{"id":8768,"date":"2024-08-03T11:00:00","date_gmt":"2024-08-03T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/killing-in-the-name-rage-against-the-machine-2\/"},"modified":"2026-11-09T07:14:11","modified_gmt":"2026-11-09T06:14:11","slug":"killing-in-the-name-rage-against-the-machine-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/killing-in-the-name-rage-against-the-machine-2\/","title":{"rendered":"Rage Against The Machine &#8211; Killing in the Name"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Debut Epic 1992: figura drop-D antes del insulto<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><em>Killing in the Name<\/em> abre el debut hom\u00f3nimo de Rage Against The Machine, publicado el 3 de noviembre de 1992 en Epic tras formarse en Los \u00c1ngeles en 1991. Tom Morello hall\u00f3 la figura de guitarra en drop D mientras mostraba la afinaci\u00f3n a un alumno; par\u00f3 la clase, la grab\u00f3 y la llev\u00f3 al ensayo. La bater\u00eda de Brad Wilk rebota casi clara al principio; el bajo de Tim Commerford salta bajo la caja. Unos compases podr\u00edan pasar por fiesta. Luego Zack de la Rocha enuncia un cargo sobre fuerzas que hacen cruces, sin decorar la frase.<\/p>\n<p style=\"text-align: justify;\">Escribieron la canci\u00f3n antes de un concierto de verdad. Una cinta temprana de Cal State Northridge abre con el instrumental, el rebote de Commerford ya ah\u00ed, la letra a\u00fan no. De la Rocha la a\u00f1adi\u00f3 despu\u00e9s, en el calor de las noticias policiales de Los \u00c1ngeles ese a\u00f1o. El productor Garth Richardson y el mezclador Andy Wallace dejaron guitarras secas y delante en Sound City y en otras sesiones del \u00e1lbum. Dura unos cinco minutos; el tramo final es un rechazo repetido que el p\u00fablico trata como voto.<\/p>\n<p style=\"text-align: justify;\">En Gran Breta\u00f1a la radio diurna se estremeci\u00f3 ante los tacos y igual pas\u00f3 el single; se volvi\u00f3 pilar del rock radio UK. En Estados Unidos la versi\u00f3n limpia recort\u00f3 el sentido y la canci\u00f3n nunca domin\u00f3 el Hot 100 como singles posteriores. Los festivales a\u00fan guardan el \u00faltimo estribillo para todo el campo. Morello ha dicho que irse antes de ese grito es perder lo que dice la canci\u00f3n. La pol\u00edtica es institucional, no una negativa vaga de adolescente: cruces, placas y qui\u00e9n manda.<\/p>\n<p style=\"text-align: justify;\">Morello luego lig\u00f3 el rechazo a la frase de Frederick Douglass: el poder no cede nada sin una demanda. En el disco la demanda es ingl\u00e9s claro sobre una figura de guitarra demasiado buena para terminar la clase. Entre los singles rock crossover de principios de los 90, este a\u00fan documenta c\u00f3mo un ritmo con inclinaci\u00f3n funk puede llevar una acusaci\u00f3n civil sin frenar en discurso. Compilaciones y listas de protesta lo archivan bajo 1992; la toma instrumental de Northridge sigue mostrando que el rebote lleg\u00f3 primero.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Fuck you, I won&#8217;t do what you tell me es un sentimiento universal. Aunque la letra sea simple, creo que es una de las frases m\u00e1s brillantes de Zack.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Tom Morello, Rolling Stone, 2020)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb30213&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790418046{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Killing in the Name puso un cargo de Los \u00c1ngeles en Epic, con la figura de guitarra de la clase interrumpida de Morello y la dicci\u00f3n clara de de la Rocha. La radio diurna brit\u00e1nica lo pas\u00f3 a pesar de los tacos. La cinta de Northridge muestra que el instrumental estaba listo antes de la letra.<\/p>\n<p style=\"text-align: justify;\">La bater\u00eda rebota al principio. El bajo salta bajo la caja. Luego la letra enuncia el cargo. En directo, el p\u00fablico a\u00fan grita la \u00faltima frase repetida.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Killing in the Name de Rage Against The Machine (1992): figura drop-D de Morello, bounce Wilk\/Commerford, debut Epic, pelea radio UK.<\/p>\n","protected":false},"author":1,"featured_media":8763,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[477,708],"class_list":["post-8768","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-hiphop-rap-es","tag-rage-against-the-machine-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rage Against The Machine - Killing in the Name - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Killing in the Name de Rage Against The Machine (1992): figura drop-D de Morello, bounce Wilk\/Commerford, debut Epic, pelea radio UK.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/killing-in-the-name-rage-against-the-machine-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rage Against The Machine - Killing in the Name - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Killing in the Name de Rage Against The Machine (1992): figura drop-D de Morello, bounce Wilk\/Commerford, debut Epic, pelea radio UK.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/killing-in-the-name-rage-against-the-machine-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2024-08-03T09:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-09T06:14:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/140.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/canciones\\\/killing-in-the-name-rage-against-the-machine-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/canciones\\\/killing-in-the-name-rage-against-the-machine-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Rage Against The Machine &#8211; 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