{"id":8860,"date":"2017-01-10T19:00:00","date_gmt":"2017-01-10T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/hey-boy-hey-girl-the-chemical-brothers-2\/"},"modified":"2026-11-09T07:09:57","modified_gmt":"2026-11-09T06:09:57","slug":"hey-boy-hey-girl-the-chemical-brothers-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/hey-boy-hey-girl-the-chemical-brothers-2\/","title":{"rendered":"The Chemical Brothers &#8211; Hey Boy Hey Girl"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Surrender, 21 de junio de 1999: intro fina, luego entra el ritmo<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><em>Hey Boy Hey Girl<\/em> es un single del \u00e1lbum de The Chemical Brothers <em>Surrender<\/em>, publicado el 21 de junio de 1999 en Freestyle Dust y Virgin. Tom Rowlands y Ed Simons lo produjeron ellos mismos. La intro se queda fina y clara. Una voz ya llama hey boy, hey girl. Luego el ritmo entra, y el peso es deliberado. El tema se construy\u00f3 para los festivales y como prueba de la misma energ\u00eda en el coche un martes. En versiones habituales dura entre cuatro minutos y medio y cinco. El d\u00fao pas\u00f3 los 90 mostrando que un disco dance puede llevar drama rock sin copiar un aspecto rock. Aqu\u00ed la tensi\u00f3n es el hueco antes de la ca\u00edda.<\/p>\n<p style=\"text-align: justify;\"><em>Surrender<\/em> es el \u00e1lbum donde los temas de sala grande y los temas para casa van en la misma secuencia, junto a hits como <em>Hey Boy Hey Girl<\/em>, <em>Out of Control<\/em> y <em>The Sunshine Underground<\/em>. Vinieron listas en Reino Unido y Europa. Las playlists de club mantuvieron la ca\u00edda en uso regular. El v\u00eddeo puso el grito entre bengalas y cuerpos, y mostr\u00f3 para qu\u00e9 sirve. En un campo, quien no conoce el \u00e1lbum tambi\u00e9n conoce la ca\u00edda.<\/p>\n<p style=\"text-align: justify;\">Rowlands ha dicho que lo hicieron para las 2 de la madrugada del s\u00e1bado y a\u00fan quer\u00edan la misma carga un martes por la tarde. Ese doble encargo se ve en el montaje: cu\u00e1nto tiempo se retiene el ritmo, cu\u00e1nta voz queda clara y cu\u00e1ndo el bajo toma las notas cantadas. En directo el d\u00fao a\u00fan usa la intro para mover al p\u00fablico. Las versiones de radio mantienen el grito inteligible. Los maxi alargan la espera. Entre los singles big-beat de finales de los 90, la rudeza es una decisi\u00f3n calculada, no solo un accidente de volumen.<\/p>\n<p style=\"text-align: justify;\">D\u00e9cadas despu\u00e9s, los imitadores copiaron el grito hasta volverlo una costumbre. El original a\u00fan tiene el medio segundo de hueco antes de que el ritmo golpee. Compilaciones y montajes deportivos siguen recicl\u00e1ndola. Las notas de sesi\u00f3n a\u00fan se\u00f1alan una herramienta de club escrita para viajar fuera del club. En el cat\u00e1logo de The Chemical Brothers es la cara p\u00fablica de Surrender: una llamada clara, un ritmo retenido y luego el golpe.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Hicimos Hey Boy Hey Girl para sonar en un club a las 2 de la madrugada un s\u00e1bado, pero quer\u00edamos que alguien sintiera la misma energ\u00eda en su coche un martes por la tarde.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Tom Rowlands, NME, 2019)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb30219&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790425618{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Hey Boy Hey Girl no invent\u00f3 la ca\u00edda de festival. Puso una intro fina en el calendario Freestyle Dust\/Virgin de Surrender y ajust\u00f3 el peso para el s\u00e1bado por la noche y el tr\u00e1fico del martes. Las listas fueron el resultado p\u00fablico. El medio segundo retenido est\u00e1 en el montaje.<\/p>\n<p style=\"text-align: justify;\">La l\u00ednea clara sigue siendo el arranque. El grito se ha copiado muchas veces. El original a\u00fan tiene el hueco.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Hey Boy Hey Girl de The Chemical Brothers (Surrender, 1999): ca\u00edda Rowlands\/Simons, uso en festival, Freestyle Dust\/Virgin.<\/p>\n","protected":false},"author":1,"featured_media":8855,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[458,1005],"class_list":["post-8860","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-newwave-electro-triphop-es","tag-the-chemical-brothers-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Chemical Brothers - Hey Boy Hey Girl - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Hey Boy Hey Girl de The Chemical Brothers (Surrender, 1999): ca\u00edda Rowlands\/Simons, uso en festival, Freestyle Dust\/Virgin.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/hey-boy-hey-girl-the-chemical-brothers-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Chemical Brothers - Hey Boy Hey Girl - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Hey Boy Hey Girl de The Chemical Brothers (Surrender, 1999): ca\u00edda Rowlands\/Simons, uso en festival, Freestyle Dust\/Virgin.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/hey-boy-hey-girl-the-chemical-brothers-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2017-01-10T18:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-09T06:09:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/155.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/canciones\\\/hey-boy-hey-girl-the-chemical-brothers-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/canciones\\\/hey-boy-hey-girl-the-chemical-brothers-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"The Chemical Brothers &#8211; 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