{"id":8384,"date":"2026-05-19T09:00:00","date_gmt":"2026-05-19T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/under-the-bridge-red-hot-chili-peppers-2\/"},"modified":"2026-09-20T00:03:09","modified_gmt":"2026-09-19T22:03:09","slug":"under-the-bridge-red-hot-chili-peppers-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/under-the-bridge-red-hot-chili-peppers-2\/","title":{"rendered":"Under the Bridge &#8211; Red Hot Chili Peppers"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Un poema que no quer\u00eda a la banda<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Una guitarra empieza sola, alta y casi t\u00edmida, el tipo de figura que John Frusciante dijo haber escrito m\u00e1s feliz que las palabras porque las palabras ya eran bastante tristes. Luego entra Anthony Kiedis sin el ladrido de siempre, nombrando una ciudad como si fuera una persona que todav\u00eda pudiera aceptarlo. <em>Under the Bridge<\/em> no hace funk. Confiesa, y la confesi\u00f3n es tan simple que la banda, al principio, no crey\u00f3 que fuera suya.<\/p>\n<p style=\"text-align: justify;\">La letra empieza como un poema. En abril de 1991, volviendo del ensayo, Kiedis se siente fuera de la amistad de Frusciante y Flea, y la vieja soledad de la hero\u00edna vuelve con una melod\u00eda que canta todo el camino por la autopista. Lo escribe en un cuaderno para lidiar con la angustia, no como canci\u00f3n de los Chili Peppers. Durante la hechura de <em>Blood Sugar Sex Magik<\/em>, grabado en The Mansion de Laurel Canyon y publicado el 24 de septiembre de 1991, el productor Rick Rubin encuentra la p\u00e1gina. Kiedis est\u00e1 avergonzado. Dice que eso no es lo que hacen. Rubin pregunta por qu\u00e9 rechazar algo bello. Frusciante lo oye y encuentra acordes. Flea encuentra un bajo que camina en vez de slapear. Chad Smith mantiene la bater\u00eda casi educada. Produce Rubin. El sencillo, al a\u00f1o siguiente, convierte una p\u00e1gina privada en la canci\u00f3n que desconocidos usan para explicar a la banda a quien solo conoc\u00eda los calcetines y el slap.<\/p>\n<p style=\"text-align: justify;\">En directo, Kiedis a menudo deja que el p\u00fablico cante las primeras l\u00edneas, destino extra\u00f1o para un poema sobre no tener pareja. La sala se vuelve la pareja. La guitarra de Frusciante, las noches en que est\u00e1 presente y limpio, sigue sonando a una mano ofrecida m\u00e1s que a un solo reclamado. El puente del t\u00edtulo es un lugar real del centro en la memoria de conseguir droga, y tambi\u00e9n la distancia entre un hombre y sus amigos. Los dos sentidos sobreviven al canto colectivo.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">I said, it&#8217;s really beautiful, why would you say it&#8217;s not for the Chili Peppers? And he said, that&#8217;s not what we do.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Rick Rubin, Rick Beato interview, 2024)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">La belleza de la canci\u00f3n hizo sospechar a algunos fans tempranos, como si la ternura fuera una traici\u00f3n y no una sala m\u00e1s dif\u00edcil de entrar. Lo que el disco hace de verdad es rechazar el uniforme de la banda. No hay rap donde esconderse. La ciudad de Los \u00c1ngeles es amada en la \u00faltima estrofa con una devoci\u00f3n que suena a un hombre sin m\u00e1s personas. Ese giro, del aislamiento a un horizonte, es el verdadero puente del tema. Rubin ten\u00eda raz\u00f3n: el grupo no era solo una banda de funk. Tambi\u00e9n ten\u00eda raz\u00f3n en que no lo sab\u00edan hasta que la cinta estuvo en el mundo y el mundo contest\u00f3.<\/p>\n<p style=\"text-align: justify;\">Lo que queda es una calma que el cat\u00e1logo rara vez se permite. <em>Under the Bridge<\/em> sigue sonando a una tarde en un coche, el cuaderno todav\u00eda no un hit, el cantante todav\u00eda no seguro de tener permiso para estar tan desprotegido. El hit ocurri\u00f3. La parte desprotegida no se perdi\u00f3, y ese es el milagro. Se oye la reticencia en la voz. Es el sonido de un hombre leyendo algo que esperaba que nadie encontrara.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Una guitarra empieza sola, alta y casi t\u00edmida, el tipo de figura que John Frusciante dijo haber escrito m\u00e1s feliz que las palabras porque las palabras ya eran bastante tristes.<\/p>\n","protected":false},"author":1,"featured_media":8379,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[694],"class_list":["post-8384","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-red-hot-chili-peppers"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Under the Bridge - Red Hot Chili Peppers - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/under-the-bridge-red-hot-chili-peppers-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Under the Bridge - Red Hot Chili Peppers - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Una guitarra empieza sola, alta y casi t\u00edmida, el tipo de figura que John Frusciante dijo haber escrito m\u00e1s feliz que las palabras porque las palabras ya eran bastante tristes.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/chronicles\/under-the-bridge-red-hot-chili-peppers-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-19T07:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-19T22:03:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/076.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/under-the-bridge-red-hot-chili-peppers-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/under-the-bridge-red-hot-chili-peppers-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Under the Bridge &#8211; 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