{"id":8198,"date":"2026-04-14T09:00:00","date_gmt":"2026-04-14T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/tomorrow-never-knows-the-beatles-2\/"},"modified":"2026-09-20T00:01:46","modified_gmt":"2026-09-19T22:01:46","slug":"tomorrow-never-knows-the-beatles-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tomorrow-never-knows-the-beatles-2\/","title":{"rendered":"Tomorrow Never Knows &#8211; The Beatles"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Un gabinete Leslie y un saco de loops<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">La bater\u00eda no tiene swing. Se sienta, plana y enorme, una sola idea repetida hasta que la idea se vuelve una sala. La voz de John Lennon llega de lejos, como si al cantante lo hubieran puesto en una colina y el micr\u00f3fono se hubiera quedado en el valle. <em>Tomorrow Never Knows<\/em>, el \u00faltimo tema de <em>Revolver<\/em> y el primero que se grab\u00f3 para \u00e9l, no se comporta como una canci\u00f3n de los Beatles que hubiera aceptado ser popular. Se comporta como una instrucci\u00f3n. Apaga la mente. La banda obedece con m\u00e1s rigor del que el oyente puede.<\/p>\n<p style=\"text-align: justify;\">La cortaron el 6 de abril de 1966 en el Studio Three de EMI, en Abbey Road, George Martin en la producci\u00f3n, Geoff Emerick en la ingenier\u00eda de una sesi\u00f3n que inventaba herramientas porque el encargo no cab\u00eda en las viejas. Lennon quer\u00eda sonar como el Dal\u00e1i Lama cantando desde la cima de una monta\u00f1a, mil monjes en una sola garganta. Emerick pas\u00f3 la voz por un altavoz Leslie, el gabinete giratorio que normalmente viv\u00eda en un \u00f3rgano, y apareci\u00f3 la distancia. Paul McCartney lleg\u00f3 con loops de cinta hechos en casa, gaviotas, una risa, una orquesta en fragmentos, y el equipo los hizo volar por los faders en tiempo real. El patr\u00f3n de Ringo Starr es el punto fijo. El bajo de McCartney zumba en lugar de caminar. El sitar y la guitarra de George Harrison son clima, no solos. No hay un estribillo al que volver. El fundido es la \u00fanica merced.<\/p>\n<p style=\"text-align: justify;\">Las palabras se apoyan en The Psychedelic Experience, la versi\u00f3n de Timothy Leary del Libro tibetano de los muertos, que Lennon trat\u00f3 como un manual y no como un poema. Aquella semana no le interesaba una historia de amor. Le interesaba un estado. El t\u00edtulo, un ringo\u00edsmo rescatado de la papelera de los chistes de estudio, impide que el rito suene a una clase. Tomorrow never knows. La frase es m\u00e1s ligera que la m\u00fasica, y la ligereza es necesaria. Sin ella el tema ser\u00eda una ceremonia sin puerta.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Quiero sonar como el Dal\u00e1i Lama cantando desde la cima de una monta\u00f1a.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(John Lennon a George Martin, 1966, seg\u00fan el recuerdo de Geoff Emerick)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><em>Revolver<\/em> sali\u00f3 en agosto de 1966 y esta canci\u00f3n se sent\u00f3 al final como una advertencia sobre todo lo que intentar\u00edan despu\u00e9s. No fue un sencillo. No ten\u00eda que serlo. Los m\u00fasicos oyeron los loops y el Leslie y cambiaron de oficio en silencio. En las raras veces en que se acercaron a ella en directo en a\u00f1os posteriores, la tecnolog\u00eda hab\u00eda alcanzado y el golpe no. La toma de 1966 sigue siendo la que suena a un estudio descubriendo que puede ser un instrumento.<\/p>\n<p style=\"text-align: justify;\">Lo que queda es esa bater\u00eda plana y una voz que no se va a acercar por mucho que gires el dial. <em>Tomorrow Never Knows<\/em> es un grupo de pop, en la cima de su fama, aceptando desaparecer dentro de un proceso. Los monjes eran una met\u00e1fora. El Leslie no. Todav\u00eda se oye el gabinete girando, y el siglo girando con \u00e9l.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>La bater\u00eda no tiene swing.<\/p>\n","protected":false},"author":1,"featured_media":8193,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[358],"class_list":["post-8198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-the-beatles"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tomorrow Never Knows - The Beatles - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/tomorrow-never-knows-the-beatles-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tomorrow Never Knows - The Beatles - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"La bater\u00eda no tiene swing.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/chronicles\/tomorrow-never-knows-the-beatles-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-14T07:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-19T22:01:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/045.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/tomorrow-never-knows-the-beatles-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/tomorrow-never-knows-the-beatles-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Tomorrow Never Knows &#8211; 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