{"id":8012,"date":"2025-10-11T16:00:00","date_gmt":"2025-10-11T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/the-smiths-romance-riffs-and-english-melancholy-2\/"},"modified":"2026-09-20T00:00:35","modified_gmt":"2026-09-19T22:00:35","slug":"the-smiths-romance-riffs-and-english-melancholy-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/","title":{"rendered":"The Smiths &#8211; Romance, riffs y melancol\u00eda inglesa"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Una cama, un riff, y ning\u00fan inter\u00e9s en ser queridos<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En mayo de 1982 Johnny Marr subi\u00f3 hasta la puerta de Steven Morrissey, en Stretford, con una propuesta y una pila de discos. Manchester ya ten\u00eda ruido. Lo que tuvo, en unos meses, fue una banda que sonaba a una biblioteca discutiendo con una gramola. El bajo de Andy Rourke y la bater\u00eda de Mike Joyce se cerraron detr\u00e1s. El nombre era llano a prop\u00f3sito. The Smiths. Cuatro personas, ning\u00fan disfraz salvo las flores que Morrissey balancear\u00eda despu\u00e9s, y una negativa a sonar americanos.<\/p>\n<p style=\"text-align: justify;\">Rough Trade public\u00f3 <em>Hand in Glove<\/em> en mayo de 1983, un sencillo que ol\u00eda a urgencia de cuarto y ya ten\u00eda todo el argumento: el acorde brillante de Marr, la jactancia solitaria de Morrissey. <em>This Charming Man<\/em>, en octubre, producido por John Porter, puso a la banda en la televisi\u00f3n brit\u00e1nica y volvi\u00f3 famoso el riff antes del \u00e1lbum. El debut, <em>The Smiths<\/em>, lleg\u00f3 en febrero de 1984. <em>Hatful of Hollow<\/em>, en noviembre, reuni\u00f3 las sesiones de radio que muchos fans siguen tratando como el verdadero primer disco. Las canciones eran cortas. Los sentimientos no.<\/p>\n<p style=\"text-align: justify;\"><em>Meat Is Murder<\/em>, en febrero de 1985, lleg\u00f3 al n\u00famero uno en el Reino Unido. El tema titular es un serm\u00f3n. El resto es m\u00e1s peligroso porque es pegadizo: <em>The Headmaster Ritual<\/em>, <em>Barbarism Begins at Home<\/em>, una banda capaz de escribir un gancho y usarlo para acusar a una escuela. El vegetarianismo de Morrissey no era una pose pegada. Era la misma negativa que cruzaba las letras, un disgusto por la crueldad disfrazada de vida ordinaria. Las guitarras de Marr segu\u00edan mel\u00f3dicas, lo que imped\u00eda que el serm\u00f3n se volviera una clase.<\/p>\n<p style=\"text-align: justify;\"><em>The Queen Is Dead<\/em>, en junio de 1986, es el disco donde la contradicci\u00f3n llega al pico. El tema titular es un sprint. <em>There Is a Light That Never Goes Out<\/em> es un deseo de muerte cantado como un valentine. <em>Bigmouth Strikes Again<\/em>, <em>The Boy with the Thorn in His Side<\/em>, <em>Cemetry Gates<\/em> con su falta de ortograf\u00eda intacta: Marr y Morrissey, con Stephen Street en la mesa, hicieron un \u00e1lbum gracioso, grande y con el coraz\u00f3n roto en el mismo comp\u00e1s. La melancol\u00eda inglesa, en sus manos, no era una niebla. Era un riff con un remate.<\/p>\n<p style=\"text-align: justify;\"><em>Strangeways, Here We Come<\/em> sali\u00f3 en septiembre de 1987, despu\u00e9s de que Marr ya se hubiera ido. Lo hab\u00edan grabado en primavera como si la sociedad todav\u00eda tuviera futuro, y las canciones, <em>Girlfriend in a Coma<\/em>, <em>Last Night I Dreamt That Somebody Loved Me<\/em>, <em>I Started Something I Couldn&#8217;t Finish<\/em>, suenan a gente que sabe que la puerta se cierra y sigue escribiendo. Es el \u00faltimo \u00e1lbum de estudio. No suena a derrota. Suena a una banda sin m\u00e1s maneras de estar en la misma habitaci\u00f3n.<\/p>\n<p style=\"text-align: justify;\">La ruptura fue fea, como lo son las rupturas cuando las canciones son tan buenas. Morrissey abri\u00f3 una carrera en solitario con <em>Viva Hate<\/em> en 1988. Marr toc\u00f3 con Electronic, con The The, luego con Modest Mouse y The Cribs, un guitarrista que se neg\u00f3 a ser el museo de una sola banda. En 1996 Mike Joyce gan\u00f3 un caso en el High Court por regal\u00edas contra Morrissey y Marr. La m\u00fasica no hizo caso del fallo. Las canciones siguieron aprendi\u00e9ndose por gente que no hab\u00eda nacido cuando <em>This Charming Man<\/em> era un 12 pulgadas nuevo.