{"id":8642,"date":"2017-05-09T11:00:00","date_gmt":"2017-05-09T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/take-on-me-a-ha-2\/"},"modified":"2026-11-09T07:10:06","modified_gmt":"2026-11-09T06:10:06","slug":"take-on-me-a-ha-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/take-on-me-a-ha-2\/","title":{"rendered":"A-ha – Take On Me"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Hunting High and Low 1985: tercer intento, caja de ritmos, riff trabado<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Take On Me<\/em> es el single revelaci\u00f3n del debut Warner Bros. de a-ha, Hunting High and Low<\/em> (1985). Lo escribieron P\u00e5l Waaktaar-Savoy y Magne Furuholmen; Morten Harket canta el estribillo agudo que insisti\u00f3 en que era melod\u00eda, no truco. Una primera versi\u00f3n de 1984 producida por Tony Mansfield casi no entr\u00f3 en listas. Warner les dej\u00f3 grabar otra vez con Alan Tarney; esa toma lleg\u00f3 al No. 2 en el Reino Unido y al No. 1 del Billboard Hot 100. Una caja de ritmos y el riff de teclado de Furuholmen se traban desde el primer comp\u00e1s; la voz de Harket sube al falsete, grabada con poco eco, lo bastante clara en radio diurna.<\/p>\n

El v\u00eddeo de Steve Barron, rotoscopiado por Michael Patterson y Candace Reckinger, lleva a una chica a l\u00e1piz de un c\u00f3mic a un caf\u00e9 rodado en parte en Kim\u2019s Cafe, Londres. MTV lo puso a destajo; no se puede separar el hit de ese h\u00edbrido de acci\u00f3n real y dibujo. Dura unos tres minutos cuarenta y cinco. El arreglo se queda claro y limpio: estrofa como invitaci\u00f3n, estribillo como el salto que Harket canta en vez de fabricar con efectos. El synth-pop noruego que llegaba tarde a las listas brit\u00e1nicas y estadounidenses de mediados de los 80 necesitaba un visual para viajar; el rotoscope lo dio sin ahogar la canci\u00f3n.<\/p>\n

En directo, Harket a\u00fan toma la nota aguda como una subida medida. Remixes y giros ac\u00fasticos muestran la fuerza de la melod\u00eda sin la caja de ritmos, pero las radios vuelven a la toma Tarney. En la carrera, el single abri\u00f3 arenas a un tr\u00edo que podr\u00eda haber quedado como acto de culto europeo. Hunting High and Low tambi\u00e9n llev\u00f3 The Sun Always Shines on T.V.; Take On Me sigue siendo el tema que la mayor\u00eda oye primero.<\/p>\n

D\u00e9cadas de karaoke, anuncios y memes no han vaciado el riff. Los covers suelen perseguir el falsete y pierden la figura de teclado trabada que hace aterrizar el estribillo. En el cat\u00e1logo a-ha, este tema documenta la persistencia: tres intentos de estudio, un No. 1 estadounidense y un v\u00eddeo que ense\u00f1\u00f3 a MTV c\u00f3mo vender una banda noruega a salones que nunca hab\u00edan o\u00eddo synth-pop de Oslo.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

La nota aguda no era un truco. La melod\u00eda iba all\u00ed, y yo tambi\u00e9n.<\/p>\n<\/blockquote>\n

(Morten Harket, interview)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb6571″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790420963{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Take On Me no invent\u00f3 el salto de estribillo synth. Puso un remake Tarney y un caf\u00e9 rotoscope en el Hot 100 tras el primer intento Mansfield. El No. 1 es lo que registr\u00f3 la lista. Harket se neg\u00f3 a llamar truco a la nota aguda: dice que la melod\u00eda iba all\u00ed.<\/p>\n

Dale al play por el riff trabado. El dibujo es el v\u00eddeo. Harket sigue la melod\u00eda hasta la nota aguda.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

Take On Me de A-ha (Hunting High and Low, 1985): toma Alan Tarney, v\u00eddeo rotoscope Barron, Billboard No. 1.<\/p>\n","protected":false},"author":1,"featured_media":10554,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[585,458],"class_list":["post-8642","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-a-ha-es","tag-newwave-electro-triphop-es","post_format-post-format-video"],"yoast_head":"\nA-ha - Take On Me - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Take On Me de A-ha (Hunting High and Low, 1985): toma Alan Tarney, v\u00eddeo rotoscope Barron, Billboard No. 1.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/take-on-me-a-ha-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A-ha - 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