{"id":8210,"date":"2011-12-02T11:10:00","date_gmt":"2011-12-02T10:10:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/top-10-most-ambitious-concept-albums-2\/"},"modified":"2026-11-09T07:06:55","modified_gmt":"2026-11-09T06:06:55","slug":"top-10-most-ambitious-concept-albums-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/cultura\/tops10-es\/top-10-most-ambitious-concept-albums-2\/","title":{"rendered":"Top 10 de los \u00e1lbumes conceptuales m\u00e1s ambiciosos"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css=\u00bb.vc_custom_1454690049611{padding-left: 13% !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<h3 style=\"text-align: justify;\">Diez discos conceptuales que sostienen una historia, un lugar o un personaje hasta el final de las canciones.<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t10<\/span><strong>Janelle Mon\u00e1e: \u201cThe ArchAndroid\u201d<\/strong> El \u00e1lbum Wondaland \/ Bad Boy de 2010 contin\u00faa la historia de la androide Cindi Mayweather en suites que van del funk al psych-pop. Mon\u00e1e escribe personaje, vestuario y trama en la lista, no una simple etiqueta de tema. Lo que sostiene es la longitud: una ciudad contada canci\u00f3n a canci\u00f3n.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t9<\/span><strong>Kendrick Lamar: \u201cgood kid, m.A.A.d city\u201d<\/strong> Top Dawg \/ Aftermath publica en 2012 un d\u00eda en Compton con escenas habladas, oraciones y un narrador que no es fiable ni est\u00e1 absuelto. Disco conceptual sin distancia de \u00f3pera rock. Lo que sostiene es el detalle: un barrio contado tan claro que a\u00fan habla fuera de Compton.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t8<\/span><strong>Green Day: \u201cAmerican Idiot\u201d<\/strong> En 2004 en Reprise, Billie Joe Armstrong cuelga un ciclo punk de Jesus of Suburbia y un pa\u00eds en guerra. Los singles viven solos; el \u00e1lbum est\u00e1 hecho para o\u00edrse como la historia entera. La adaptaci\u00f3n de Broadway de 2010 demostr\u00f3 que la trama viaja fuera del disco.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t7<\/span><strong>Frank Zappa: \u201cJoe\u2019s Garage\u201d<\/strong> Zappa Records saca en 1979 el triple como s\u00e1tira de la censura y el mito rock que a\u00fan sigue a Joe desde la primera guitarra hasta la m\u00fasica prohibida. La banda toca la broma y la historia a la vez. Parte del proyecto es burlarse de la forma y llenarla en tres discos.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t6<\/span><strong>Genesis: \u201cThe Lamb Lies Down on Broadway\u201d<\/strong> El doble Charisma de 1974 sigue a Rael por un Nueva York que tambi\u00e9n es un sue\u00f1o. Peter Gabriel escribe la trama; el resto a veces se resiste. Diapositivas, vestuario y duraci\u00f3n hacen visible la ambici\u00f3n en gira y en vinilo.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t5<\/span><strong>David Bowie: \u201cThe Rise and Fall of Ziggy Stardust\u201d<\/strong> El \u00e1lbum RCA de 1972 inventa una banda, una estrella y un final, y Bowie interpreta los tres hasta el retiro de Ziggy en Hammersmith en julio de 1973. <em>Five Years<\/em> abre el reloj; <em>Rock \u2019n\u2019 Roll Suicide<\/em> lo cierra. Ese concepto tambi\u00e9n aguant\u00f3 en el escenario.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t4<\/span><strong>The Who: \u201cTommy\u201d<\/strong> El doble LP Track \/ Decca de 1969 hizo usable la frase \u00abrock opera\u00bb. La historia del chico sordo, mudo y ciego de Pete Townshend falla a ratos; temas como <em>Pinball Wizard<\/em> funcionan fuera de la historia. Las canciones se cantan sin tener el libreto abierto.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t3<\/span><strong>Pink Floyd: \u201cThe Wall\u201d<\/strong> El doble Harvest \/ Columbia de 1979 construye el muro de Waters de la guerra a la escuela al estadio, y luego lo derriba. Las im\u00e1genes de Gerald Scarfe y la pel\u00edcula de Alan Parker de 1982 empujaron el concepto m\u00e1s all\u00e1 del LP. Los shows con muro f\u00edsico hicieron literal la arquitectura.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t2<\/span><strong>Marvin Gaye: \u201cWhat\u2019s Going On\u201d<\/strong> El ciclo Tamla de 1971, del tema t\u00edtulo a <em>Inner City Blues<\/em>, habla de Estados Unidos, no de un h\u00e9roe ficticio. Gaye luch\u00f3 con Motown para publicarlo como \u00e1lbum enlazado. M\u00e1s callado que una \u00f3pera rock, a\u00fan suena a noticiario con una banda de soul.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t1<\/span><strong>The Beatles: \u201cSgt. Pepper\u2019s Lonely Hearts Club Band\u201d<\/strong> El LP Parlophone de 1967, grabado en Abbey Road con George Martin, present\u00f3 a la banda como otro grupo y cambi\u00f3 lo que pod\u00eda ser un \u00e1lbum de estudio. El concepto de alter ego es fino si se aprieta. Lo que qued\u00f3 es el permiso que dio a todo disco conceptual posterior.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Diez discos conceptuales que sostienen una historia, un lugar o un personaje.<\/p>\n","protected":false},"author":1,"featured_media":10569,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307,310],"tags":[],"class_list":["post-8210","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","category-tops10-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Top 10 de los \u00e1lbumes conceptuales m\u00e1s ambiciosos - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Diez discos conceptuales que sostienen una historia, un lugar o un personaje.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/cultura\/tops10-es\/top-10-most-ambitious-concept-albums-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Top 10 de los \u00e1lbumes conceptuales m\u00e1s ambiciosos - 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