{"id":8264,"date":"2009-05-11T09:10:00","date_gmt":"2009-05-11T07:10:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/top-10-female-voices-that-redefined-pop-2\/"},"modified":"2026-11-09T07:05:53","modified_gmt":"2026-11-09T06:05:53","slug":"top-10-female-voices-that-redefined-pop-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/cultura\/tops10-es\/top-10-female-voices-that-redefined-pop-2\/","title":{"rendered":"Top 10 de las voces femeninas que redefinieron el pop"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css=\u00bb.vc_custom_1454690049611{padding-left: 13% !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<h3 style=\"text-align: justify;\">Diez cantantes cuyos hits cambiaron lo que radios y sellos aceptaban de una voz pop.<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t10<\/span><strong>Sade : \u201cSmooth Operator\u201d<\/strong> En <em>Diamond Life<\/em> (Epic, 1984), Sade Adu mantiene la voz peque\u00f1a y exacta sobre una banda quiet storm. El single hizo vender ese susurro como pop de gran p\u00fablico, no como un g\u00e9nero aparte. No subi\u00f3 el volumen. Esa voz contenida igual entr\u00f3 en las listas de UK y de US.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t9<\/span><strong>Robyn : \u201cDancing on My Own\u201d<\/strong> El single Konichiwa de 2010 es un tema de club construido sobre un desamor, escrito tras dejar el camino de las majors. Robyn hizo funcionar la vulnerabilidad en la pista. Una oleada de pop electr\u00f3nico despu\u00e9s dej\u00f3 de fingir que la cantante estaba bien mientras segu\u00eda la bater\u00eda.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t8<\/span><strong>Donna Summer : \u201cI Feel Love\u201d<\/strong> Con Giorgio Moroder en Musicland (M\u00fanich, 1977), Summer puso una voz humana sostenida sobre una secuencia Moog que no respira como una banda en vivo. El disco encontr\u00f3 plantilla en esa mezcla de pulso y notas sostenidas. Los productores pop llevan pidiendo prestado el truco desde entonces.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t7<\/span><strong>Kate Bush : \u201cWuthering Heights\u201d<\/strong> El single EMI de 1978, escrito y defendido por Bush, encabez\u00f3 la lista UK con un registro agudo que el pop rara vez hab\u00eda puesto en un single. La voz es teatral y muy seria a la vez. Ambas opciones quedaron abiertas al pop brit\u00e1nico tras su debut.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t6<\/span><strong>Lauryn Hill : \u201cDoo Wop (That Thing)\u201d<\/strong> <em>The Miseducation of Lauryn Hill<\/em> (Ruffhouse \/ Columbia, 1998) dej\u00f3 compartir cadencia rap y canto soul en una sola interpretaci\u00f3n. El single habla y mantiene el ritmo a la vez. Redefini\u00f3 de qu\u00e9 pod\u00eda hablar un hit pop sin salir de la radio.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t5<\/span><strong>Whitney Houston : \u201cI Will Always Love You\u201d<\/strong> La toma Arista de 1992 para <em>The Bodyguard<\/em> empieza casi a cappella y luego abre en voz plena. Dolly Parton la escribi\u00f3; Houston hizo que el tama\u00f1o de la voz se oyera como ternura en radios del mundo. Las baladas posteriores tuvieron que igualar esa entrada o sonar m\u00e1s peque\u00f1as.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t4<\/span><strong>Bj\u00f6rk : \u201cHyperballad\u201d<\/strong> En <em>Post<\/em> (One Little Indian, 1995) la voz trata la electr\u00f3nica como la banda, no como adorno. Puede susurrar y luego abrir una nota sobre bater\u00edas programadas. Cantantes pop que luego cantaron con m\u00e1quinas caminaron un camino que ella ya hab\u00eda hecho ya emocional en disco.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t3<\/span><strong>Madonna : \u201cLike a Prayer\u201d<\/strong> El single Sire de 1989, y la d\u00e9cada alrededor, hicieron del control de la imagen parte de la interpretaci\u00f3n vocal. No ten\u00eda el mayor rango de la sala. Fij\u00f3 lo que el single mostraba y c\u00f3mo sonaba. La voz sigui\u00f3 esa elecci\u00f3n en giras y v\u00eddeos posteriores.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t2<\/span><strong>Beyonc\u00e9 : \u201cFormation\u201d<\/strong> Con <em>Lemonade<\/em> (Parkwood \/ Columbia, 2016) la voz trabaj\u00f3 como herramienta de direcci\u00f3n: cadencia rap, voz plena y susurro, todo apuntado. <em>Crazy in Love<\/em> ya hab\u00eda relanzado los 2000. <em>Formation<\/em> mostr\u00f3 que ese control pod\u00eda llevar pol\u00edtica sin soltar el gancho. El pop retom\u00f3 esa mezcla despu\u00e9s.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t1<\/span><strong>Aretha Franklin : \u201cRespect\u201d<\/strong> En 1967 en Atlantic tom\u00f3 la canci\u00f3n de Otis Redding y convirti\u00f3 el deletreo en una exigencia. La voz tiene fuerza gospel y claridad pop. No busca quedarse en lo bonito. Las definiciones posteriores de una gran voz pop a\u00fan discuten con esa grabaci\u00f3n. Los otros nombres de esta lista llegan despu\u00e9s de esa sesi\u00f3n Atlantic.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Diez cantantes cuyos hits cambiaron lo que la radio aceptaba de una voz pop.<\/p>\n","protected":false},"author":1,"featured_media":8259,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307,310],"tags":[],"class_list":["post-8264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","category-tops10-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Top 10 de las voces femeninas que redefinieron el pop - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Diez cantantes cuyos hits cambiaron lo que la radio aceptaba de una voz pop.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/cultura\/tops10-es\/top-10-female-voices-that-redefined-pop-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Top 10 de las voces femeninas que redefinieron el pop - 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