{"id":8804,"date":"2026-07-23T11:00:00","date_gmt":"2026-07-23T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/can-i-kick-it-a-tribe-called-quest-2\/"},"modified":"2026-09-19T23:59:32","modified_gmt":"2026-09-19T21:59:32","slug":"can-i-kick-it-a-tribe-called-quest-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/can-i-kick-it-a-tribe-called-quest-2\/","title":{"rendered":"Can I Kick It? &#8211; A Tribe Called Quest"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Una l\u00ednea de bajo que Lou Reed decidi\u00f3 quedarse, y cobrar<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">El contrabajo no tiene prisa, porque ya hizo su paseo en otro disco. <em>Walk on the Wild Side<\/em> de Lou Reed le presta a <em>Can I Kick It?<\/em> un andar, y A Tribe Called Quest tratan el pr\u00e9stamo como una habitaci\u00f3n en la que se les permite estar. Q-Tip pregunta. La respuesta vuelve, yes, you can, de Phife y de un estribillo que pesa como un apret\u00f3n de manos. Nada en el tema alza la voz. Samples de jazz y una caja paciente mantienen larga la tarde. La pregunta no es un reto. Es un saludo, de los que se pueden repetir hasta que toda la manzana ha contestado.<\/p>\n<p style=\"text-align: justify;\">La canci\u00f3n vive en <em>People&#8217;s Instinctive Travels and the Paths of Rhythm<\/em>, el debut, publicado en 1990 y producido por el propio grupo, gran parte grabado en Calliope Studios, en Nueva York. Q-Tip toma la primera estrofa, Phife Dawg la segunda, diecinueve a\u00f1os y todav\u00eda creciendo en una voz de la que luego se avergonzar\u00eda por encontrarla demasiado aguda. Ali Shaheed Muhammad sostiene los bolsillos. El sample era la puerta y la factura. Phife cont\u00f3 a Rolling Stone en 2015 que Jive no lo hab\u00eda autorizado del todo, y que Reed, en lugar de decir que no, dijo que pod\u00edan usarlo si \u00e9l se quedaba todo el dinero. Publishing, royalties, el lote. Hasta hoy, dijo Phife, no hab\u00edan visto un centavo. No le guardaba rencor al trato. Era el trabajo de Reed. Culpa del sello, pensaba, y la buena noticia era que no los demandaron. Podr\u00eda no haber habido canci\u00f3n.<\/p>\n<p style=\"text-align: justify;\">En la radio el apret\u00f3n de manos viaj\u00f3 m\u00e1s lejos de lo que un debut de esa paciencia deb\u00eda. La llamada y la respuesta se volvieron una prueba que pod\u00edas hacerle a un desconocido. En directo, Tip y Phife se pasaban la pregunta como una pelota, Jarobi en las primeras salas, el bajo haciendo el trabajo de Lou sin la narraci\u00f3n de Lou. El wild side, en esta versi\u00f3n, es un sitio al que te invitan a kick it, o sea a estar, no a confesarte. Todo el argumento temprano de Tribe est\u00e1 en ese cambio: un hip-hop que los hombros pod\u00edan aceptar, todav\u00eda denso de referencias, todav\u00eda suyo en la rima aunque el dinero no lo fuera.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">En lugar de que Lou Reed dijera, no pod\u00e9is usarlo, dijo, pod\u00e9is usarlo, pero yo me quedo todo el dinero. Hasta hoy, no hemos visto un centavo de esa canci\u00f3n.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Phife Dawg, Rolling Stone, 2015)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">La gracia de Phife respecto a la factura forma parte de la vida posterior del disco. Estaba agradecido de que la puerta se abriera, honesto sobre el peaje, y poco dispuesto a fingir que el peaje era justo del modo en que un grupo joven puede permitirse. La canci\u00f3n abri\u00f3 un cruce que los temas m\u00e1s raros del disco no necesitaban. Oyentes que nunca hab\u00edan o\u00eddo a Reed conoc\u00edan igual la pregunta. Quienes conoc\u00edan a Reed o\u00edan una frase nueva sobre un paseo viejo, que es lo que es el sampling cuando hace m\u00e1s que decorar.<\/p>\n<p style=\"text-align: justify;\">Lo que queda es el s\u00ed. <em>Can I Kick It?<\/em> sigue funcionando como saludo, veinticinco a\u00f1os despu\u00e9s de que muriera quien lo dec\u00eda, y m\u00e1s tiempo despu\u00e9s de que el hombre que pose\u00eda el bajo cobrara el cheque. El andar no sabe del contrato. El contrato es la raz\u00f3n de que el andar pudiera salir del estudio. Los dos hechos caben en la sala.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>El contrabajo no tiene prisa, porque ya hizo su paseo en otro disco.<\/p>\n","protected":false},"author":1,"featured_media":8799,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[861],"class_list":["post-8804","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-a-tribe-called-quest"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Can I Kick It? - A Tribe Called Quest - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/can-i-kick-it-a-tribe-called-quest-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Can I Kick It? 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