{"id":8432,"date":"2019-04-07T11:00:00","date_gmt":"2019-04-07T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/respect-aretha-franklin-2\/"},"modified":"2026-11-09T07:11:28","modified_gmt":"2026-11-09T06:11:28","slug":"respect-aretha-franklin-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/respect-aretha-franklin-2\/","title":{"rendered":"Aretha Franklin – Respect"},"content":{"rendered":"

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Atlantic 1967: la demanda de Otis reescrita por Aretha Franklin<\/h3>\n

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Respect<\/em> es el single Atlantic de Aretha Franklin de febrero de 1967, grabado el 14 de febrero en Atlantic Studios, Nueva York, con Jerry Wexler produciendo y Tom Dowd de ingeniero, para el \u00e1lbum I Never Loved a Man the Way I Love You<\/em>. Otis Redding escribi\u00f3 y grab\u00f3 la canci\u00f3n en 1965 como queja de hombre. Franklin invirti\u00f3 la demanda, apret\u00f3 el groove y a\u00f1adi\u00f3 el deletreo letra a letra y los gritos \u201csock it to me\u201d con sus hermanas Carolyn y Erma. Los m\u00fasicos de Muscle Shoals que hab\u00edan empezado en Alabama vinieron al norte; King Curtis respond\u00eda al saxo mientras su piano y su voz iban delante.<\/p>\n

Como single en abril de 1967 lleg\u00f3 al No. 1 del Billboard Hot 100 y del R&B, y circul\u00f3 m\u00e1s all\u00e1 de la radio: marchas por los derechos civiles, m\u00edtines feministas y luego cine y TV. Dura unos dos minutos veintiocho en la toma hit. La letra inventaria lo que ha dado y lo que espera a cambio; el arreglo no deja un centro blando. Los teclados de Spooner Oldham, la guitarra de Jimmy Johnson y las respuestas de vientos hacen avanzar el tema, corto y hecho para una pista de baile.<\/p>\n

Redding oy\u00f3 la versi\u00f3n de Franklin y dijo a Wexler que le hab\u00eda quitado la canci\u00f3n. El comentario se volvi\u00f3 leyenda porque era exacto: el arreglo y el giro de g\u00e9nero hicieron del corte Atlantic el definitivo. Franklin ya era una estrella formada en el gospel pasando de Columbia a Atlantic; Respect sell\u00f3 ese paso como hecho cultural, no solo como hit. El contexto del \u00e1lbum se sienta junto a Do Right Woman-Do Right Man y la balada t\u00edtulo, pero Respect fue la puerta para quien solo conoc\u00eda su nombre por las jukebox.<\/p>\n

D\u00e9cadas despu\u00e9s el tema sigue mostrando, en dos minutos y medio, c\u00f3mo un cover puede superar al original sin burlarse. Franklin lo mantuvo en su set el resto de su carrera. Los covers rara vez mejoran el deletreo porque las respuestas de las hermanas est\u00e1n escritas en esa secci\u00f3n. En el cat\u00e1logo Atlantic sigue siendo el documento m\u00e1s claro de las primeras sesiones Franklin con Wexler: m\u00fasicos del Sur, disciplina neoyorquina y una voz que no pide en voz baja. Billboard lo list\u00f3 luego entre singles del siglo; en directo, las salas siguen esperando las letras.<\/p>\n

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\n

Se me ha llevado la canci\u00f3n.<\/p>\n<\/blockquote>\n

(Otis Redding a Jerry Wexler, 1967, recordado en Rolling Stone, 2004)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb11217″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790425041{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Respect puso una demanda dom\u00e9stica reescrita en la radio pop, con vientos, piano y un deletreo que hace la demanda f\u00e1cil de o\u00edr. El No. 1 del Hot 100 fue el resultado p\u00fablico. Los primeros compases siguen us\u00e1ndose para abrir una sala.<\/p>\n

El golpe inicial y la primera frase plantean la demanda. Otis escribi\u00f3 la queja. Aretha grab\u00f3 la respuesta en el single de abril de 1967.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

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