{"id":7217,"date":"2025-06-20T07:51:29","date_gmt":"2025-06-20T05:51:29","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/control\/"},"modified":"2025-06-20T07:55:24","modified_gmt":"2025-06-20T05:55:24","slug":"control","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/control\/","title":{"rendered":"Control"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">La vida en monocromo<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><em>Control<\/em> de Anton Corbijn se despliega en grises apagados y humo de cigarrillo, envuelto en el peso silencioso de la Inglaterra de finales de los a\u00f1os 70. No busca exagerar el mito de Ian Curtis. Prefiere habitar la ca\u00edda suave de un joven atrapado en palabras de las que nunca pudo liberarse del todo. La pel\u00edcula sigue el ojo de un fot\u00f3grafo, deliberado, quieto, sensible al silencio. Reflejando una \u00e9poca en la que la ambici\u00f3n chocaba con el hormig\u00f3n y la m\u00fasica se volv\u00eda una cuerda de salvaci\u00f3n para los desencantados, cada plano encierra la poes\u00eda sombr\u00eda de Macclesfield en sus calles y sus interiores. Con una ternura distante, la narraci\u00f3n sigue el crecimiento temprano de Joy Division, sin forzar la emoci\u00f3n, dej\u00e1ndola simplemente respirar.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">La paleta disciplinada de los conciertos inspira su propia inspiraci\u00f3n. Sam Riley no imita a Ian, lo canaliza. Con los ojos entrecerrados, se encorva frente al micr\u00f3fono; algo no dicho se filtra en su voz. Las primeras escenas de la banda se graban como pulsos involuntarios: ensayos en cuartos fr\u00edos, elecciones equivocadas, risas apagadas en pasillos oscuros, m\u00e1s que como hitos. Al incorporar la historia de Deborah Curtis con claridad y dolor, Samantha Morton ancla la pel\u00edcula en una fragilidad dom\u00e9stica que la fama rara vez alcanza. <em>Control<\/em> encuentra fuerza en el silencio. Un plato estrellado contra el suelo, un beb\u00e9 que llora, una ventana de autob\u00fas empa\u00f1ada.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">Esquivando la espectacularidad, las escenas musicales tienen una intimidad particular. \u00abShe\u2019s Lost Control\u00bb resuena en la pantalla con la tensi\u00f3n de un cuerpo que ya no responde a s\u00ed mismo. Filmadas con una gracia fantasmal, nunca explotadoras, siempre humanas, las crisis epil\u00e9pticas conmueven. Las l\u00edneas de bajo afiladas de Peter Hook y la guitarra angulosa de Bernard Sumner no estallan en grandeza de estadio. Los espacios estrechos las hacen enroscarse y sacudirse. Cuando se elevan frente al espejo del dolor, la pel\u00edcula comprende que las canciones poseen una claridad extra\u00f1a. Como si la m\u00fasica estuviera naciendo en ese instante, <em>Unknown Pleasures<\/em> y <em>Closer<\/em> se deslizan con sigilo.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Algunas personas visitan el pasado por razones sentimentales y otras lo hacen para comprender mejor el presente.<\/p>\n<\/blockquote>\n<p><\/p>\n<p style=\"text-align: right;\"><em>(Anton Corbijn, 2007)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Corbijn rod\u00f3 la pel\u00edcula en blanco y negro; nunca se siente como una elecci\u00f3n est\u00e9tica. Parece inevitable. El monocromo conserva los recuerdos como im\u00e1genes polvorientas guardadas en cajones. Encaja con la soledad que impregna cada plano. Una sociedad donde el futuro siempre parece un poco fuera de alcance. La fotograf\u00eda refleja la est\u00e9tica de la banda: contenida, severa, palpitante de algo enterrado. No hay grandes proclamaciones ni mitificaci\u00f3n. Cuerpos que se rompen, voces que intentan mantenerse bajo luces fluorescentes y giras, solo d\u00edas que pasan.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><em>Control<\/em> no es una eleg\u00eda. Es un documento sobre una juventud desgarrada por la intensidad. Da espacio a lo que no se dijo en canciones que lo dec\u00edan todo. Deja al p\u00fablico escuchar m\u00e1s que ser informado, caminando entre el realismo y el respeto. En los \u00faltimos momentos de Ian, la secuencia final no da respuestas. Solo quietud. Y luego silencio. Ese tipo de silencio que permanece mucho despu\u00e9s de que los cr\u00e9ditos hayan terminado.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Control de Anton Corbijn se despliega en grises apagados y humo de cigarrillos, envuelto en el peso silencioso de la Inglaterra de finales de los a\u00f1os 70.<\/p>\n","protected":false},"author":1,"featured_media":7211,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"give_campaign_id":0,"footnotes":""},"categories":[299,303],"tags":[313,650],"class_list":["post-7217","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-criticas","category-peliculas","tag-alternative-indie-punk-es","tag-joy-division-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Control - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/control\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Control - 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