{"id":7750,"date":"2022-07-07T09:00:00","date_gmt":"2022-07-07T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/music-john-miles\/"},"modified":"2026-11-09T07:13:11","modified_gmt":"2026-11-09T06:13:11","slug":"music-john-miles","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/music-john-miles\/","title":{"rendered":"John Miles – Music"},"content":{"rendered":"

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Single Decca 1976, Parsons en Abbey Road<\/h3>\n

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Music<\/em> es el single Decca 1976 de John Miles, luego pieza central de su \u00e1lbum Rebel<\/em>, ingenierizado por Alan Parsons en Abbey Road. Miles, a\u00fan a mitad de los veinte y formado al piano, escribi\u00f3 una pieza que sube de una apertura quieta a un cl\u00edmax orquestal sin correr. Las cuerdas se quedan alrededor de las guitarras el\u00e9ctricas y la bater\u00eda y dejan la melod\u00eda clara. Las secciones pasan de una estrofa quieta a una subida y luego a una liberaci\u00f3n. Melody Maker lo llam\u00f3 la fuerza m\u00e1s brillante y fresca del rock brit\u00e1nico ese a\u00f1o; El single es el disco que ten\u00edan en mente.<\/p>\n

La estructura es f\u00e1cil de seguir. Entrada vocal suave, intensidad que monta, desenlace de todo el conjunto, luego control en la bajada. Radio y especiales de TV amaron el drama. Las emisoras classic-rock lo archivaron luego junto a otros singles de rock orquestal que no eran largas digresiones progresivas, sino pop con presupuesto para cuerdas. La voz de Miles se queda limpia en la subida. No grita el cl\u00edmax. El arreglo hace la subida. La letra sigue siendo un homenaje llano a la m\u00fasica como refugio y oficio.<\/p>\n

La claridad Abbey Road de Parsons importa. Los instrumentos tienen sitio. La figura de piano que abre el tema vuelve despu\u00e9s del pasaje m\u00e1s fuerte, la misma figura de la apertura. M\u00fasicos de sesi\u00f3n y partes orquestales est\u00e1n colocados, no apilados. En 1976 las listas rock brit\u00e1nicas a\u00fan hac\u00edan sitio a singles largos que la televisi\u00f3n pod\u00eda montar con luces y c\u00e1maras. Music<\/em> encaj\u00f3 en ese carril sin el marco de un \u00e1lbum conceptual. Es un single pop en tres partes, con presupuesto para cuerdas y un cantante que se contiene.<\/p>\n

El cat\u00e1logo m\u00e1s amplio de Miles nunca igual\u00f3 la huella p\u00fablica de este single, algo habitual en marcadores de carrera de una canci\u00f3n. La grabaci\u00f3n sigue siendo la que el p\u00fablico pide. El corte Decca sigue siendo un documento claro del oficio de estudio brit\u00e1nico de mediados de los 70: ingenier\u00eda Parsons, escritura Miles, rock orquestal apuntado a radio y est\u00e9reo de sal\u00f3n. Ponlo despu\u00e9s de un single glam o pub-rock m\u00e1s corto del mismo a\u00f1o y la duraci\u00f3n es la diferencia. La escritura se toma su tiempo. El cl\u00edmax suena m\u00e1s fuerte porque la apertura era quieta.<\/p>\n

La cultura de sesi\u00f3n en Abbey Road en ese periodo premiaba a m\u00fasicos capaces de entrar, servir el arreglo y salir sin robar el foco. Music<\/em> usa esa disciplina. La subida orquestal se queda dentro de la canci\u00f3n pop. Es escritura pop con presupuesto suficiente para hacer audible la subida. Miles revisit\u00f3 la canci\u00f3n en directo durante d\u00e9cadas porque el p\u00fablico ped\u00eda el arco que ya conoc\u00eda. Esa demanda est\u00e1 en los hechos. El p\u00fablico sigui\u00f3 pidiendo la misma subida, la que ya conoc\u00eda.<\/p>\n

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\n

John Miles es la fuerza m\u00e1s brillante y fresca del rock brit\u00e1nico<\/p>\n<\/blockquote>\n

(Melody Maker, 1976)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb18015″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790422212{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Music<\/em> sigue sonando de noche tarde en las radios de rock: arranque quieto, subida medida, voz limpia, cuerdas bajo la melod\u00eda.<\/p>\n

El single Decca de 1976 es el que lleva el cr\u00e9dito de Abbey Road. Miles y Parsons pasan el tema del piano a la orquesta y vuelven a bajar.<\/p>\n

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Music de John Miles (Decca 1976): Alan Parsons en Abbey Road, subida piano-orquesta, elogio Melody Maker.<\/p>\n","protected":false},"author":1,"featured_media":7744,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[759,468],"class_list":["post-7750","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-john-miles-es","tag-pop-es-2","post_format-post-format-video"],"yoast_head":"\nJohn Miles - Music - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Music de John Miles (Decca 1976): Alan Parsons en Abbey Road, subida piano-orquesta, elogio Melody Maker.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/music-john-miles\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"John Miles - 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