{"id":7958,"date":"2025-09-20T16:00:00","date_gmt":"2025-09-20T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/homogenic-bjork-2\/"},"modified":"2026-09-20T00:00:33","modified_gmt":"2026-09-19T22:00:33","slug":"homogenic-bjork-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/homogenic-bjork-2\/","title":{"rendered":"Homogenic – Bj\u00f6rk"},"content":{"rendered":"

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Pulsos, cuerdas y un solo clima island\u00e9s<\/h3>\n

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Homogenic no lleg\u00f3 como un compromiso. El 22 de septiembre de 1997, One Little Indian public\u00f3 el tercer \u00e1lbum de estudio de Bj\u00f6rk, y el primer gesto es un cazador, no un anfitri\u00f3n. Hunter<\/em> abre con beats que tartamudean y cuerdas que se mueven como clima. Hab\u00eda pedido un solo sabor. Lo que obtuvo fue un paisaje: volc\u00e1nico, exacto, poco dispuesto a partir la diferencia entre una pista de baile y un fiordo. La voz queda en el medio, ni endulzada ni escondida.<\/p>\n

La privacidad era pr\u00e1ctica. Tras el brillo alrededor de Post<\/em> y del disco de remezclas Telegram<\/em>, su baterista de gira Trevor Morais ofreci\u00f3 El Cortijo, su estudio cerca de M\u00e1laga, en San Pedro de Alc\u00e1ntara. Pensaba pasar, conocer al guitarrista flamenco Raimundo Amador, e irse. Se qued\u00f3 e hizo el disco all\u00ed, con trabajo posterior en su casa de Londres. Se apart\u00f3 de Nellee Hooper, que hab\u00eda dado forma a Debut<\/em> y Post<\/em>. Mark Bell, de LFO, se volvi\u00f3 el interlocutor electr\u00f3nico capaz de sorprenderla. Guy Sigsworth, Howie B y el ingeniero Markus Dravs est\u00e1n en los cr\u00e9ditos. El punto era un solo clima, no una multitud.<\/p>\n

Las canciones guardan ese clima y aun as\u00ed se niegan a repetirse. J\u00f3ga<\/em>, escrita para su amiga y publicada como sencillo el 15 de septiembre de 1997, es un voto sobre cuerdas que crecen como una costa. El v\u00eddeo de Michel Gondry camina Islandia como si la isla fuera la letra. Unravel<\/em> es m\u00e1s peque\u00f1o, un acorde\u00f3n y un coraz\u00f3n descrito como un ovillo que el diablo recoge. Bachelorette<\/em>, arreglada en parte con Eumir Deodato donde ella no arreglaba, es el momento de \u00f3pera: una declaraci\u00f3n bastante grande para un escenario, cantada todav\u00eda como una carta. El Icelandic String Octet es la otra voz, no un adorno.<\/p>\n

All Neon Like<\/em>, 5 Years<\/em>, Immature<\/em>, Alarm Call<\/em>, Pluto<\/em>: la segunda mitad mantiene los beats rudos y las cuerdas formales, que es todo el argumento del disco. Nick Knight fotografi\u00f3 la portada. Alexander McQueen construy\u00f3 el vestido, una visi\u00f3n blanca entre una guerrera y un evento geol\u00f3gico. La nueva toma retras\u00f3 la salida. La imagen coincide con la m\u00fasica porque ambas rechazan la bonitura como meta. Homog\u00e9neo, hab\u00eda dicho. Un sabor. El sabor result\u00f3 ser contraste, sostenido tan firme que parece unidad.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Homogenic es su disco m\u00e1s emocional, m\u00e1s cargado y m\u00e1s groovy, y un triunfo punzante para el esp\u00edritu de aventura.<\/p>\n<\/blockquote>\n

(Ted Kessler, NME, 1997)<\/em><\/p>\n

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All Is Full of Love<\/em>, producido con Howie B, cierra el \u00e1lbum como una puerta dejada abierta a prop\u00f3sito. El v\u00eddeo de Chris Cunningham, en 1999, dos robots que se besan en una nada blanca, se volvi\u00f3 la imagen que la mayor\u00eda encontr\u00f3 al final y record\u00f3 primero. La gira ya hab\u00eda empezado en septiembre de 1997, a veces antes de que el p\u00fablico conociera las canciones, con Mark Bell a su lado y, m\u00e1s tarde, las cuerdas. Una infecci\u00f3n de ri\u00f1\u00f3n cancel\u00f3 las fechas americanas aquel oto\u00f1o. En 1998 se anunci\u00f3 una gira con Radiohead y luego se dej\u00f3, porque los escenarios no se relevaban limpio. El disco viaj\u00f3 igual.<\/p>\n

Lo que queda es la decisi\u00f3n. Despu\u00e9s de dos \u00e1lbumes que hab\u00edan dejado entrar al mundo, hizo uno que sonaba a un lugar. Los beats no se suavizan para encontrar a los violines, y los violines no fingen ser sintetizadores. Todav\u00eda se puede bajar la aguja en J\u00f3ga<\/em> o Unravel<\/em> y o\u00edr a una persona elegir un clima y quedarse. Homogenic no es una fase. Es una costa que dibuj\u00f3 y luego se neg\u00f3 a abandonar.<\/p>\n

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