{"id":9559,"date":"2026-03-02T10:00:00","date_gmt":"2026-03-02T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/exodus-bob-marley-the-wailers-2\/"},"modified":"2026-03-02T10:00:00","modified_gmt":"2026-03-02T09:00:00","slug":"exodus-bob-marley-the-wailers-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/exodus-bob-marley-the-wailers-2\/","title":{"rendered":"Exodus &#8211; Bob Marley &#038; The Wailers"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Un exilio en Londres convertido en himno<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En los primeros meses de 1977, Bob Marley &amp; The Wailers est\u00e1n en Londres porque Kingston ya no es una habitaci\u00f3n segura, y responden a la distancia con un disco que camina. <em>Exodus<\/em> se abre con <em>Natural Mystic<\/em>, un bajo que parece llegar de la calle de al lado, una voz que no se alza para que le crean. No hay prisa hacia el estribillo. La canci\u00f3n conf\u00eda en que el oyente se acerque. Publicado el 3 de junio de 1977, el \u00e1lbum todav\u00eda se siente como una procesi\u00f3n: una cara que mira el da\u00f1o, la otra que recuerda c\u00f3mo bailar sin olvidar por qu\u00e9 empez\u00f3 la procesi\u00f3n.<\/p>\n<p style=\"text-align: justify;\">La raz\u00f3n de Londres est\u00e1 en diciembre de 1976. Hombres armados entran en el 56 de Hope Road. Marley, Rita Marley y el m\u00e1nager Don Taylor resultan heridos. El concierto Smile Jamaica se celebra de todos modos, y luego el grupo se va. Los estudios Island de Basing Street se vuelven el pa\u00eds provisional. Los Wailers producen el disco ellos mismos. Aston y Carlton Barrett sostienen la base como siempre, las I-Threes doblan la armon\u00eda alrededor de la voz, y las canciones llegan en un orden que se lee como un d\u00eda: la acusaci\u00f3n, luego la supervivencia, luego el t\u00edtulo como un camino, luego la tarde-noche. El exilio no ablanda la m\u00fasica. Le da un pasillo m\u00e1s limpio.<\/p>\n<p style=\"text-align: justify;\">La primera cara no coquetea. <em>So Much Things to Say<\/em>, <em>Guiltiness<\/em> y <em>The Heathen<\/em> miran la traici\u00f3n sin un gui\u00f1o. Luego <em>Exodus<\/em> mismo convierte la palabra b\u00edblica en una instrucci\u00f3n de calle: moverse, moverse, moverse. La segunda cara abre las ventanas. <em>Jamming<\/em> es la invitaci\u00f3n, casi sin peso, una mano en el hombro. <em>Waiting in Vain<\/em> es una canci\u00f3n de amor que se niega a suplicar en los sitios de siempre; la guitarra hace skank y el orgullo se queda. <em>Turn Your Lights Down Low<\/em> es la habitaci\u00f3n despu\u00e9s de medianoche. <em>Three Little Birds<\/em> es el proverbio que la gente tararea ahora sin la guerra alrededor, lo cual es una especie de victoria y una especie de p\u00e9rdida. <em>One Love<\/em>, trenzada con <em>People Get Ready<\/em> de Curtis Mayfield, cierra la puerta sin echar la llave.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Every song is a classic, from the messages of love to the anthems of revolution. But more than that, the album is a political and cultural nexus, drawing inspiration from the Third World and then giving voice to it the world over.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Time, The Best of the Century, 31 de diciembre de 1999)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En diciembre de 1999, Time nombra <em>Exodus<\/em> el \u00e1lbum del siglo, por delante de discos con departamentos de marketing m\u00e1s ruidosos. La elecci\u00f3n sorprende a quienes hab\u00edan archivado el reggae como un clima y no como una literatura. Esc\u00fachalo en orden y el argumento es m\u00e1s simple. La primera mitad no te deja bailar para salir de la responsabilidad. La segunda no deja que la responsabilidad borre la alegr\u00eda. Ese equilibrio es la pol\u00edtica real del disco. Tambi\u00e9n es la raz\u00f3n de que las canciones sobrevivieran a los p\u00f3sters. Un himno que no se puede cantar en una cocina no dura. Estos s\u00ed.<\/p>\n<p style=\"text-align: justify;\">Ponlo a \u00faltima hora de la tarde, cuando la luz es ordinaria. El bajo hace el trabajo que un discurso no puede: guarda el tiempo para gente a la que le han dicho que su tiempo no cuenta. Marley canta como si el oyente fuera una persona, no un estadio, aunque el estribillo est\u00e9 hecho para una multitud. Londres est\u00e1 en la sala solo como una distancia. Kingston est\u00e1 en las historias. El camino entre las dos es el t\u00edtulo, y sigue abierto.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>En los primeros meses de 1977, Bob Marley &#038; The Wailers est\u00e1n en Londres porque Kingston ya no es una habitaci\u00f3n segura, y responden a la distancia con un disco que camina.<\/p>\n","protected":false},"author":1,"featured_media":9548,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[300,299],"tags":[411,480],"class_list":["post-9559","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-bob-marley-es","tag-reggae-ska-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Exodus - Bob Marley &amp; The Wailers - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/exodus-bob-marley-the-wailers-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exodus - Bob Marley &amp; 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