{"id":8168,"date":"2026-01-01T11:00:00","date_gmt":"2026-01-01T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/whats-going-on-marvin-gaye-2\/"},"modified":"2026-09-20T00:01:46","modified_gmt":"2026-09-19T22:01:46","slug":"whats-going-on-marvin-gaye-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/whats-going-on-marvin-gaye-2\/","title":{"rendered":"What&#8217;s Going On &#8211; Marvin Gaye"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Una fiesta en la cabina de voz<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Las voces del principio no son un efecto. Son gente en una sala, salud\u00e1ndose, y el saxo que sigue suena a un hombre calentando que ya ha dicho la cosa verdadera por accidente. Marvin Gaye canta como si hubiera entrado de la calle y hubiera encontrado a la banda ya de luto. <em>What&#8217;s Going On<\/em>, el sencillo de 1971 y la puerta del \u00e1lbum, no acusa a gritos. Pregunta, que es m\u00e1s dif\u00edcil de rechazar. Brother, brother. La armon\u00eda le responde como una congregaci\u00f3n que ha decidido quedarse amable.<\/p>\n<p style=\"text-align: justify;\">La canci\u00f3n le lleg\u00f3 por Renaldo Benson de los Four Tops y Al Cleveland, despu\u00e9s de que Benson viera violencia policial en una protesta en Berkeley. Gaye, ya terminado con el papel de amante que Motown prefer\u00eda, tom\u00f3 la idea y la hizo suya. La produjo \u00e9l, en Detroit, con los Funk Brothers debajo y David Van De Pitte en los arreglos. El alto de Eli Fontaine, una carrera que el m\u00fasico cre\u00eda solo un calentamiento, se conserv\u00f3 porque Gaye oy\u00f3 el disco en ella. Berry Gordy no quer\u00eda el sencillo. Era demasiado pol\u00edtico, demasiado lejos de los besos que hab\u00edan pagado el edificio. Gaye se neg\u00f3 a grabar nada m\u00e1s hasta que saliera. Sali\u00f3. Fue un \u00e9xito. Al \u00e1lbum se le permiti\u00f3 existir.<\/p>\n<p style=\"text-align: justify;\">Lo que el tema sostiene, bajo la pregunta, es una lista: madres que lloran, hermanos que mueren, piquetes, polic\u00eda, un padre que no va a hablar. El ruido de fiesta no se va. Ese es el genio y la herida. La vida sigue en la cabina mientras la letra cuenta a los muertos. En el escenario, en los a\u00f1os de despu\u00e9s, pod\u00eda hacer de ella un serm\u00f3n o un grito. La versi\u00f3n de estudio es la conversaci\u00f3n, multipista para que discuta consigo mismo y pierda, con educaci\u00f3n. La m\u00e1quina de Motown se hab\u00eda construido para evitar este tema. Un cantante atasc\u00f3 los engranajes por ser demasiado exitoso para que lo echaran.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Con el mundo explotando a mi alrededor, \u00bfc\u00f3mo se supone que voy a seguir cantando canciones de amor?<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Marvin Gaye, hacia 1971, seg\u00fan David Ritz en Divided Soul)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">El \u00e1lbum que sigui\u00f3 se trata ahora como un monumento, lo que puede hacer que el sencillo suene inevitable. No lo era. Una compa\u00f1\u00eda se ech\u00f3 atr\u00e1s. Un saxofonista cre\u00eda que no hab\u00eda empezado. Un cantante que hab\u00eda enterrado a Tammi Terrell y hab\u00eda visto al pa\u00eds desgarrarse decidi\u00f3 que las canciones de amor eran una forma de mentira si eran las \u00fanicas. La pregunta del t\u00edtulo sigue sin respuesta, y por eso sigue sonando. Hazla en una d\u00e9cada nueva y la calle da sustantivos frescos.<\/p>\n<p style=\"text-align: justify;\">Lo que queda es el calor de esa sala de apertura. <em>What&#8217;s Going On<\/em> podr\u00eda haber sido un discurso. Es una reuni\u00f3n. Los Funk Brothers mantienen el bolsillo lo bastante blando para bailar y lo bastante grave para detenerte. Gaye nunca alza la voz para ganar. La mantiene al nivel de un hombre que espera que te acerques, y luego te dice c\u00f3mo es el m\u00e1s cerca.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Las voces del principio no son un efecto.<\/p>\n","protected":false},"author":1,"featured_media":8163,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[794],"class_list":["post-8168","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-marvin-gaye"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>What&#039;s Going On - Marvin Gaye - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/whats-going-on-marvin-gaye-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What&#039;s Going On - Marvin Gaye - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Las voces del principio no son un efecto.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/chronicles\/whats-going-on-marvin-gaye-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-01T10:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-19T22:01:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/040.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/whats-going-on-marvin-gaye-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/whats-going-on-marvin-gaye-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"What&#8217;s Going On &#8211; 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