<\/p>\n<p style=\"text-align: justify;\">Andy Rourke muri\u00f3 el 19 de mayo de 2023. Las l\u00edneas de bajo, antes mencionadas en tercer lugar, sonaron de pronto como la columna que siempre hab\u00edan sido. La bater\u00eda de Joyce, la melod\u00eda de Rourke, las guitarras arm\u00f3nicas de Marr, la dicci\u00f3n de Morrissey: las cuatro partes solo funcionaban porque ninguna aceptaba ser el fondo. Esa es la romance. No las flores, no los peinados, el hecho de que un grupo pop tan tenso pudiera escribir canciones tan tiernas.<\/p>\n<p style=\"text-align: justify;\">Lo que queda es un cat\u00e1logo corto y un eco largo. Cinco a\u00f1os, cuatro \u00e1lbumes de estudio, una pila de sencillos, y una manera de ser ingl\u00e9s que bandas posteriores tomaron prestada y no pudieron fingir del todo. La melancol\u00eda es real. El riff tambi\u00e9n. Todav\u00eda se oyen los dos en el primer comp\u00e1s de <em>How Soon Is Now?<\/em>, el tr\u00e9molo que suena a una farola, y se sabe exactamente en qu\u00e9 habitaci\u00f3n se ha entrado.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>En mayo de 1982 Johnny Marr subi\u00f3 hasta la puerta de Steven Morrissey, en Stretford, con una propuesta y una pila de discos.<\/p>\n","protected":false},"author":1,"featured_media":8007,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[280,273],"tags":[780],"class_list":["post-8012","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bands","category-chronicles","tag-the-smiths"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Smiths - Romance, riffs y melancol\u00eda inglesa - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Smiths - Romance, riffs y melancol\u00eda inglesa - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"En mayo de 1982 Johnny Marr subi\u00f3 hasta la puerta de Steven Morrissey, en Stretford, con una propuesta y una pila de discos.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-11T14:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-19T22:00:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/014.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"The Smiths &#8211; Romance, riffs y melancol\u00eda inglesa\",\"datePublished\":\"2025-10-11T14:00:00+00:00\",\"dateModified\":\"2026-09-19T22:00:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/\"},\"wordCount\":788,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/014.jpg\",\"keywords\":[\"The Smiths\"],\"articleSection\":[\"Bands\",\"Chronicles\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/\",\"name\":\"The Smiths - Romance, riffs y melancol\u00eda inglesa - RIFFS AND BEATS\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/014.jpg\",\"datePublished\":\"2025-10-11T14:00:00+00:00\",\"dateModified\":\"2026-09-19T22:00:35+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/#primaryimage\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/014.jpg\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/014.jpg\",\"width\":1200,\"height\":700},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-smiths-romance-riffs-and-english-melancholy-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Smiths &#8211; Romance, riffs y melancol\u00eda inglesa\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\",\"name\":\"RIFFS AND BEATS\",\"description\":\"Soundtrack Of Our Lives\",\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\",\"name\":\"RIFFS AND BEATS\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"width\":500,\"height\":500,\"caption\":\"RIFFS AND BEATS\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/profile.php?id=61576819018054\",\"https:\\\/\\\/x.com\\\/riffsandbeats99\",\"https:\\\/\\\/www.instagram.com\\\/riffsandbeatsofficial\",\"https:\\\/\\\/www.youtube.com\\\/@RiffsandBeats\",\"https:\\\/\\\/www.tiktok.com\\\/@riffsandbeats\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\",\"name\":\"pgorce\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"caption\":\"pgorce\"},\"sameAs\":[\"https:\\\/\\\/riffsandbeats.com\"],\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/author\\\/pgorce\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Smiths - Romance, riffs y melancol\u00eda inglesa - RIFFS AND BEATS","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/","og_locale":"es_ES","og_type":"article","og_title":"The Smiths - Romance, riffs y melancol\u00eda inglesa - RIFFS AND