{"id":8600,"date":"2018-07-02T16:00:00","date_gmt":"2018-07-02T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/tainted-love-soft-cell-2\/"},"modified":"2026-11-09T07:11:01","modified_gmt":"2026-11-09T06:11:01","slug":"tainted-love-soft-cell-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/tainted-love-soft-cell-2\/","title":{"rendered":"Soft Cell – Tainted Love"},"content":{"rendered":"

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Non-Stop Erotic Cabaret 1981: Gloria Jones en synth-pop<\/h3>\n

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Tainted Love<\/em> la escribi\u00f3 Ed Cobb y la public\u00f3 primero Gloria Jones en 1964 como cara B que DJs de northern soul, Richard Searling entre ellos, convirtieron luego en secreto. Marc Almond y Dave Ball de Soft Cell, estudiantes de arte en Leeds, quer\u00edan un bis que no fuera suyo; Ball, fan de ese circuito, le puso el disco de Jones a Almond. Grabaron su versi\u00f3n con Mike Thorne en Advision, Londres, para el \u00e1lbum Some Bizzare\/Phonogram 1981 Non-Stop Erotic Cabaret<\/em>. El sello oy\u00f3 la demo y pidi\u00f3 bajo, guitarra, bater\u00eda, algo menos raro. La sacaron igual. Fue el single brit\u00e1nico m\u00e1s grande del a\u00f1o, No. 1 en casa, y se qued\u00f3 en la lista estadounidense casi un a\u00f1o tras cruzar el Atl\u00e1ntico.<\/p>\n

Una caja de ritmos chasquea; un bajo synth se mete debajo; la voz de Almond llega ya excesiva, rogando y presumiendo en el mismo aliento. El maxi no termina: pasa directo a \u201cWhere Did Our Love Go\u201d. Almond ha descrito el resultado como electr\u00f3nica fr\u00eda que lleva una voz demasiado apasionada, demasiado exuberante, ligeramente desafinada. Ese es todo el m\u00e9todo. Jones dijo despu\u00e9s que amaba la emoci\u00f3n de su voz y que la versi\u00f3n Soft Cell era mejor que la suya. \u00c9l tambi\u00e9n admiti\u00f3 haber resentido la canci\u00f3n un tiempo, porque Soft Cell era m\u00e1s que un cover, lo cual es cierto, aunque la radio ya lo hab\u00eda decidido para programadores y bailarines.<\/p>\n

En televisi\u00f3n Almond con eyeliner y Ball tras un teclado parec\u00edan una broma que las listas no estaban listas para contar, y luego las listas la contaron cada hora. En clubs el maxi era el punto: los DJs pod\u00edan vivir dentro del enlace, dos canciones sobre amor fallido cosidas en una larga salida. El original es un disco soul sobre afecto estropeado; el cover es un tema synth claro con la misma queja cantada por un hombre listo para llorar o re\u00edr. Quita el riff o la voz-personaje y el disco se queda m\u00e1s fino; juntos siguen un poco \u00e1speros, lo que encajaba en el synth-pop de principios de los 80 que a\u00fan quer\u00eda un gancho.<\/p>\n

Cuarenta a\u00f1os despu\u00e9s, samples, gritos de boda y gente que nunca oy\u00f3 a Gloria Jones mantienen la versi\u00f3n Soft Cell en circulaci\u00f3n. La canci\u00f3n de Cobb ya hablaba de un amor que mancha; Soft Cell la cant\u00f3 sobre un synth claro. La deuda de Almond con Jones, y con el c\u00edrculo de Marc Bolan v\u00eda sus a\u00f1os de northern soul, est\u00e1 en la interpretaci\u00f3n, no en un discurso. Canta como si el sentimiento fuera mayor que las notas, y las notas, fr\u00edas y precisas, se niegan a hincharse con \u00e9l. Ese hueco, fondo fr\u00edo contra una voz que empuja, es el disco, y a\u00fan funciona cuando una caja de ritmos chasquea en una tienda o un club.<\/p>\n

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\n

Una mezcla de electr\u00f3nica fr\u00eda con una voz demasiado apasionada, demasiado exuberante, ligeramente desafinada.<\/p>\n<\/blockquote>\n

(Marc Almond, 1000 UK Number One Hits)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb18119″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790422586{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Tainted Love no invent\u00f3 los covers synth-pop. Puso una cara B northern soul en la radio de 1981 con caja de ritmos y una voz que rechazaba lo cool. El No. 1 UK es lo que registr\u00f3 la lista. El enlace del maxi es lo que los clubs conservaron y en lo que los DJs a\u00fan conf\u00edan.<\/p>\n

Dale al play por el chasquido y la primera s\u00faplica. Gloria Jones llev\u00f3 el secreto primero. Soft Cell mantuvo el synth claro y dej\u00f3 intacto el contraste de la voz.<\/p>\n

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Tainted Love de Soft Cell (1981): cover Gloria Jones, Mike Thorne, Non-Stop Erotic Cabaret, UK No. 1.<\/p>\n","protected":false},"author":1,"featured_media":8595,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[458,1077],"class_list":["post-8600","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-newwave-electro-triphop-es","tag-soft-cell-es","post_format-post-format-video"],"yoast_head":"\nSoft Cell - Tainted Love - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Tainted Love de Soft Cell (1981): cover Gloria Jones, Mike Thorne, Non-Stop Erotic Cabaret, UK No. 1.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/tainted-love-soft-cell-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Soft Cell - 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