{"id":8854,"date":"2026-06-25T11:00:00","date_gmt":"2026-06-25T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/porcelain-moby-2\/"},"modified":"2026-09-19T23:59:35","modified_gmt":"2026-09-19T21:59:35","slug":"porcelain-moby-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/porcelain-moby-2\/","title":{"rendered":"Porcelain – Moby"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Una voz d\u00e9bil que casi deja fuera del disco<\/h3>\n

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Las cuerdas se mueven hacia atr\u00e1s, o lo parecen, un borr\u00f3n de m\u00fasica de cine bajo una voz que no intenta ser grande. Moby canta Porcelain<\/em> como si el micr\u00f3fono fuera una seguridad que no termina de tener. Las palabras son celosas, de sue\u00f1o, una persona amada y ya sabida como la persona equivocada. Nada en el arreglo insiste. Piano, una l\u00ednea de chelo, una caja de ritmos que guarda la distancia, un tempo que podr\u00eda ser una vuelta a pie. En 1999 no era as\u00ed como se anunciaban los hits. Los hits eran m\u00e1s fuertes, mejor financiados, mezclados por gente que no estaba resacosa sobre una mesa barata. Este sonaba a una habitaci\u00f3n.<\/p>\n

Era una habitaci\u00f3n. Escribi\u00f3 y produjo Play<\/em> en su apartamento de Mott Street, en Little Italy, y mezcl\u00f3 las canciones, cont\u00f3 despu\u00e9s a PopMatters, con equipo barato, con resaca, en una mesa que costaba m\u00e1s o menos lo que una boy band gastaba en catering de un d\u00eda. La voz es suya. La encontraba d\u00e9bil. Encontraba la producci\u00f3n pastosa. No pod\u00eda imaginar que alguien quisiera o\u00edrla, y hubo que convencerlo de dejar Porcelain<\/em> en el disco. La letra, explic\u00f3 a Billboard en julio de 2000, ven\u00eda de una mujer a la que quer\u00eda y de la que sab\u00eda, en el fondo del fondo, que no ten\u00eda por qu\u00e9 estar con ella. El amor, y el saber que el amor era una mala idea. Una cuerda al rev\u00e9s, de la m\u00fasica de Ernest Gold para Exodus<\/em>, est\u00e1 en la cama. Pilar Basso a\u00f1ade una voz. El resto es el dormitorio. Play<\/em> apareci\u00f3 en 1999, esperado por su autor como una despedida. No lo fue.<\/p>\n

La segunda vida de la canci\u00f3n fue las licencias, las pel\u00edculas, los anuncios, un disco callado que result\u00f3 usable en cada habitaci\u00f3n donde una imagen necesitaba un sentimiento. Moby ha vivido con la contradicci\u00f3n, un tema que no le gustaba convertido en aquel con el que los desconocidos lo nombran. En Gran Breta\u00f1a entr\u00f3 en listas en 2000 y ayud\u00f3 a arrastrar el \u00e1lbum a un \u00e9xito que ning\u00fan disco de electr\u00f3nica de esa modestia deb\u00eda tener. En directo lo toca con suavidad, la debilidad que odiaba ahora es el punto. El edificio de Mott Street, ha recordado, era una pila extra\u00f1a de vecinos de la mafia y salas de ensayo. Iggy en el escal\u00f3n, Sonic Youth con un cochecito. El sencillo fr\u00e1gil sali\u00f3 de ese ruido, un chiste que la canci\u00f3n no cuenta.<\/p>\n

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\n

Estaba con una mujer realmente, realmente maravillosa, y la quer\u00eda mucho. Pero sab\u00eda en lo m\u00e1s hondo que no ten\u00edamos por qu\u00e9 estar juntos en lo rom\u00e1ntico.<\/p>\n<\/blockquote>\n

(Moby, Billboard, 2000)<\/em><\/p>\n

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Lo que lo bonito esconde es la discusi\u00f3n dentro del afecto. No celebra un amor. Describe uno que piensa terminar, o que sabe que deber\u00eda terminar. Las cuerdas invertidas hacen que el tiempo se sienta un poco mal, lo que encaja con una relaci\u00f3n que ya llega tarde. La radio oy\u00f3 el dolor y puso el dolor. El dolor es exacto. La decisi\u00f3n dentro es m\u00e1s fr\u00eda, y por eso la voz se niega a hincharse. Una voz m\u00e1s grande habr\u00eda mentido sobre el tama\u00f1o del hombre en el dormitorio.<\/p>\n

Lo que queda es el casi cortado. Porcelain<\/em> es la canci\u00f3n que un mezclador dudoso dej\u00f3 porque otro insisti\u00f3, y la insistencia oy\u00f3 mejor que el autor. El dormitorio sigue en la voz. La mujer no tiene nombre. Las cuerdas siguen hacia atr\u00e1s, como si la toma todav\u00eda pudiera deshacerse, que es el sentimiento que apunt\u00f3 y luego, por suerte, no borr\u00f3.<\/p>\n

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Las cuerdas se mueven hacia atr\u00e1s, o lo parecen, un borr\u00f3n de m\u00fasica de cine bajo una voz que no intenta ser grande.<\/p>\n","protected":false},"author":1,"featured_media":8849,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[868],"class_list":["post-8854","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-moby"],"yoast_head":"\nPorcelain - Moby - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/porcelain-moby-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Porcelain - Moby - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Las cuerdas se mueven hacia atr\u00e1s, o lo parecen, un borr\u00f3n de m\u00fasica de cine bajo una voz que no intenta ser grande.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/chronicles\/porcelain-moby-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-25T09:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-19T21:59:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/154.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/porcelain-moby-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/porcelain-moby-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Porcelain – Moby\",\"datePublished\":\"2026-06-25T09:00:00+00:00\",\"dateModified\":\"2026-09-19T21:59:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/porcelain-moby-2\\\/\"},\"wordCount\":723,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/porcelain-moby-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/154.jpg\",\"keywords\":[\"Moby\"],\"articleSection\":[\"Chronicles\",\"Tracks\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/porcelain-moby-2\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/porcelain-moby-2\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/porcelain-moby-2\\\/\",\"name\":\"Porcelain - 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