BEATS","og_description":"En mayo de 1982 Johnny Marr subi\u00f3 hasta la puerta de Steven Morrissey, en Stretford, con una propuesta y una pila de discos.","og_url":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/","og_site_name":"RIFFS AND BEATS","article_publisher":"https:\/\/www.facebook.com\/profile.php?id=61576819018054","article_published_time":"2025-10-11T14:00:00+00:00","article_modified_time":"2026-09-19T22:00:35+00:00","og_image":[{"width":1200,"height":700,"url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/014.jpg","type":"image\/jpeg"}],"author":"pgorce","twitter_card":"summary_large_image","twitter_creator":"@riffsandbeats99","twitter_site":"@riffsandbeats99","twitter_misc":{"Escrito por":"pgorce","Tiempo de lectura":"4 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/#article","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/"},"author":{"name":"pgorce","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/person\/a6a40143836f6c8a45376e05d9879346"},"headline":"The Smiths &#8211; Romance, riffs y melancol\u00eda inglesa","datePublished":"2025-10-11T14:00:00+00:00","dateModified":"2026-09-19T22:00:35+00:00","mainEntityOfPage":{"@id":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/"},"wordCount":788,"commentCount":0,"publisher":{"@id":"https:\/\/riffsandbeats.com\/es\/#organization"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/014.jpg","keywords":["The Smiths"],"articleSection":["Bands","Chronicles"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/","url":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/","name":"The Smiths - Romance, riffs y melancol\u00eda inglesa - RIFFS AND BEATS","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/#primaryimage"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/014.jpg","datePublished":"2025-10-11T14:00:00+00:00","dateModified":"2026-09-19T22:00:35+00:00","breadcrumb":{"@id":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/#primaryimage","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/014.jpg","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/014.jpg","width":1200,"height":700},{"@type":"BreadcrumbList","@id":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-smiths-romance-riffs-and-english-melancholy-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/riffsandbeats.com\/es\/"},{"@type":"ListItem","position":2,"name":"The Smiths &#8211; Romance, riffs y melancol\u00eda inglesa"}]},{"@type":"WebSite","@id":"https:\/\/riffsandbeats.com\/es\/#website","url":"https:\/\/riffsandbeats.com\/es\/","name":"RIFFS AND BEATS","description":"Soundtrack Of Our Lives","publisher":{"@id":"https:\/\/riffsandbeats.com\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/riffsandbeats.com\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/riffsandbeats.com\/es\/#organization","name":"RIFFS AND BEATS","url":"https:\/\/riffsandbeats.com\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/logo\/image\/","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","width":500,"height":500,"caption":"RIFFS AND BEATS"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/profile.php?id=61576819018054","https:\/\/x.com\/riffsandbeats99","https:\/\/www.instagram.com\/riffsandbeatsofficial","https:\/\/www.youtube.com\/@RiffsandBeats","https:\/\/www.tiktok.com\/@riffsandbeats"]},{"@type":"Person","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/person\/a6a40143836f6c8a45376e05d9879346","name":"pgorce","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","caption":"pgorce"},"sameAs":["https:\/\/riffsandbeats.com"],"url":"https:\/\/riffsandbeats.com\/es\/author\/pgorce\/"}]}},"_links":{"self":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/8012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/comments?post=8012"}],"version-history":[{"count":1,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/8012\/revisions"}],"predecessor-version":[{"id":10057,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/8012\/revisions\/10057"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/media\/8007"}],"wp:attachment":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/media?parent=8012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/categories?post=8012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/tags?post=8012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}