{"id":8162,"date":"2021-07-13T19:00:00","date_gmt":"2021-07-13T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/waterloo-sunset-the-kinks-2\/"},"modified":"2026-11-09T07:12:41","modified_gmt":"2026-11-09T06:12:41","slug":"waterloo-sunset-the-kinks-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/waterloo-sunset-the-kinks-2\/","title":{"rendered":"The Kinks – Waterloo Sunset"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Single Pye 1967, bajada T\u00e1mesis, pareja inventada<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Waterloo Sunset<\/em> es el single Pye 1967 de The Kinks de Something Else by The Kinks<\/em>, escrito por Ray Davies sobre Waterloo y una bajada hacia el T\u00e1mesis. La guitarra de Dave Davies, la bater\u00eda de Mick Avory y el bajo de Pete Quaife sostienen un marco suave bajo la voz de Ray y las armon\u00edas apiladas. La letra mira a amantes cruzarse mientras el cantante se queda solo y lo bastante contento.<\/p>\n

Todo el mundo crey\u00f3 que Terry y Julie eran Terence Stamp y Julie Christie. Davies dijo que no; los invent\u00f3. El sentido de esa correcci\u00f3n: la pareja es inventada, no dos estrellas de cine reconocidas. Las listas UK lo subieron alto.<\/p>\n

La carrera de The Kinks ya hab\u00eda oscilado entre hits de riff y escritura social inglesa. Este single se sienta con los retratos de lugar de Davies: lugar preciso, sentimiento llano, melod\u00eda que se queda quieta.<\/p>\n

Como documento de 1967, el tema muestra al pop brit\u00e1nico en un lugar real, sin soltar la canci\u00f3n. Ponlo despu\u00e9s de You Really Got Me<\/em> y el rango de la banda es obvio.<\/p>\n

Versiones mantuvieron p\u00fablico el atardecer. Terry y Julie son ficci\u00f3n. El puente es real. El cantante se queda solo, y suena lo bastante contento.<\/p>\n

Los m\u00fasicos de sesi\u00f3n, la campa\u00f1a del sello y las versiones posteriores giran alrededor del mismo arreglo de base. Algunos cortes de radio acortaron la subida. La toma del \u00e1lbum, o el single original, sigue siendo el documento m\u00e1s claro de c\u00f3mo encajan las partes. Escucha el tema una vez sin saltar: qui\u00e9n entra primero, qu\u00e9 se queda quieto, cu\u00e1ndo llega el gancho. Ese orden explica por qu\u00e9 la canci\u00f3n sigue en las listas d\u00e9cadas despu\u00e9s, sin una remezcla de ocasi\u00f3n que la explique. El arreglo com\u00fan es lo que esas versiones comparten.<\/p>\n

El mismo arreglo de base re\u00fane a los m\u00fasicos de sesi\u00f3n, la campa\u00f1a del sello y las versiones. Algunos cortes de radio recortaron la subida. La toma del \u00e1lbum, o el single original, sigue mostrando c\u00f3mo encajan las partes. Esc\u00fachalo de un tir\u00f3n: qui\u00e9n entra primero, qu\u00e9 permanece quieto, cu\u00e1ndo llega el gancho. Esa secuencia explica por qu\u00e9 el tema sigue en las listas d\u00e9cadas despu\u00e9s. No hace falta una remezcla de ocasi\u00f3n para explicarlo, y el arreglo compartido es la parte que permanece.<\/p>\n

Las versiones, la campa\u00f1a del sello y los m\u00fasicos de sesi\u00f3n se quedan en ese arreglo de base. La radio a veces acort\u00f3 la subida. El single original, o la toma del \u00e1lbum, sigue siendo el documento claro del encaje de las partes. La entrada, el tramo quieto, luego el gancho, si no saltas. D\u00e9cadas despu\u00e9s la canci\u00f3n sigue en las listas por ese orden, no porque una remezcla de ocasi\u00f3n venga a explicarla. Conviene guardar la toma original para o\u00edr qui\u00e9n entra, qu\u00e9 queda quieto y cu\u00e1ndo llega el gancho, sin saltar de parte.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Todo el mundo crey\u00f3 que Terry y Julie eran Terence Stamp y Julie Christie. No lo eran. Los invent\u00e9.<\/p>\n<\/blockquote>\n

(Ray Davies, sobre la canci\u00f3n, tambi\u00e9n en X-Ray)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb8157″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790422164{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Waterloo Sunset<\/em> sigue poniendo amantes inventados junto al T\u00e1mesis, y un cantante que se queda.<\/p>\n

Es el tema quieto despu\u00e9s de los singles fuertes del principio. El arreglo se queda suave, como la escena.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

Waterloo Sunset de The Kinks (1967): boceto del T\u00e1mesis de Ray Davies, Terry y Julie inventados.<\/p>\n","protected":false},"author":1,"featured_media":16931,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[481,1055],"class_list":["post-8162","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-classic-rock-es","tag-the-kinks-es","post_format-post-format-video"],"yoast_head":"\nThe Kinks - Waterloo Sunset - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Waterloo Sunset de The Kinks (1967): boceto del T\u00e1mesis de Ray Davies, Terry y Julie inventados.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/waterloo-sunset-the-kinks-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Kinks - 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