{"id":7952,"date":"2019-07-26T13:00:00","date_gmt":"2019-07-26T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/blue-monday-new-order-2\/"},"modified":"2026-11-09T07:11:41","modified_gmt":"2026-11-09T06:11:41","slug":"blue-monday-new-order-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/blue-monday-new-order-2\/","title":{"rendered":"New Order – Blue Monday"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Maxi Factory 1983, caja de ritmos para bailar<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Blue Monday<\/em> es el maxi Factory Records 1983 de New Order, un tema de caja de ritmos y secuenciador hecho para hacer bailar. Bernard Sumner, Peter Hook, Stephen Morris y Gillian Gilbert tratan el tema como ingenier\u00eda tanto como escritura. La caja entra desde el principio. Los sintes pican sobre una rejilla estricta. La melod\u00eda de bajo de Hook circula arriba mientras el grave se queda con las m\u00e1quinas. La voz de Sumner entra tarde, casi suelta, cuando el ritmo ya est\u00e1 en marcha.<\/p>\n

Sumner dijo luego que no era realmente su mejor canci\u00f3n, pero estaba dise\u00f1ada como una m\u00e1quina para hacer bailar. El disco sigue esa misma descripci\u00f3n. La portada floppy-disk se volvi\u00f3 folklore de coleccionistas; el hecho musical es m\u00e1s simple: clubs de Manchester a Nueva York pod\u00edan clavarse al mismo pulso. La infraestructura independiente de Factory empuj\u00f3 una herramienta de m\u00e1s de siete minutos al gran p\u00fablico sin el barniz de una major. Las reglas de listas y la cultura maxi hicieron el resto.<\/p>\n

Tras Joy Division, New Order necesitaba temas que no fueran solo duelo. Blue Monday<\/em> es ese lenguaje en p\u00fablico: electr\u00f3nico, fr\u00edo, a\u00fan mel\u00f3dico. En directo, la banda a veces luchaba por reproducir la exactitud m\u00e1quina; el poder del disco es esa exactitud. Remezclas y reediciones mantuvieron la caja en circulaci\u00f3n d\u00e9cadas. Los DJs lo usaron como un disco para sostener una noche. Existen versiones de radio, pero los clubs se quedaron con el maxi largo.<\/p>\n

Como disco Factory de 1983, el tema muestra a una banda post-punk entrando en la dance sin vestir la canci\u00f3n de otra cosa. No hay solo de rock, y ning\u00fan pasaje de balada suaviza la rejilla. Despu\u00e9s de un disco anterior de Joy Division, el cambio de herramientas se oye. Misma ciudad, otros instrumentos, y poco intento de calentar la mezcla. Las m\u00e1quinas sostienen el pulso, el bajo de Hook lleva la melod\u00eda y la voz de Sumner se queda seca.<\/p>\n

Las historias de ventas alrededor de la portada cara y la econom\u00eda Factory son famosas; no deben distraer del arreglo. La programaci\u00f3n de Morris y Gilbert, el bajo agudo de Hook, las l\u00edneas secas de Sumner: cada parte tiene un papel fijado. Por eso la caja sigue funcionando en una pista, d\u00e9cadas despu\u00e9s. El arreglo es lo que mueve la pista. El maxi pasa de siete minutos sobre la misma rejilla. Grupos electr\u00f3nicos posteriores siguieron el mismo orden: programar el ritmo primero, luego decidir si hace falta una voz. Los clubs de Manchester ya lo pon\u00edan mientras los semanarios segu\u00edan escribiendo sobre la portada y las ventas.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

No es realmente nuestra mejor canci\u00f3n, pero estaba dise\u00f1ada como una m\u00e1quina para hacer bailar a la gente.<\/p>\n<\/blockquote>\n

(Bernard Sumner, Mad World)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb18058″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790426089{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Blue Monday<\/em> sigue siendo el disco dance m\u00e1s claro de Factory: caja primero, rejilla estricta, melod\u00eda Hook arriba, Sumner tarde y seco.<\/p>\n

Sumner lo describi\u00f3 como una m\u00e1quina para bailar. El maxi sigue haci\u00e9ndolo.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

Blue Monday de New Order (Factory, 1983): maxi de caja de ritmos dise\u00f1ado para hacer bailar, como lo describi\u00f3 Sumner.<\/p>\n","protected":false},"author":1,"featured_media":7947,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[1037,458],"class_list":["post-7952","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-new-order-es","tag-newwave-electro-triphop-es","post_format-post-format-video"],"yoast_head":"\nNew Order - Blue Monday - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Blue Monday de New Order (Factory, 1983): maxi de caja de ritmos dise\u00f1ado para hacer bailar, como lo describi\u00f3 Sumner.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/blue-monday-new-order-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"New Order - 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