{"id":8624,"date":"2026-07-30T11:00:00","date_gmt":"2026-07-30T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/enola-gay-orchestral-manoeuvres-in-the-dark-2\/"},"modified":"2026-09-19T23:59:13","modified_gmt":"2026-09-19T21:59:13","slug":"enola-gay-orchestral-manoeuvres-in-the-dark-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/enola-gay-orchestral-manoeuvres-in-the-dark-2\/","title":{"rendered":"Enola Gay &#8211; Orchestral Manoeuvres in the Dark"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Una melod\u00eda alegre sobre la bomba<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Un sintetizador claro como un juguete enuncia una melod\u00eda que se podr\u00eda silbar en un patio, y Andy McCluskey empieza a cantar el nombre de un avi\u00f3n como si fuera el de una chica, que, terriblemente, lo era.<\/p>\n<p style=\"text-align: justify;\">Orchestral Manoeuvres in the Dark grab\u00f3 <em>Enola Gay<\/em> en Ridge Farm, en Surrey, para <em>Organisation<\/em>, su segundo \u00e1lbum, con Mike Howlett en la producci\u00f3n, y la public\u00f3 en septiembre de 1980. La escribi\u00f3 McCluskey. Hab\u00eda sido un ni\u00f1o que armaba aviones de Airfix y le\u00eda la guerra, no por celebraci\u00f3n, ha dicho, sino porque las exenciones morales del tiempo de guerra no lo soltaban. El Enola Gay fue el B-29 que solt\u00f3 la bomba llamada Little Boy sobre Hiroshima. Paul Tibbets, el piloto, hab\u00eda puesto al avi\u00f3n el nombre de su madre. McCluskey meti\u00f3 todo eso en una l\u00ednea de la que estaba orgulloso: is mother proud of little boy today. El m\u00e1nager amenaz\u00f3 con dimitir si la sacaban como sencillo. Lo hicieron. Lleg\u00f3 al n\u00famero 8 en Gran Breta\u00f1a y se volvi\u00f3 enorme en Europa, un disco de baile sobre una atrocidad.<\/p>\n<p style=\"text-align: justify;\">Paul Humphreys, que comparte las m\u00e1quinas, ha dicho que siempre le inquiet\u00f3 que fuera una canci\u00f3n pop clara y alegre sobre un holocausto nuclear, y que aun as\u00ed era demencialmente pegadiza. La inquietud es la composici\u00f3n. El Korg enuncia el gancho con la inocencia de un juego, y la voz no sonr\u00ede con \u00e9l. En el escenario el p\u00fablico baila, porque el disco se lo pidi\u00f3, y las palabras guardan su acusaci\u00f3n. McCluskey ha rechazado la idea de que la canci\u00f3n celebre nada. Es una discusi\u00f3n, ha dicho, de un dilema sin lado limpio: una bomba que mat\u00f3 una ciudad, un piloto que crey\u00f3 haber acortado una guerra. El sencillo no sentencia. Pone la pregunta en una melod\u00eda con la que no te puedes quedar quieto, que es una acusaci\u00f3n en s\u00ed.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Siempre me inquiet\u00f3 que Enola Gay fuera una canci\u00f3n pop clara y alegre sobre un holocausto nuclear, pero era demencialmente pegadiza.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Paul Humphreys, The Guardian, 2013)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">El tema se ha tocado en ceremonias y en discotecas, y los dos usos son inc\u00f3modos, lo que significa que los dos escuchan. OMD eran dos j\u00f3venes del Wirral con teclados baratos y un carn\u00e9 de biblioteca. Hicieron un \u00e9xito de una lecci\u00f3n de historia que la radio nunca habr\u00eda encargado. El arreglo no es casi nada: un pulso de bajo, una caja de ritmos, esa melod\u00eda, una voz. El vac\u00edo es respetuoso. No hay hongo orquestal, no hay hero\u00edsmo de guitarra. El horror se queda en las palabras, y el cuerpo est\u00e1 invitado a moverse, y quien escucha tiene que vivir con las dos \u00f3rdenes.<\/p>\n<p style=\"text-align: justify;\">Lo que queda es la l\u00ednea sobre la madre. Funciona de tres maneras, como McCluskey quer\u00eda: la madre de Tibbets, el apodo de la bomba, y la pregunta humana simple de si alguien deber\u00eda estar orgulloso. Una canci\u00f3n pop capaz de sostener todo eso sin lecci\u00f3n es m\u00e1s rara que un disco de protesta con un folleto. <em>Enola Gay<\/em> todav\u00eda la silba gente que luego aprende lo que est\u00e1 silbando. El aprendizaje no estropea la melod\u00eda. La completa. La melod\u00eda de patio nunca fue inocente. Solo lo parec\u00eda, que era el asunto, el riesgo, y la raz\u00f3n de que siga aqu\u00ed.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Un sintetizador claro como un juguete enuncia una melod\u00eda que se podr\u00eda silbar en un patio, y Andy McCluskey empieza a cantar el nombre de un avi\u00f3n como si fuera el de una chica, que, terriblemente, lo era.<\/p>\n","protected":false},"author":1,"featured_media":8619,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[839],"class_list":["post-8624","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-orchestral-manoeuvres-in-the-dark"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Enola Gay - Orchestral Manoeuvres in the Dark - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/enola-gay-orchestral-manoeuvres-in-the-dark-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Enola Gay - Orchestral Manoeuvres in the Dark - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Un sintetizador claro como un juguete enuncia una melod\u00eda que se podr\u00eda silbar en un patio, y Andy McCluskey empieza a cantar el nombre de un avi\u00f3n como si fuera el de una chica, que, terriblemente, lo era.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/chronicles\/enola-gay-orchestral-manoeuvres-in-the-dark-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-30T09:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-19T21:59:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/116.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/enola-gay-orchestral-manoeuvres-in-the-dark-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/enola-gay-orchestral-manoeuvres-in-the-dark-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Enola Gay &#8211; 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