{"id":7946,"date":"2020-01-22T09:00:00","date_gmt":"2020-01-22T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/glory-box-portishead-2\/"},"modified":"2026-11-09T07:11:59","modified_gmt":"2026-11-09T06:11:59","slug":"glory-box-portishead-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/glory-box-portishead-2\/","title":{"rendered":"Portishead – Glory Box"},"content":{"rendered":"

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Single Dummy 1994, loop Isaac Hayes, petici\u00f3n de Gibbons<\/h3>\n

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Glory Box<\/em> cierra el \u00e1lbum Go! Beat 1994 de Portishead, Dummy<\/em>, y se volvi\u00f3 uno de los singles que dieron a conocer el \u00e1lbum. Geoff Barrow, Beth Gibbons y Adrian Utley construyeron un tema alrededor de un loop ya gastado y un poco da\u00f1ado al o\u00eddo, tomado de Ike\u2019s Rap II<\/em> de Isaac Hayes. Dejaron ese desgaste dentro del arreglo. Platos, guitarra y una figura de bater\u00eda lenta dejan sitio a la voz de Gibbons, cerca del micro y cansada. En el Bristol de mediados de los 90, este disco m\u00e1s quieto sal\u00eda junto a singles de club m\u00e1s duros.<\/p>\n

Gibbons dijo a The Independent on Sunday que la l\u00ednea clave hablaba de hacerse a un lado y dar sitio a las mujeres, porque sent\u00eda que se las daba por sentadas. Canta la petici\u00f3n de forma seca, cerca del micro, sin volverla un discurso. La guitarra de Utley responde con l\u00edneas cortas y borrosas, no con solos. Los scratches y la colocaci\u00f3n de sample de Barrow mantienen hipn\u00f3tico el loop Hayes sin convertir la mezcla en una muestra del equipo. Los cr\u00e9ditos de producci\u00f3n e ingenier\u00eda alrededor de Dummy<\/em> muestran que el estudio entra en el arreglo.<\/p>\n

Hubo hits en el Reino Unido, atenci\u00f3n del Mercury Prize para el \u00e1lbum y, m\u00e1s tarde, un uso largo en el cine y en las playlists. Glory Box<\/em> fue, para muchos oyentes, el encuentro con la etiqueta trip-hop, aunque el disco es m\u00e1s concreto que la etiqueta. Un sample soul, una voz lenta y una base electr\u00f3nica comparten un tempo lento. En directo, Portishead a menudo reconstruy\u00f3 la pieza con otra intensidad; la toma de estudio conserva el loop da\u00f1ado.<\/p>\n

En este single de 1994, un loop da\u00f1ado lleva una frase pol\u00edtica sin un discurso alrededor. La mezcla se queda tenue, el bajo se queda grave y la bater\u00eda se queda lenta. Gibbons canta la petici\u00f3n sin adorno. Junto a un single dance de Bristol m\u00e1s claro de los mismos a\u00f1os, el tempo y la voz se separan. Portishead mantuvo el tema bajo, con una petici\u00f3n en la letra.<\/p>\n

La campa\u00f1a de Go! Beat e Island empuj\u00f3 Dummy<\/em> al internacional; la radio alternativa US y las franjas tarde de MTV ayudaron a viajar el v\u00eddeo. Quienes solo conoc\u00edan a la banda por compilaciones chill oyen aqu\u00ed una decisi\u00f3n de estudio concreta: un sample gastado, una voz que pide sitio y una guitarra dejada atr\u00e1s. Los imitadores posteriores copiaron la atm\u00f3sfera y fallaron la frase del medio. Esa frase es: dadnos sitio. El loop la lleva hasta el fundido.<\/p>\n

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\n

La l\u00ednea clave de la canci\u00f3n, de verdad, es apartaos y dadnos sitio, porque creo que a las mujeres se las da mucho por sentadas.<\/p>\n<\/blockquote>\n

(Beth Gibbons, The Independent on Sunday, 1994)<\/em><\/p>\n

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Glory Box<\/em> sigue siendo el cierre m\u00e1s claro de Dummy: loop Hayes dejado gastado, petici\u00f3n de Gibbons, guitarra de Utley atr\u00e1s, m\u00e1quina lenta de Barrow.<\/p>\n

El da\u00f1o del loop forma parte del arreglo. Gibbons dice la petici\u00f3n y no la repite como un ruego.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

Glory Box de Portishead (Dummy, 1994): loop Isaac Hayes, petici\u00f3n de Beth Gibbons, guitarra Utley, m\u00e1quinas Barrow.<\/p>\n","protected":false},"author":1,"featured_media":7941,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[458,1035],"class_list":["post-7946","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-newwave-electro-triphop-es","tag-portishead-es","post_format-post-format-video"],"yoast_head":"\nPortishead - Glory Box - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Glory Box de Portishead (Dummy, 1994): loop Isaac Hayes, petici\u00f3n de Beth Gibbons, guitarra Utley, m\u00e1quinas Barrow.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/glory-box-portishead-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Portishead - 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