{"id":9494,"date":"2026-02-05T10:00:00","date_gmt":"2026-02-05T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/london-calling-the-clash-2\/"},"modified":"2026-02-05T10:00:00","modified_gmt":"2026-02-05T09:00:00","slug":"london-calling-the-clash-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/london-calling-the-clash-2\/","title":{"rendered":"London Calling &#8211; The Clash"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">El doble \u00e1lbum que rompi\u00f3 la cerca del punk<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">A finales del verano de 1979, el primer uniforme del punk empieza a apretar, y The Clash responde grabando un doble \u00e1lbum que se niega a quedarse en un solo sitio. <em>London Calling<\/em> se abre con una guitarra que suena a alarma y una voz que ya sabe que la alarma llega tarde. Joe Strummer no se burla tanto como informa. La ciudad del t\u00edtulo se ahoga, el trigo est\u00e1 fino, y el estribillo todav\u00eda quiere que bailes. Publicado en Gran Breta\u00f1a el 14 de diciembre de 1979, vendido all\u00ed al precio de un solo \u00e1lbum, es el raro doble elep\u00e9 que parece una noche fuera y no un deber. Diecinueve canciones, y casi ninguna acepta ponerse la misma chaqueta.<\/p>\n<p style=\"text-align: justify;\">Las sesiones corren en los Wessex Sound Studios, unas cinco o seis semanas desde agosto, con Guy Stevens en la producci\u00f3n y Bill Price en la ingenier\u00eda. A Stevens no lo contratan por el orden. El grupo ha descrito una sala regida por el caos: sillas, vino, un productor que dirige con todo el cuerpo porque las canciones necesitan un tiempo atmosf\u00e9rico, no una cuadr\u00edcula. Strummer y Mick Jones salen de un bloqueo de escritura y de un cambio de management. Lo que sale del otro lado es un grupo que ha decidido que el punk era un tempo de salida, no una frontera. Reggae, ska, rockabilly, R&amp;B de Nueva Orleans, un poco de lounge, un poco de hard rock: cada estilo se toca como si el grupo hubiera crecido en \u00e9l, porque, por trozos, as\u00ed fue.<\/p>\n<p style=\"text-align: justify;\"><em>Spanish Bombs<\/em> mira una guerra civil y un presente en el mismo aliento. <em>Lost in the Supermarket<\/em>, cantada por Jones, es el suburbio como una especie de exilio, fluorescente y solo. <em>Clampdown<\/em> y <em>Death or Glory<\/em> discuten con la ambici\u00f3n misma. <em>The Guns of Brixton<\/em> le da a Paul Simonon su primer lead de verdad, una canci\u00f3n de bajista sobre la presi\u00f3n y un barrio que no necesita traducci\u00f3n. <em>Train in Vain<\/em> se termina tan tarde que las portadas ya est\u00e1n impresas; se esconde al final de la cara cuatro, sin aparecer en la lista, y luego se vuelve el hit que Am\u00e9rica oye primero. <em>Brand New Cadillac<\/em> y <em>Revolution Rock<\/em> son versiones tratadas como noticias. Las canciones originales les contestan con la misma tinta.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">I didn&#8217;t want them to use it. I thought it was out of focus.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Pennie Smith, sobre su foto de Paul Simonon en el Palladium, Nueva York, 21 de septiembre de 1979)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">La portada es la otra mitad del argumento. El 21 de septiembre de 1979, en el Palladium de Nueva York, Pennie Smith fotograf\u00eda a Simonon clavando el bajo en el escenario. El fotograma est\u00e1 borroso. Ella lo cree inservible. Ray Lowry pone las letras rosa y verde en eco del primer \u00e1lbum de Elvis Presley, un chiste privado que se vuelve la cara p\u00fablica del disco. Un grupo que rompe su instrumento, vestido con la ropa de la m\u00fasica que se supon\u00eda que hab\u00eda matado: eso es <em>London Calling<\/em> en una imagen. No un rechazo del pasado. Una negativa a ser solo un cap\u00edtulo de \u00e9l.<\/p>\n<p style=\"text-align: justify;\">Lo que dura es la anchura. Muchos grupos en 1979 saben tocar m\u00e1s r\u00e1pido. Pocos pueden sostener una canci\u00f3n de amor, una canci\u00f3n de guerra y una comedia de rudies en la misma hora sin que se vean las costuras. The Clash lo hace tratando el g\u00e9nero como una caja de herramientas y no como un voto. Baja la aguja donde sea. La alarma sigue sonando, y alguien en la sala sigue intentando bailar con ella, lo cual es o valor o buena educaci\u00f3n. En este disco es las dos cosas.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>A finales del verano de 1979, el primer uniforme del punk empieza a apretar, y The Clash responde grabando un doble \u00e1lbum que se niega a quedarse en un solo sitio.<\/p>\n","protected":false},"author":1,"featured_media":9489,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[300,299],"tags":[313,495],"class_list":["post-9494","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-alternative-indie-punk-es","tag-the-clash-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>London Calling - The Clash - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/london-calling-the-clash-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"London Calling - The Clash - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"A finales del verano de 1979, el primer uniforme del punk empieza a apretar, y The Clash responde grabando un doble \u00e1lbum que se niega a quedarse en un solo sitio.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/london-calling-the-clash-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-02-05T09:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/LondonCalling.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/london-calling-the-clash-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/london-calling-the-clash-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"London Calling &#8211; 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