda. No fue esculpido. Se desbord\u00f3. Prince deja caer m\u00faltiples ideas y deja que se reconstruyan a lo largo de estas diecis\u00e9is canciones, a veces dentro de la misma canci\u00f3n, en lugar de crear un cosmos. Ve los g\u00e9neros como materia prima, no como fronteras: funk, pop, g\u00f3spel, electro, soul, rock. Y no fue solo prol\u00edfico en ese momento. Parec\u00eda pose\u00eddo por algo m\u00e1s grande, algo que tal vez ni \u00e9l mismo comprend\u00eda del todo.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">El camino hacia <em data-start=\"1003\" data-end=\"1021\">Sign \u262e\ufe0e The Times<\/em> es conocido por ser complejo. Comenz\u00f3 como *Dream Factory*, un proyecto con toda la banda *The Revolution*, y luego se transform\u00f3 en *Camille*, un proyecto en solitario bajo un alias vocal acelerado. Prince lo destil\u00f3 todo en <em data-start=\"1003\" data-end=\"1021\">Sign \u262e\ufe0e The Times<\/em>, un disco cosido con a\u00f1os de distintas sesiones, ideas, alter egos y emociones tras la separaci\u00f3n de *The Revolution* y el archivado \u00e1lbum triple *Crystal Ball*. Aun as\u00ed, nunca suena fragmentado. Suena como si Prince hubiera abierto todas las ventanas de su estudio y dejado que el clima controlara los arreglos, capturando as\u00ed el caos.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">La canci\u00f3n que da t\u00edtulo al \u00e1lbum lo abre con un funk apocal\u00edptico y minimalista \u2013 una bater\u00eda Linn seca, teclados lejanos y letras que se mueven como titulares. El SIDA, la violencia de pandillas, las epidemias de drogas, la tensi\u00f3n de la carrera espacial. Todo est\u00e1 ah\u00ed, entregado con una calma inquietante. Luego llega *Play in the Sunshine*, estallando con una alegr\u00eda fren\u00e9tica que casi resulta desquiciada en contraste, seguida de *Housequake*, donde la voz de Camille gru\u00f1e y se retuerce sobre un ritmo que parece perforar el suelo. Ninguna canci\u00f3n se queda quieta. Todas mutan. *The Ballad of Dorothy Parker* suena como un sue\u00f1o contado en clave. *Starfish and Coffee* es infantil y surrealista. *If I Was Your Girlfriend* juega con el g\u00e9nero, los celos y la intimidad de una manera que a\u00fan hoy suena adelantada a su tiempo.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">Prince toc\u00f3 casi todos los instrumentos del \u00e1lbum. Gran parte fue construida por \u00e9l. Era compulsi\u00f3n, no indulgencia. No era un tipo eligiendo qu\u00e9 producir. Era alguien intentando atrapar lo que lo atravesaba antes de que se desvaneciera. La m\u00fasica no siempre se resuelve. A veces tropieza, a veces falla, otras veces cambia a mitad de camino. Ese es el punto. <em data-start=\"1003\" data-end=\"1021\">Sign \u262e\ufe0e The Times<\/em>\u00a0se siente como una comunicaci\u00f3n que Prince apenas logr\u00f3 interceptar a tiempo. Era demasiado r\u00e1pido para quedarse en un solo punto; no solo iba por delante de la curva.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Un espect\u00e1culo unipersonal, una haza\u00f1a art\u00edstica y la confirmaci\u00f3n de que el antiguo ni\u00f1o prodigio del pop ha alcanzado la madurez.<\/p>\n<\/blockquote>\n<p><\/p>\n<p style=\"text-align: right;\"><em>(Don McLeese, Chicago Sun Times, 1987)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Gener\u00f3 algunos de sus \u00e9xitos m\u00e1s duraderos para un \u00e1lbum lleno de desobediencia e innovaci\u00f3n. Con Sheena Easton, <em>U Got the Look<\/em> se convirti\u00f3 en una potencia comercial, mezclando sintetizadores distorsionados con una actitud primitiva. <em>I Could Never Take the Place of Your Man<\/em> reuni\u00f3 decepci\u00f3n y tristeza en un envoltorio de power-pop. <em>Strange Relationship<\/em> lat\u00eda con una intimidad brutal. Luego cierra toda la experiencia con <em>Adore<\/em>, una balada soul tan clara, tan expuesta que parece haber sido escrita en un suspiro, recordando a todos que nada est\u00e1 fijado.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">Aunque fue dif\u00edcil de clasificar en el momento de su lanzamiento, <em data-start=\"1003\" data-end=\"1021\">Sign \u262e\ufe0e The Times<\/em> fue ampliamente elogiado. No ten\u00eda la claridad de rock de estadio de Purple Rain ni la sofisticaci\u00f3n conceptual de Parade. Era sucio, precipitado, implacable, lo que lo hac\u00eda asombroso. Prince entreg\u00f3 un \u00e1lbum que parec\u00eda humano en su desmesura, en medio de una d\u00e9cada obsesionada con el brillo y el orden. Hay momentos en que los estados de \u00e1nimo cambian sin justificaci\u00f3n y errores que quedan sonando sin terminar. Aun as\u00ed, hay fuerza en su interior. Es el sonido de un artista que se niega a limar las aristas de su inspiraci\u00f3n.