{"id":7148,"date":"2013-03-14T19:10:00","date_gmt":"2013-03-14T18:10:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/los-10-mejores-bateristas-de-grupos-de-rock-de-todos-los-tiempos\/"},"modified":"2026-11-09T07:07:23","modified_gmt":"2026-11-09T06:07:23","slug":"los-10-mejores-bateristas-de-grupos-de-rock-de-todos-los-tiempos","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/cultura\/tops10-es\/los-10-mejores-bateristas-de-grupos-de-rock-de-todos-los-tiempos\/","title":{"rendered":"Los 10 mejores bateristas de grupos de rock de todos los tiempos"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css=\u00bb.vc_custom_1454690049611{padding-left: 13% !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<h3 style=\"text-align: justify;\">De Bonham a Peart: diez bater\u00edas que marcaron el rock de banda<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t10<\/span><strong>Dave Grohl (Nirvana)<\/strong><br \/>\nUn ataque punk fuerte, tocado con precisi\u00f3n. Grohl se uni\u00f3 a Nirvana justo a tiempo para que Nevermind despegara. Su bater\u00eda es fuerte, simple y exacta. En Smells Like Teen Spirit la caja pega fuerte y se queda a tiempo. Y en vivo, especialmente en Reading 1992, Grohl tocaba duro tras los tambores, codos fuera, con el caos sujeto al pulso.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t9<\/span><strong>Charlie Watts (The Rolling Stones)<\/strong><br \/>\nNunca llamativo, siempre necesario. Watts no buscaba el centro de atenci\u00f3n. \u00c9l le daba a los Stones su empuje. Sus ra\u00edces en el jazz manten\u00edan a la banda suelta. En Gimme Shelter se queda atr\u00e1s y sostiene el pulso. Keith y Mick van delante. Charlie guarda el tiempo.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t8<\/span><strong>Phil Collins (Genesis)<\/strong><br \/>\nAntes de tomar el micr\u00f3fono, Collins fue uno de los bateristas m\u00e1s inventivos del rock progresivo. Su trabajo en The Lamb Lies Down on Broadway es detallado, fuerte y hecho para el escenario. Luego lleg\u00f3 In the Air Tonight, con ese redoble. Cuatro golpes, y un sonido de bater\u00eda que la radio at\u00f3 a los a\u00f1os 80.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t7<\/span><strong>Stewart Copeland (The Police)<\/strong><br \/>\nGolpes duros, a contratiempo. Copeland no se limitaba a marcar el ritmo. Tocaba l\u00edneas de respuesta y abr\u00eda ritmos reggae con volumen punk. Walking on the Moon necesita ese sitio. Con \u00e9l, el tema se queda ligero y pega.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t6<\/span><strong>Bill Bruford (Yes, King Crimson)<\/strong><br \/>\nUn baterista preciso, de formaci\u00f3n estudiosa. Bruford aport\u00f3 un ataque trabajado al prog. Con Yes, recorr\u00eda los compases irregulares como si fueran compases corrientes. Con Crimson, tocaba partes pesadas con un toque de jazz. Las partes est\u00e1n pensadas y siguen teniendo swing.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t5<\/span><strong>Ringo Starr (The Beatles)<\/strong><br \/>\nSubestimarlo es un error. Ringo cambi\u00f3 a la banda tocando menos, y toc\u00e1ndolo justo. Sus redobles en Come Together o A Day in the Life son lecciones de contenci\u00f3n. Hac\u00eda las partes f\u00e1ciles de ver. Sin Ringo, el ritmo estable que sostiene a la banda no est\u00e1. El pulso Beatle tampoco.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t4<\/span><strong>Keith Moon (The Who)<\/strong><br \/>\nMoon no tocaba la bater\u00eda de forma ordenada. La golpeaba fuerte. Cada redoble va cargado, y los shows eran duros. En Won\u2019t Get Fooled Again empuja el tema desde la bater\u00eda. Mov\u00eda el tempo. Fuera del escenario, su vida hizo tanto ruido como su forma de tocar.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t3<\/span><strong>Ginger Baker (Cream)<\/strong><br \/>\nJazz, enfado y ritmo africano en un ingl\u00e9s malhumorado. Baker fue un nombre temprano y un t\u00e9cnico. Su ejecuci\u00f3n en Toad fue uno de los primeros solos de bater\u00eda extendidos en disco, repetitivo y duro. Marcaba el tempo y dejaba un nivel.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t2<\/span><strong>Neil Peart (Rush)<\/strong><br \/>\nEl aplicado del grupo. Letras, conceptos y ritmos largos y sinuosos. Peart llev\u00f3 partes escritas a la percusi\u00f3n rock. Cada redoble en Tom Sawyer es intencionado, armado por secciones como una partitura larga. Y en vivo, tocaba durante tres horas seguidas, sin soltar las partes, con un golpe muy limpio.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t1<\/span><strong>John Bonham (Led Zeppelin)<\/strong><br \/>\nEl m\u00e1s pesado. Bonham era el m\u00e1s ruidoso y el m\u00e1s pesado, y las partes segu\u00edan fluyendo. When the Levee Breaks es un sonido de bater\u00eda que los productores modernos siguen mirando. Su pedal en Good Times Bad Times es dif\u00edcil de copiar. Lo que hac\u00eda de Bonzo el mejor era el sentido del tiempo. Sin metr\u00f3nomos. Sin correcciones. Un ritmo profundo, firme.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>De Bonham a Peart: diez bater\u00edas que marcaron el rock de banda, de Grohl en Reading 1992 a Watts en Gimme Shelter.<\/p>\n","protected":false},"author":1,"featured_media":7156,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307,310],"tags":[481],"class_list":["post-7148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","category-tops10-es","tag-classic-rock-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Los 10 mejores bateristas de grupos de rock de todos los tiempos - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"De Bonham a Peart: diez bater\u00edas que marcaron el rock de banda, de Grohl en Reading 1992 a Watts en Gimme Shelter.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/cultura\/tops10-es\/los-10-mejores-bateristas-de-grupos-de-rock-de-todos-los-tiempos\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Los 10 mejores bateristas de grupos de rock de todos los tiempos - 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