{"id":7436,"date":"2025-06-30T09:49:20","date_gmt":"2025-06-30T07:49:20","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/going-up-the-country-canned-heat\/"},"modified":"2025-06-30T09:53:48","modified_gmt":"2025-06-30T07:53:48","slug":"going-up-the-country-canned-heat","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/going-up-the-country-canned-heat\/","title":{"rendered":"Going Up The Country &#8211; Canned Heat"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Cuando el blues tom\u00f3 los caminos secundarios<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Como un viento que se cuela por una ventana rota, la flauta revolotea; justo debajo, el motor arranca, constante, polvoriento, hirviente. <em>Going Up the Country<\/em> commence simplement par le mouvement, sans avertissement. \u00c7a sent la sueur sur le denim et la suggestion de partir. Bien que l\u00e9g\u00e8re, la voix en falsetto d&#8217;Alan Wilson s\u2019installe avec le poids de mille voyages, de ceux o\u00f9 le ciel semble infini et o\u00f9 la seule radio est ton propre c\u0153ur. Comme la porti\u00e8re d\u2019un vieux pick-up qui claque, le rythme s\u2019enclenche.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">Wilson n\u2019\u00e9tait pas un homme de tonnerre. Il se perdait souvent, parlait aux arbres et marchait en silence. Il cherchait la paix dans les sentiers oubli\u00e9s et les vieux blues. La m\u00e9lodie vient d\u2019Henry Thomas, un Texan dont l\u2019enregistrement des ann\u00e9es 1920 utilisait une fl\u00fbte en bois. Wilson l\u2019a reprise sans ironie, sans la polir \u00e0 l\u2019exc\u00e8s. Il l\u2019a laiss\u00e9e respirer, rouiller un peu. Ce faisant, il a reli\u00e9 le blues du porche \u00e0 la libert\u00e9 de la banquette arri\u00e8re.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">La chanson a flott\u00e9 sur l\u2019\u00e9t\u00e9 68 comme un signal radio rebondissant sur chaque colline s\u00e8che entre San Francisco et Woodstock. Les objecteurs de conscience l\u2019ont entendue comme un hymne. Les enfants dans les festivals l\u2019ont prise pour un mantra. Elle disait tout sans crier. Pas de drapeaux g\u00e9ants, pas de slogans criards. Juste un petit d\u00e9sir de bouger, de fuir, d\u2019\u00e9pousseter la poussi\u00e8re et de dispara\u00eetre. Le timing n\u2019\u00e9tait pas accidentel; les routes \u00e9taient comme des veines transportant le sang loin de la blessure et le pays \u00e9tait en feu.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Algunos la consideran el himno no oficial del encuentro de Woodstock en 1969.<\/p>\n<\/blockquote>\n<p><\/p>\n<p style=\"text-align: right;\"><em>(Robin Lloyd, KNKX, 2012)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">La vida de Canned Heat fue un caos. Sus concerts eran como inipi, desbordantes de sudor. Wilson volaba y Bob Hite gru\u00f1\u00eda. Arrastraban le blues \u00e0 travers le d\u00e9sert avec l\u2019ampli qui vrombissait encore, sans l\u2019habiller ni le lisser. Leurs performances \u00e9taient l\u00e2ches, effiloch\u00e9es, \u00e0 nu. Mais ce morceau, lui, est leur feu le plus contenu. Il ne frappe pas. Il avance. Comme la m\u00e9moire du mouvement transmise de main en main, il roule comme une roue qui se souvient des pistes de chariot.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">Aujourd\u2019hui encore, on l\u2019entend sur les routes ouvertes, dans les films, les pubs. Sa force repose dans ses pas l\u00e9gers et dans la fa\u00e7on dont il plante un drapeau dans l\u2019estomac en un instant. Il n\u2019a pas besoin de fracas ni de reverb. Il offre le son de l\u2019Am\u00e9rique qui part, vers un ailleurs calme, verdoyant, peut-\u00eatre meilleur. Il se d\u00e9plie comme quelqu\u2019un qui pr\u00e9pare un sac en silence, jette un \u0153il \u00e0 la carte, puis s\u2019en va dans le matin.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Como un viento que atraviesa una ventana rota, la flauta revolotea; justo debajo, el motor arranca, constante, polvoriento, hirviente.<\/p>\n","protected":false},"author":1,"featured_media":7431,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"give_campaign_id":0,"footnotes":""},"categories":[305,299],"tags":[406,713],"class_list":["post-7436","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-blues-jazz-es","tag-canned-heat-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Going Up The Country - Canned Heat - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/going-up-the-country-canned-heat\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Going Up The Country - Canned Heat - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Como un viento que atraviesa una ventana rota, la flauta revolotea; 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