{"id":8606,"date":"2018-03-24T16:00:00","date_gmt":"2018-03-24T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/dont-go-yazoo-2\/"},"modified":"2026-11-09T07:10:49","modified_gmt":"2026-11-09T06:10:49","slug":"dont-go-yazoo-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/dont-go-yazoo-2\/","title":{"rendered":"Yazoo – Don\u2019t Go"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Upstairs at Eric\u2019s 1982: cara B Mute que la radio no solt\u00f3<\/h3>\n

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Don\u2019t Go<\/em> empez\u00f3 como cara B. Tras Only You<\/em>, Vince Clarke necesitaba un verso; escribi\u00f3 r\u00e1pido una melod\u00eda m\u00e1s recta, tipo Speak and Spell, que Alison Moyet curv\u00f3 con lo que luego llam\u00f3 estilo Canvey Delta, fraseo blues sobre esqueleto pop. Grabaron en Blackwing, sur de Londres, con Eric Radcliffe, a menudo desde las seis porque otro acto Mute ten\u00eda la sala despu\u00e9s. Daniel Miller de Mute pasaba. El tema cay\u00f3 en el \u00e1lbum Mute 1982 Upstairs at Eric\u2019s<\/em> y pas\u00f3 a cara A cuando los programadores se negaron a dejarlo en el verso.<\/p>\n

Un bajo synth salta bajo la voz negociadora de Moyet; las m\u00e1quinas de Clarke se quedan claras mientras su voz llena huecos como una cantante de pubs. Dura unos tres minutos; el estribillo repite el t\u00edtulo como un pedido corto. Moyet ven\u00eda de salas blues de Southend; Clarke sal\u00eda de Depeche Mode tras Speak & Spell<\/em>. Don\u2019t Go demostr\u00f3 que el d\u00fao breve pod\u00eda sostener radio dance sin borrar su ataque ni convertir sus m\u00e1quinas en fondo.<\/p>\n

En el Reino Unido el single lleg\u00f3 al No. 3; en Europa se volvi\u00f3 pilar de club y tarjeta Mute de synth-pop capaz de llevar una voz con ra\u00edz soul. Top of the Pops y el v\u00eddeo pusieron la presencia de Moyet junto a la silueta de teclado de Clarke. Los remixes maxi alargaron el club, pero el single de siete pulgadas sigue siendo el de las radios: bajo que salta, s\u00faplica vocal, sin centro blando. En directo funcionaba como c\u00e1ntico aunque la pareja se resquebrajara.<\/p>\n

Clarke formar\u00eda Erasure; Moyet grabar\u00eda discos en solitario con fraseo blues. Don\u2019t Go sigue siendo el documento de su solapamiento: cara B escrita r\u00e1pido, cantada fuerte y empujada hasta las listas. Entre los singles Mute de principios de los 80 a\u00fan suena a una sala donde m\u00e1quina y cantante de pub compartieron el mismo micro en el disco. Compilaciones y DJs de boda lo reciclan; la toma Blackwing guarda poco eco de la sesi\u00f3n de la ma\u00f1ana que algunos remixes abrillantan demasiado.<\/p>\n

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\n

Cuando hab\u00edamos grabado Only You y decidido publicarlo, necesit\u00e1bamos una cara B, as\u00ed que Vince escribi\u00f3 Don’t Go muy r\u00e1pido. La melod\u00eda original era mucho m\u00e1s recta, como una canci\u00f3n de Speak and Spell, as\u00ed que la redonde\u00e9 con mi estilo de Canvey.<\/p>\n<\/blockquote>\n

(Alison Moyet, 2022)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb18135″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790422580{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Don\u2019t Go no invent\u00f3 el synth-soul. Puso una cara B Mute en la radio diurna con el bajo claro de Clarke y el estribillo de Moyet. El No. 3 UK es lo que registr\u00f3 la lista. Los turnos tempranos en Blackwing son lo que dej\u00f3 la toma simple.<\/p>\n

Dale al play por el bajo que salta. Only You abri\u00f3 la puerta. Los programadores no quisieron dejarla en el verso. Pas\u00f3 a cara A.<\/p>\n

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Don\u2019t Go de Yazoo (1982): cara B Vince Clarke para Only You, Alison Moyet, Blackwing\/Mute, UK No. 3.<\/p>\n","protected":false},"author":1,"featured_media":8601,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[458,1079],"class_list":["post-8606","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-newwave-electro-triphop-es","tag-yazoo-es","post_format-post-format-video"],"yoast_head":"\nYazoo - Don\u2019t Go - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Don\u2019t Go de Yazoo (1982): cara B Vince Clarke para Only You, Alison Moyet, Blackwing\/Mute, UK No. 3.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/dont-go-yazoo-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yazoo - 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