{"id":8854,"date":"2024-11-11T11:00:00","date_gmt":"2024-11-11T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/porcelain-moby-2\/"},"modified":"2026-11-09T07:14:19","modified_gmt":"2026-11-09T06:14:19","slug":"porcelain-moby-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/porcelain-moby-2\/","title":{"rendered":"Moby – Porcelain"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Play 1999: mezcla Mott Street, cuerdas al rev\u00e9s, voz peque\u00f1a<\/h3>\n

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Porcelain<\/em> es un single del \u00e1lbum de Moby Play<\/em>, publicado el 17 de mayo de 1999 en V2 y Mute. Escribi\u00f3 y produjo el disco en su piso de Mott Street, Little Italy en Nueva York, a menudo mezclando con equipo barato y resaca. El arreglo guarda piano, una l\u00ednea de cello, una caja de ritmos lejana y un sample de cuerdas al rev\u00e9s bajo una voz que se queda peque\u00f1a. La letra es celosa y on\u00edrica: una mujer amada y ya sabida como la persona equivocada. El tempo es de caminar; en el corte de \u00e1lbum dura poco m\u00e1s de cuatro minutos.<\/p>\n

Moby ha dicho que casi dej\u00f3 la canci\u00f3n fuera del \u00e1lbum porque no le gustaba su propia voz. Otros en la sala insistieron en dejarla. Ese casi-corte se volvi\u00f3 tarjeta de Play<\/em> cuando las licencias tomaron el control: films, anuncios y trailers quer\u00edan un sentimiento que no gritara. El m\u00e9todo del disco ya era claro: samples gospel y blues en otras pistas, originales m\u00e1s quietos como este entre medias. Radio y MTV acabaron tratando Porcelain como un hit suave dentro de un disco que vendi\u00f3 millones tras un arranque lento.<\/p>\n

Comercialmente Play<\/em> pas\u00f3 a Moby de nombre electr\u00f3nico de culto a acto de cat\u00e1logo global; Porcelain lleg\u00f3 con esas ventas sin volverse un estribillo de estadio. En directo suele mantener la voz fr\u00e1gil y las cuerdas en su tiempo un poco torcido. Covers y listas chill aplanaron luego los celos hasta m\u00fasica de fondo; el original a\u00fan guarda los celos dentro del afecto. La letra describe un amor que ya sabe que deber\u00eda terminar.<\/p>\n

Entre los singles de pop electr\u00f3nico de finales de los 90, Porcelain sigue siendo el documento de una decisi\u00f3n de dormitorio que sobrevivi\u00f3 a la duda del autor. Las notas de sesi\u00f3n a\u00fan se\u00f1alan el escritorio barato y la habitaci\u00f3n de Mott Street. Las recopilaciones lo archivan bajo 1999; los nuevos oyentes lo encuentran tanto por un cue de pel\u00edcula como por la secuencia del \u00e1lbum. Las cuerdas al rev\u00e9s hacen sentir el tiempo un poco mal, lo que encaja con un romance ya marcado como error.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Estaba con una mujer realmente, realmente maravillosa, y la quer\u00eda mucho. Pero en el fondo sab\u00eda que no ten\u00edamos ning\u00fan asunto estando juntos en lo rom\u00e1ntico.<\/p>\n<\/blockquote>\n

(Moby, Billboard, 2000)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb8851″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790422006{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Porcelain estuvo a punto de quedar fuera de Play porque a Moby no le gustaba su voz. Otras personas en la habitaci\u00f3n de Mott Street insistieron en dejarla. El \u00e1lbum se vendi\u00f3 luego por millones. Pel\u00edculas, anuncios y tr\u00e1ilers licenciaron este tema m\u00e1s quieto.<\/p>\n

Las cuerdas suenan al rev\u00e9s bajo una voz peque\u00f1a. Moby grab\u00f3 esa voz en el piso. La letra no da el nombre de la mujer.<\/p>\n

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Porcelain de Moby (Play, V2\/Mute, 1999): piso de Mott Street, cuerdas al rev\u00e9s, voz peque\u00f1a, vida en licencias.<\/p>\n","protected":false},"author":1,"featured_media":10539,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[1089,418],"class_list":["post-8854","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-moby-es","tag-techno-house-dance-es","post_format-post-format-video"],"yoast_head":"\nMoby - Porcelain - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Porcelain de Moby (Play, V2\/Mute, 1999): piso de Mott Street, cuerdas al rev\u00e9s, voz peque\u00f1a, vida en licencias.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/porcelain-moby-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Moby - 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