{"id":8546,"date":"2026-05-30T16:00:00","date_gmt":"2026-05-30T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/mr-tambourine-man-the-byrds-2\/"},"modified":"2026-09-19T23:59:09","modified_gmt":"2026-09-19T21:59:09","slug":"mr-tambourine-man-the-byrds-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/mr-tambourine-man-the-byrds-2\/","title":{"rendered":"Mr. Tambourine Man &#8211; The Byrds"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Una l\u00ednea de Bach a la que se le ense\u00f1\u00f3 a bailar<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Una guitarra de doce cuerdas enuncia cuatro compases que brillan y luego se sostienen, comprimidos hasta que la nota parece sonar en el aire mismo de la radio, y solo entonces entran las voces.<\/p>\n<p style=\"text-align: justify;\">Los Byrds grabaron <em>Mr. Tambourine Man<\/em> el 20 de enero de 1965 en los estudios Columbia de Hollywood, con Terry Melcher en la producci\u00f3n. De la banda, solo toc\u00f3 Roger McGuinn. El resto de la pista es la Wrecking Crew, la bater\u00eda de Hal Blaine entre ellos, porque el grupo a\u00fan no estaba lo bastante ajustado para la sesi\u00f3n. Cantaron McGuinn, David Crosby y Gene Clark. La canci\u00f3n era de Bob Dylan, o\u00edda en una demo larga e inestable, en dos por cuatro. Crosby dijo que ese comp\u00e1s no vivir\u00eda nunca en la radio. McGuinn, que ven\u00eda mirando a los Beatles, la pas\u00f3 a cuatro por cuatro y construy\u00f3 la introducci\u00f3n con unas notas del <em>Jesu, Joy of Man&#8217;s Desiring<\/em> de Bach, que ya tocaba en doce cuerdas. La compresi\u00f3n del ingeniero Ray Gerhardt le dio a la Rickenbacker un sustain que sola no ten\u00eda. El sencillo, en abril de 1965, lleg\u00f3 al n\u00famero uno a ambos lados del Atl\u00e1ntico.<\/p>\n<p style=\"text-align: justify;\">Dylan fue a un ensayo, oy\u00f3 la versi\u00f3n bailable, y tard\u00f3 un momento en reconocer su canci\u00f3n. Le gust\u00f3. La letra, una larga invocaci\u00f3n a un m\u00fasico que podr\u00eda ser una musa, se cort\u00f3 al estribillo y a una estrofa, lo que los puristas reprocharon y la radio exig\u00eda. En el \u00e1lbum que sigui\u00f3 en junio, la banda toc\u00f3 m\u00e1s sus propios instrumentos. El sencillo sigue siendo el accidente que invent\u00f3 un estilo: palabras folk, un ritmo de Beatles, un fragmento de Bach, una banda de sesi\u00f3n que sab\u00eda hacer discos de girl groups. La t\u00e9cnica de banjo de McGuinn, tres dedos en doce cuerdas, es el tintineo que nombr\u00f3 el h\u00edbrido de la d\u00e9cada.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Me di cuenta, al o\u00edr a los Beatles, de que ten\u00edan algo, de que cualquier cosa con un comp\u00e1s de cuatro por cuatro iba a ser un \u00e9xito. As\u00ed que reorganic\u00e9 Mr. Tambourine Man.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Roger McGuinn, Guitar Player)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En directo, la doce cuerdas es todo el espect\u00e1culo. El p\u00fablico espera esos cuatro compases como se espera un tel\u00f3n. Otros cantantes han devuelto la canci\u00f3n a la forma larga de Dylan, y se ha tocado otra vez como vals, y ninguna de esas versiones cancela el sencillo de Columbia. Es carpinter\u00eda. Melcher quer\u00eda un hit. McGuinn quer\u00eda que la guitarra sonara a campanas y a Bach. Los dos obtuvieron lo que ped\u00edan, y el folk-rock, como palabra sobre la que se discuti\u00f3, empez\u00f3 a espaldas de una Rickenbacker.<\/p>\n<p style=\"text-align: justify;\">Lo que queda es la invitaci\u00f3n. El tamborilero de Dylan sigue siendo misterioso, una figura que podr\u00eda ser un camello, un salvador, o solo un m\u00fasico en una sala. Los Byrds no lo resuelven. Lo hacen moverse. La compresi\u00f3n de la guitarra es un peque\u00f1o azar de estudio que se volvi\u00f3 firma, o\u00eddo en cien bandas que compraron el mismo instrumento y no pudieron comprar a Gerhardt. Bajo el brillo sobrevive una frase de Dylan, cortada a medida, que sigue pidiendo que se la lleven de viaje. El viaje, en esta grabaci\u00f3n, dura dos minutos y medio, y eso bast\u00f3.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Una guitarra de doce cuerdas enuncia cuatro compases que brillan y luego se sostienen, comprimidos hasta que la nota parece sonar en el aire mismo de la radio, y solo entonces entran las voces.<\/p>\n","protected":false},"author":1,"featured_media":8541,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[827],"class_list":["post-8546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-the-byrds"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mr. Tambourine Man - The Byrds - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/mr-tambourine-man-the-byrds-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mr. Tambourine Man - The Byrds - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Una guitarra de doce cuerdas enuncia cuatro compases que brillan y luego se sostienen, comprimidos hasta que la nota parece sonar en el aire mismo de la radio, y solo entonces entran las voces.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/chronicles\/mr-tambourine-man-the-byrds-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-30T14:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-19T21:59:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/103.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/mr-tambourine-man-the-byrds-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/mr-tambourine-man-the-byrds-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Mr. Tambourine Man &#8211; 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