{"id":7487,"date":"2024-08-13T13:00:00","date_gmt":"2024-08-13T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/recto-verso-paradis\/"},"modified":"2026-11-09T07:14:11","modified_gmt":"2026-11-09T06:14:11","slug":"recto-verso-paradis","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/recto-verso-paradis\/","title":{"rendered":"Recto Verso – Paradis"},"content":{"rendered":"

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Tempos house franceses, fraseo chanson, sesiones en piso parisino<\/h3>\n

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Recto Verso<\/em> abre con Instantan\u00e9<\/em>: acordes lentos, synths suaves, una voz justo encima del beat. Simon M\u00e9ny y Pierre Rousseau (Paradis) ya hab\u00edan mostrado su gusto en singles como la versi\u00f3n Bashung La Ballade de Jim<\/em>. Su \u00e1lbum debut, publicado el 23 de septiembre de 2016 en Barclay\/Riviera, tiene doce temas y unos 63 minutos. El fraseo de chanson francesa monta ritmos house sin forzar drops. La bater\u00eda se queda suave y cerca. El bajo est\u00e1 junto a la voz. Las voces se mezclan como un instrumento m\u00e1s: ni enterradas ni gritadas. El disco nunca corre. Los grooves duran lo bastante para que los detalles peque\u00f1os aparezcan en las partes tranquilas.<\/p>\n

Temas como Toi et moi<\/em>, Miroir (Un)<\/em> \/ Miroir (Deux)<\/em> y Garde le pour toi<\/em> funcionan como escenas cortas: l\u00edneas repetidas, espacio est\u00e9reo cuidadoso, sin cl\u00edmax s\u00fabito para puntos DJ. Los h\u00e1bitos cl\u00e1sicos y de dise\u00f1o de Pierre se ven en las estructuras; el fondo moda-y-voz de Simon en el fraseo y la presencia. Trabajaban tarde en un piso de Par\u00eds, con la ciudad filtrando por ventanas abiertas, grabando con la paciencia de un d\u00fao m\u00e1s interesado en el equilibrio que en drops de festival. Scooters y bocinas lejanas vuelven en los relatos de las sesiones, y las mezclas suenan dom\u00e9sticas m\u00e1s que de tama\u00f1o festival. Julien Delfaud mezcl\u00f3 el \u00e1lbum; Chab lo masteriz\u00f3. La trompeta de Cyprien Sorel colorea el tema t\u00edtulo; Paradis (Reprise)<\/em> revisita la canci\u00f3n de Alain Chamfort con letras de Jacques Duvall.<\/p>\n

El t\u00edtulo apunta a la simetr\u00eda: cada arreglo se curva hacia dentro, vocales francesas sobre un bombo de baile claro y regular cuando el \u00e1lbum decide moverse. Las influencias se nombran sin mitolog\u00eda: Sade y \u00c9tienne Daho en la calma vocal, early Chicago house en el cuerpo de la bater\u00eda. El resultado no se congela en un a\u00f1o de moda French Touch. Radio UTD llam\u00f3 al disco profundo y progresivo como producci\u00f3n electr\u00f3nica y a\u00fan adorable como canciones; esa doble lectura encaja. Auriculares o altavoces peque\u00f1os, ambos sirven. Los clubs que quer\u00edan punch miraron a otra parte; los sets nocturnos y los salones se quedaron con este.<\/p>\n

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Recto Verso es profundo, intrincado, apasionado y progresivo. Si no se percibe como un ejemplo excelente de producci\u00f3n electr\u00f3nica, deber\u00eda recordarse como entra\u00f1able en lo l\u00edrico.<\/p>\n<\/blockquote>\n

(Radio UTD, 2016)<\/em><\/p>\n

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En torno al lanzamiento, los titulares electr\u00f3nicos franceses sol\u00edan favorecer claridad m\u00e1s dura e impacto festival. Paradis ofreci\u00f3 algo m\u00e1s suave sin borrar el pulso dance. Los singles Toi et moi<\/em> y Garde le pour toi<\/em> dieron puertas claras a radio y blogs; Instantan\u00e9<\/em> y Contours<\/em> premian escuchas m\u00e1s largas. El \u00e1lbum circul\u00f3 de mano en mano por caf\u00e9s, librer\u00edas, dormitorios y algunas listas DJ pacientes junto a discos ambient. No hizo falta una campa\u00f1a grande para seguir en rotaci\u00f3n entre quien quer\u00eda letras francesas y tempo house en la misma habitaci\u00f3n.<\/p>\n

Tras el \u00e1lbum el d\u00fao se apart\u00f3 de la marca conjunta. Pierre Rousseau pas\u00f3 a cues de cine y electr\u00f3nica en solitario; Simon M\u00e9ny sigui\u00f3 explorando voz, proyectos ligados a la moda y sonido por su cuenta. Reediciones y playlists devolvieron despu\u00e9s a oyentes ocasionales a Recto Verso<\/em> como documento soft-house de los 2010 con ADN chanson. Sigue siendo su gran declaraci\u00f3n conjunta: completo, mezclado con cuidado y a\u00fan \u00fatil como contraejemplo al branding electr\u00f3nico franc\u00e9s m\u00e1s ruidoso de la d\u00e9cada. Las playlists de streaming lo archivaron indistintamente como soft electronic y French indie, lo que encaja con la escritura h\u00edbrida. Pista a pista se nombra la huella de producci\u00f3n (kick seco, pads suaves, lead franc\u00e9s conversacional). El \u00e1lbum no se detiene a explicar el m\u00e9todo. Llega al final y deja esa huella intacta para quien mapea la canci\u00f3n electr\u00f3nica parisina despu\u00e9s de la primera ola French Touch.<\/p>\n

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