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">Prince captur\u00f3 una fiebre m\u00e1s que un \u00e1lbum en <em data-start=\"1003\" data-end=\"1021\">Sign \u262e\ufe0e The Times<\/em>. Un momento en que la comprensi\u00f3n iba por detr\u00e1s de la inspiraci\u00f3n. \u00c9l era el mensaje y el veh\u00edculo. No cre\u00f3 como un artesano, sino como un portal, por eso el resultado se siente m\u00e1s como un mapa de todo lo que fue y pudo haber sido, m\u00e1s que un conjunto de canciones. M\u00e1s de treinta a\u00f1os despu\u00e9s, el \u00e1lbum a\u00fan conserva su audacia y urgencia. Sigue siendo una de las pocas obras en la m\u00fasica pop que se siente absolutamente libre, no fuera del mundo, sino completamente sin miedo a \u00e9l.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Publicado por Prince en marzo de 1987, Sign \u262e\ufe0e The Times fue un \u00e1lbum doble que lleg\u00f3 con inevitabilidad m\u00e1s que con publicidad.<\/p>\n","protected":false},"author":1,"featured_media":6539,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"give_campaign_id":0,"footnotes":""},"categories":[300,299],"tags":[481,427,468,470,538],"class_list":["post-6542","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-classic-rock-es","tag-discofunk-es","tag-pop-es-2","tag-prince-es","tag-soul-rb-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sign \u262e\ufe0e The Times - Prince - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sign \u262e\ufe0e The Times - Prince - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Publicado por Prince en marzo de 1987, Sign \u262e\ufe0e The Times fue un \u00e1lbum doble que lleg\u00f3 con inevitabilidad m\u00e1s que con publicidad.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2025-06-03T08:34:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-03T14:56:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/06\/Sott-Prince.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"843\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Sign \u262e\ufe0e The Times &#8211; Prince\",\"datePublished\":\"2025-06-03T08:34:08+00:00\",\"dateModified\":\"2025-06-03T14:56:47+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/\"},\"wordCount\":924,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/06\\\/Sott-Prince.jpg\",\"keywords\":[\"Classic Rock\",\"Disco Funk\",\"Pop\",\"Prince\",\"Soul \\\/ R&amp;B\"],\"articleSection\":[\"\u00c1lbumes\",\"Cr\u00edticas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/\",\"name\":\"Sign \u262e\ufe0e The Times - Prince - RIFFS AND BEATS\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/06\\\/Sott-Prince.jpg\",\"datePublished\":\"2025-06-03T08:34:08+00:00\",\"dateModified\":\"2025-06-03T14:56:47+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/#primaryimage\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/06\\\/Sott-Prince.jpg\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/06\\\/Sott-Prince.jpg\",\"width\":1500,\"height\":843},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/sign-%e2%98%ae-the-times-prince\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sign \u262e\ufe0e The Times &#8211; Prince\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\",\"name\":\"RIFFS AND BEATS\",\"description\":\"Soundtrack Of Our Lives\",\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\",\"name\":\"RIFFS AND BEATS\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"width\":500,\"height\":500,\"caption\":\"RIFFS AND BEATS\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/profile.php?id=61576819018054\",\"https:\\\/\\\/x.com\\\/riffsandbeats99\",\"https:\\\/\\\/www.instagram.com\\\/riffsandbeatsofficial\",\"https:\\\/\\\/www.youtube.com\\\/@RiffsandBeats\",\"https:\\\/\\\/www.tiktok.com\\\/@riffsandbeats\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\",\"name\":\"pgorce\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"caption\":\"pgorce\"},\"sameAs\":[\"https:\\\/\\\/riffsandbeats.com\"],\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/author\\\/pgorce\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sign \u262e\ufe0e The Times - Prince - RIFFS AND BEATS","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/","og_locale":"es_ES","og_type":"article","og_title":"Sign \u262e\ufe0e The Times - Prince - RIFFS AND BEATS","og_description":"Publicado por Prince en marzo de 1987, Sign \u262e\ufe0e The Times fue un \u00e1lbum doble que lleg\u00f3 con inevitabilidad m\u00e1s que con publicidad.","og_url":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/","og_site_name":"RIFFS AND BEATS","article_publisher":"https:\/\/www.facebook.com\/profile.php?id=61576819018054","article_published_time":"2025-06-03T08:34:08+00:00","article_modified_time":"2025-06-03T14:56:47+00:00","og_image":[{"width":1500,"height":843,"url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/06\/Sott-Prince.jpg","type":"image\/jpeg"}],"author":"pgorce","twitter_card":"summary_large_image","twitter_creator":"@riffsandbeats99","twitter_site":"@riffsandbeats99","twitter_misc":{"Escrito por":"pgorce","Tiempo de lectura":"5 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/#article","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/"},"author":{"name":"pgorce","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/person\/a6a40143836f6c8a45376e05d9879346"},"headline":"Sign \u262e\ufe0e The Times &#8211; Prince","datePublished":"2025-06-03T08:34:08+00:00","dateModified":"2025-06-03T14:56:47+00:00","mainEntityOfPage":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/"},"wordCount":924,"commentCount":0,"publisher":{"@id":"https:\/\/riffsandbeats.com\/es\/#organization"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/06\/Sott-Prince.jpg","keywords":["Classic Rock","Disco Funk","Pop","Prince","Soul \/ R&amp;B"],"articleSection":["\u00c1lbumes","Cr\u00edticas"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/","url":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/","name":"Sign \u262e\ufe0e The Times - Prince - RIFFS AND BEATS","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/#primaryimage"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/06\/Sott-Prince.jpg","datePublished":"2025-06-03T08:34:08+00:00","dateModified":"2025-06-03T14:56:47+00:00","breadcrumb":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/#primaryimage","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/06\/Sott-Prince.jpg","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/06\/Sott-Prince.jpg","width":1500,"height":843},{"@type":"BreadcrumbList","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/sign-%e2%98%ae-the-times-prince\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/riffsandbeats.com\/es\/"},{"@type":"ListItem","position":2,"name":"Sign \u262e\ufe0e The Times &#8211; Prince"}]},{"@type":"WebSite","@id":"https:\/\/riffsandbeats.com\/es\/#website","url":"https:\/\/riffsandbeats.com\/es\/","name":"RIFFS AND BEATS","description":"Soundtrack Of Our Lives","publisher":{"@id":"https:\/\/riffsandbeats.com\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/riffsandbeats.com\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/riffsandbeats.com\/es\/#organization","name":"RIFFS AND BEATS","url":"https:\/\/riffsandbeats.com\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/logo\/image\/","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","width":500,"height":500,"caption":"RIFFS AND BEATS"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/profile.php?id=61576819018054","https:\/\/x.com\/riffsandbeats99","https:\/\/www.instagram.com\/riffsandbeatsofficial","https:\/\/www.youtube.com\/@RiffsandBeats","https:\/\/www.tiktok.com\/@riffsandbeats"]},{"@type":"Person","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/person\/a6a40143836f6c8a45376e05d9879346","name":"pgorce","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","caption":"pgorce"},"sameAs":["https:\/\/riffsandbeats.com"],"url":"https:\/\/riffsandbeats.com\/es\/author\/pgorce\/"}]}},"_links":{"self":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/6542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/comments?post=6542"}],"version-history":[{"count":11,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/6542\/revisions"}],"predecessor-version":[{"id":6567,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/6542\/revisions\/6567"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/media\/6539"}],"wp:attachment":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/media?parent=6542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/categories?post=6542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/tags?post=6542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}