{"id":7391,"date":"2025-06-27T09:25:11","date_gmt":"2025-06-27T07:25:11","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/no-more-heroes-the-stranglers\/"},"modified":"2025-06-27T09:38:40","modified_gmt":"2025-06-27T07:38:40","slug":"no-more-heroes-the-stranglers","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/no-more-heroes-the-stranglers\/","title":{"rendered":"No More Heroes &#8211; The Stranglers"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">El sonido sin filtros de 1977<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">El bajo ruge grave, constante, agresivo. Con ese tono redondo y saturado que Jean-Jacques Burnel desarroll\u00f3 tras a\u00f1os tocando con cuerdas planas y golpeando su amplificador m\u00e1s veces que muchos bater\u00edas sus propias baquetas, cada nota avanza como una amenaza. Nunca ostentosa, la bater\u00eda lo sigue de cerca, b\u00e1sica y seca. Por encima, el \u00f3rgano se desliza, juguet\u00f3n y extra\u00f1o, siempre al borde de perder el control, pero con una mano a\u00fan agarrada al ritmo. Hugh Cornwell pronuncia las palabras como si marcara casillas en una lista que ya no importa, con frialdad, agudo y plano.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">Las palabras distribuyen nombres como fotograf\u00edas olvidadas en un suelo mugriento: Trotsky, Lenny Bruce, Shakespeare, Sancho Panza. Ning\u00fan homenaje, ninguna explicaci\u00f3n, solo una lista de lo obsoleto. No son obituarios. Son fragmentos lanzados con una carcajada. El t\u00edtulo lo dice todo. El olor a basura y a spray barato impregnaba Londres en 1977. Los h\u00e9roes ya no ol\u00edan as\u00ed. Con aliento a alcohol y sin disculpas, sal\u00eda del pub arrastr\u00e1ndose hacia la radio.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">Los Stranglers cruzaban la escena punk de lado. M\u00e1s viejos, m\u00e1s curtidos, menos entusiastas con los esl\u00f3ganes. Burnel dominaba mejor el franc\u00e9s que el ingl\u00e9s y practicaba k\u00e1rate. Cornwell hab\u00eda hecho sus experimentos qu\u00edmicos antes de montar el grupo. Telonearon a Patti Smith y fueron expulsados de escenarios por pelear avec le public. Sirenas de polic\u00eda y botellas rotas cerraban sus conciertos. Esa discordia nunca abandon\u00f3 su m\u00fasica. Se incrust\u00f3 en los surcos de sus canciones como el polvo en el vinilo.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201cNos salimos con la nuestra\u201d, dijo Hugh Cornwell sobre la era de <em>No More Heroes<\/em>, al reflexionar sobre el enfoque provocador y rebelde de la banda durante su ascenso explosivo en 1977.<\/p>\n<\/blockquote>\n<p><\/p>\n<p style=\"text-align: right;\"><em>(Mick Wall, Louder Sound, 2023)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">La mezcla se mantiene ajustada, casi asfixiante. Nada sobresale demasiado. Todo se repliega en el ritmo. Nunca suave, las l\u00edneas de teclado giran en espirales, haciendo girar el riff como buitres. Grueso y constante, el bajo empuja todo hacia adelante. No hay aire en esta pista. Solo tensi\u00f3n, ritmo y paredes. Suena como una banda tocando con la espalda contra el muro, los ojos puestos en la salida.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><em>No More Heroes<\/em> retrata perfectamente una sensaci\u00f3n que nunca pidi\u00f3 definici\u00f3n clara. Se lee como una nota garabateada en el ba\u00f1o de un bar. Los discursos han terminado. Tambi\u00e9n la era de los mitos. Lo que queda es un riff, un gru\u00f1ido, una canci\u00f3n de cuatro minutos con marcas. No hay preguntas. No hay respuestas. Solo huellas y sonido.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>El bajo ruge grave, constante, agresivo. Con ese tono redondo y saturado que desarroll\u00f3 tras a\u00f1os tocando con cuerdas planas.<\/p>\n","protected":false},"author":1,"featured_media":7386,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"give_campaign_id":0,"footnotes":""},"categories":[305,299],"tags":[313,689],"class_list":["post-7391","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-alternative-indie-punk-es","tag-the-stranglers-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>No More Heroes - The Stranglers - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/no-more-heroes-the-stranglers\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"No More Heroes - The Stranglers - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"El bajo ruge grave, constante, agresivo. 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