{"id":8246,"date":"2024-09-20T11:10:00","date_gmt":"2024-09-20T09:10:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/roland-tr-808-the-drum-machine-that-changed-everything-2\/"},"modified":"2026-11-09T07:14:14","modified_gmt":"2026-11-09T06:14:14","slug":"roland-tr-808-the-drum-machine-that-changed-everything-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/cultura\/instrumentos-iconicos\/roland-tr-808-the-drum-machine-that-changed-everything-2\/","title":{"rendered":"Roland TR-808 \u2013 Caja de ritmos anal\u00f3gica, 1980"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">1980-1983: percusi\u00f3n sintetizada, precio bajo frente a Linn, ~12.000 unidades<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Roland lanza la TR-808 Rhythm Composer en 1980 bajo el dise\u00f1o de Tadao Kikumoto. No reproduce samples de bater\u00eda ac\u00fastica. Sintetiza bombo, caja, charles y percusi\u00f3n con circuitos anal\u00f3gicos y controles de decay, tono y nivel. El precio de lista ronda los 1.195 d\u00f3lares, muy por debajo de la Linn LM-1, que usa samples de bater\u00eda y cuesta varias veces m\u00e1s. Muchos estudios que buscan realismo compran la Linn; la publicidad de la \u00e9poca trata el sonido artificial de la 808 como un defecto.<\/p>\n<p style=\"text-align: justify;\">Unas doce mil unidades salen de f\u00e1brica antes de que Roland discontin\u00fae el modelo en 1983. Las m\u00e1quinas restantes llegan al mercado de segunda mano a bajo precio. Productores de hip-hop y electr\u00f3nica las adoptan porque el decay largo del bombo, la palmada y el cencerro son controlables y se graban limpios con pocas pistas.<\/p>\n<p style=\"text-align: justify;\">El secuenciador por pasos guarda patrones en bancos de memoria; fills e intros se encadenan para secciones. El tempo se ajusta en BPM en el panel. Niveles y decays por instrumento permiten ajustar una mezcla sin kit completo ni muchos micros : \u00fatil en home studio y salas peque\u00f1as.<\/p>\n<p style=\"text-align: justify;\">A mediados de los ochenta, las 808 de segunda mano son lo bastante baratas para productores de hip-hop independientes. Ese hecho econ\u00f3mico, m\u00e1s la capacidad del bombo sint\u00e9tico de ocupar el grave en vinilo y luego en club, explica mejor la vida comercial posterior de la m\u00e1quina que las ventas iniciales.<\/p>\n<p style=\"text-align: justify;\"><em>Sexual Healing<\/em> de Marvin Gaye (1982) usa patrones 808 bajo la voz. <em>Planet Rock<\/em> de Afrika Bambaataa &#038; the Soulsonic Force (1982) combina bater\u00eda 808 y electr\u00f3nica inspirada en Kraftwerk. Despu\u00e9s, Miami bass, electro, house, techno e hip-hop del Sur construyen identidades r\u00edtmicas en torno a sonidos 808 concretos : sobre todo el bombo alargado usado como capa de bajo.<\/p>\n<p style=\"text-align: justify;\">Detalles de dise\u00f1o de sonido documentados por productores: ajustar el decay del bombo al tempo, superponer la caja con reverb gate en singles pop posteriores, usar rimshot y clave para patrones de tinte latino. Esas pr\u00e1cticas se oyen en muchos singles dance e hip-hop de los ochenta sin baterista en la sala.<\/p>\n<p>[\/vc_column_text]<br \/>\n[vc_column_text]<\/p>\n<p style=\"text-align: justify;\">La TR-909 (1983) de Roland a\u00f1ade otros circuitos y hats\/platillos en parte sampleados; ambas m\u00e1quinas se convierten en nombres de referencia en cr\u00e9ditos de m\u00fasica electr\u00f3nica. En los a\u00f1os 2010 Roland publica recreaciones digitales (TR-08 y productos afines). Las cajas de software suelen incluir kits \u00ab808\u00bb que imitan el comportamiento de los circuitos originales.<\/p>\n<p style=\"text-align: justify;\">El historial documentado es industrial tanto como musical: una caja anal\u00f3gica de ventas flojas al salir, una producci\u00f3n breve y luego d\u00e9cadas de reutilizaci\u00f3n que hacen de su bombo y percusi\u00f3n sint\u00e9tica algunos de los sonidos r\u00edtmicos m\u00e1s reconocidos en discos de m\u00fasica popular.<\/p>\n<p style=\"text-align: justify;\">Los cr\u00e9ditos que dicen \u00ab808\u00bb hoy pueden referirse al hardware original, un pack de samples o una recreaci\u00f3n digital. Los historiadores distinguen esas fuentes al documentar un tema; los oyentes siguen reconociendo el bombo largo y la palmada electr\u00f3nica como una misma familia de sonidos.<\/p>\n<p>[\/vc_column_text]<br \/>\n[\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Roland lanza la TR-808 Rhythm Composer en 1980 bajo el dise\u00f1o de Tadao Kikumoto. No reproduce samples de bater\u00eda ac\u00fastica. Sintetiza bombo, caja, charles y percusi\u00f3n con circuitos anal\u00f3gicos y controles de decay, tono y nivel. El precio de lista ronda los 1.195 d\u00f3lares, muy por debajo de la Linn LM-1, que usa samples de bater\u00eda y cuesta varias veces m\u00e1s. Muchos estudios que buscan realismo compran la Linn; la publicidad de la \u00e9poca trata el sonido artificial de la 808 como un defecto.<\/p>\n","protected":false},"author":1,"featured_media":8241,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307,527],"tags":[1061],"class_list":["post-8246","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","category-instrumentos-iconicos","tag-roland-tr-808-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Roland TR-808 \u2013 Caja de ritmos anal\u00f3gica, 1980 - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Roland lanza la TR-808 Rhythm Composer en 1980 bajo el dise\u00f1o de Tadao Kikumoto. No reproduce samples de bater\u00eda ac\u00fastica. Sintetiza bombo, caja, charles y percusi\u00f3n con circuitos anal\u00f3gicos y controles de decay, tono y nivel. El precio de lista ronda los 1.195 d\u00f3lares, muy por debajo de la Linn LM-1, que usa samples de bater\u00eda y cuesta varias veces m\u00e1s. Muchos estudios que buscan realismo compran la Linn; la publicidad de la \u00e9poca trata el sonido artificial de la 808 como un defecto.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/cultura\/instrumentos-iconicos\/roland-tr-808-the-drum-machine-that-changed-everything-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Roland TR-808 \u2013 Caja de ritmos anal\u00f3gica, 1980 - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Roland lanza la TR-808 Rhythm Composer en 1980 bajo el dise\u00f1o de Tadao Kikumoto. No reproduce samples de bater\u00eda ac\u00fastica. Sintetiza bombo, caja, charles y percusi\u00f3n con circuitos anal\u00f3gicos y controles de decay, tono y nivel. El precio de lista ronda los 1.195 d\u00f3lares, muy por debajo de la Linn LM-1, que usa samples de bater\u00eda y cuesta varias veces m\u00e1s. 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No reproduce samples de bater\u00eda ac\u00fastica. Sintetiza bombo, caja, charles y percusi\u00f3n con circuitos anal\u00f3gicos y controles de decay, tono y nivel. El precio de lista ronda los 1.195 d\u00f3lares, muy por debajo de la Linn LM-1, que usa samples de bater\u00eda y cuesta varias veces m\u00e1s. 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