{"id":6824,"date":"2025-06-08T10:12:44","date_gmt":"2025-06-08T08:12:44","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/mezzanine-massive-attack\/"},"modified":"2025-06-10T08:34:26","modified_gmt":"2025-06-10T06:34:26","slug":"mezzanine-massive-attack","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/mezzanine-massive-attack\/","title":{"rendered":"Mezzanine &#8211; Massive Attack"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Una nueva ola de oscuridad<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Empieza con un latido cubierto de est\u00e1tica. La puerta de <em>Angel<\/em> se abre con un chirrido para revelar un mundo donde el estr\u00e9s se convierte en ritmo y la textura reemplaza a la canci\u00f3n. <em>Mezzanine<\/em> ayud\u00f3 a Massive Attack a entrar en una estructura sonora m\u00e1s profunda, construida con corrosi\u00f3n y sombra, frecuencias que arden lentamente y silencios esculpidos. Ya famosos por sus creaciones anteriores, el colectivo de Bristol eligi\u00f3 un camino que expand\u00eda su paleta de colores hacia nuevos territorios. Construido sobre una base que late como el flujo sangu\u00edneo de una ciudad insomne, capas de dub, post-punk y ambient se encuentran con una precisi\u00f3n cinematogr\u00e1fica. Cada canci\u00f3n parece respirar por s\u00ed sola, transportando al oyente a un mundo basado en la densidad, la intimidad y la potencia.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">Las sesiones de <em>Mezzanine<\/em> fueron muy inmersivas y exigentes. El inter\u00e9s de Del Naja por el muestreo digital transform\u00f3 fragmentos de guitarra, percusi\u00f3n y ruido en algo nuevo, algo moldeable. Cada comp\u00e1s en <em>Risingson<\/em> se estrella como un muro interior. <em>Inertia Creeps<\/em> baila en el borde del control, guiado por escalas orientales y una voz que ondula como vapor bajo presi\u00f3n. El ADN del disco muestra la influencia de bandas como The Cure y PIL, pero el arreglo sigue siendo claramente Massive Attack: paciente, preciso y cargado de intenci\u00f3n.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">Como un regalo del \u00e9ter, apareci\u00f3 <em>Teardrop<\/em>. Pensada inicialmente para otra artista, la canci\u00f3n encontr\u00f3 su voz adecuada en Elizabeth Fraser, quien la molde\u00f3 en algo eterno y humano. Rodeada de ritmos filtrados, acordes de Rhodes y una carga emocional subyacente, su voz asciende suavemente en la mezcla. Portando el peso de la memoria y del cambio, la atm\u00f3sfera que rodea la pista resuena a trav\u00e9s de d\u00e9cadas de m\u00fasica moldeada por su elegancia. No hay prisa, no hay imposici\u00f3n. La canci\u00f3n flota sostenida por la pura fuerza de su presencia.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">Massive Attack usa el contraste como su lenguaje principal a lo largo del \u00e1lbum. Entre las corrientes densas del disco, las interpretaciones de Horace Andy ofrecen un suave anclaje. En <em>Man Next Door<\/em>, su ejecuci\u00f3n construye una historia sonora que se siente a la vez universal y profundamente personal mientras atraviesa c\u00e1maras de eco y texturas distorsionadas. Pistas como <em>Black Milk<\/em> y <em>Group Four<\/em>, por su parte, se desarrollan con una progresi\u00f3n deliberada y revelan nuevos elementos con cada escucha, como la luz cambiante que atraviesa un vitral. Esta m\u00fasica tiene algo de ritual, no en la repetici\u00f3n, sino en la revelaci\u00f3n.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Fue un momento cris\u00e1lida. Est\u00e1bamos intentando emerger como algo distinto. Hab\u00edamos pasado por toda esa etapa de los 90 en la que \u00e9ramos los nuevos del barrio y acabamos siendo parte de ese movimiento llamado trip-hop, que era como un peque\u00f1o sat\u00e9lite aliment\u00e1ndose del Britpop. Y ninguno de nosotros se sent\u00eda parte de eso. Solo quer\u00edamos establecer firmemente nuestra propia identidad.<\/p>\n<\/blockquote>\n<p><\/p>\n<p style=\"text-align: right;\"><em>(Robert Del Naja, Wallpaper, 2018)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">La identidad de <em>Mezzanine<\/em> depende en gran parte de su dise\u00f1o visual. La ambig\u00fcedad estratificada de la m\u00fasica se refleja en la obra gr\u00e1fica elegida: minimalista, biol\u00f3gica, algo inquietante. Invitando al espectador a entrar en sus mundos creados, la banda transform\u00f3 sus actuaciones en instalaciones audiovisuales. Sin gestos bruscos, sin espect\u00e1culo por el simple hecho del espect\u00e1culo. Solo una inmersi\u00f3n perfectamente planificada, donde cada luz y cada sonido apoyan una verdad emocional m\u00e1s profunda.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">Lanzado en 1998, <em>Mezzanine<\/em> aport\u00f3 ideas frescas justo en el momento en que muchos pensaban que la d\u00e9cada ya hab\u00eda agotado sus posibilidades musicales. Massive Attack demostr\u00f3 c\u00f3mo la tensi\u00f3n y la serenidad pueden convivir en un mismo aliento, introduciendo la decadencia en la belleza. Su impacto se extiende ampliamente: en los ritmos introspectivos de Burial, en la tristeza orquestada de <em>Kid A<\/em>, en los experimentos ambientales de productores modernos que crean mundos enteros a partir de la disonancia y el aliento. Este disco no sigui\u00f3 un camino. Aqu\u00ed se produjo uno.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><em>Mezzanine<\/em> mantiene su intensidad y equilibrio excepcionales. Funciona como una declaraci\u00f3n completa, no como una reacci\u00f3n ni un comentario. Cada elemento cumple un prop\u00f3sito, cada minuto se abre hacia algo m\u00e1s grande. Invita a una inmersi\u00f3n total, a una entrega absoluta. Sin ganchos ni cimas, ofrece algo m\u00e1s duradero: una arquitectura emocional, un atardecer sonoro que crece con el tiempo. <em>Mezzanine<\/em> afirma una posici\u00f3n en la historia de la m\u00fasica contempor\u00e1nea que ning\u00fan otro \u00e1lbum reclama por completo.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Comienza con un latido cubierto de est\u00e1tica; la puerta de *Angel* se abre con un crujido y revela un mundo donde el estr\u00e9s se convierte en ritmo y la textura sustituye a la canci\u00f3n.<\/p>\n","protected":false},"author":1,"featured_media":6815,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"give_campaign_id":0,"footnotes":""},"categories":[300,299],"tags":[313,608,487],"class_list":["post-6824","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-alternative-indie-punk-es","tag-gaz-coombes-es","tag-supergrass-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mezzanine - Massive Attack - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/mezzanine-massive-attack\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mezzanine - Massive Attack - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Comienza con un latido cubierto de est\u00e1tica; 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