{"id":9574,"date":"2026-03-28T10:00:00","date_gmt":"2026-03-28T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/led-zeppelin-iv-led-zeppelin-2\/"},"modified":"2026-03-28T10:00:00","modified_gmt":"2026-03-28T09:00:00","slug":"led-zeppelin-iv-led-zeppelin-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/led-zeppelin-iv-led-zeppelin-2\/","title":{"rendered":"Led Zeppelin IV – Led Zeppelin"},"content":{"rendered":"

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Cuatro s\u00edmbolos y ning\u00fan nombre en la puerta<\/h3>\n

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En noviembre de 1971, Led Zeppelin publica un disco sin t\u00edtulo en la portada y sin nombre del grupo en la funda, como si la m\u00fasica estuviera cansada de ser presentada. Lo que el mundo llama Led Zeppelin IV<\/em> llega el 8 de noviembre, en Atlantic, representado por cuatro s\u00edmbolos y la foto enmarcada de un hombre doblado bajo un haz de le\u00f1a. Robert Plant hab\u00eda encontrado esa imagen en una tienda de trastos. Colgada en la pared descascarada de una casa que ya se ven\u00eda abajo, se vuelve la puerta. Ni logo. Ni caras sonrientes. Te invitan a escuchar antes de invitarte a pertenecer.<\/p>\n

La m\u00fasica se hab\u00eda hecho el invierno anterior, sobre todo en Headley Grange, una casa de campo fr\u00eda en Hampshire, con el estudio m\u00f3vil de los Rolling Stones aparcado fuera. Produce Jimmy Page. El sentido de vivir donde se graba es el tiempo: los arreglos se pueden probar, abandonar, retomar, sin un reloj de estudio tosiendo en el pasillo. When the Levee Breaks<\/em> encuentra su sonido de bater\u00eda en una caja de escalera, John Bonham golpeando como si la casa fuera el instrumento. Black Dog<\/em> convierte un riff en una discusi\u00f3n con el silencio entre las frases. Rock and Roll<\/em> es el grupo record\u00e1ndose, y record\u00e1ndoles a los dem\u00e1s, que la velocidad tambi\u00e9n es una forma de alegr\u00eda. Sandy Denny entra en The Battle of Evermore<\/em> y la canci\u00f3n se vuelve un d\u00fao con la vieja tradici\u00f3n de las baladas, no un disfraz.<\/p>\n

Luego est\u00e1 Stairway to Heaven<\/em>, ocho minutos que empiezan como una confidencia folk y acaban como una procesi\u00f3n. Page la construye por secciones. El solo, grabado m\u00e1s tarde en los estudios Island, no decora tanto la canci\u00f3n como abre la \u00faltima puerta. Alrededor, Going to California<\/em>, Misty Mountain Hop<\/em>, Four Sticks<\/em>: un aire ac\u00fastico, un shuffle pesado, una parte de bater\u00eda tocada con cuatro baquetas, dos en cada mano, que es como la canci\u00f3n recibi\u00f3 su nombre. El cuarto \u00e1lbum no es un solo humor. Es una casa de varias habitaciones, y el grupo conf\u00eda en que la recorras sin un plano impreso afuera.<\/p>\n

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\n

After all we had accomplished, the press was still calling us a hype. So that is why the fourth album was untitled.<\/p>\n<\/blockquote>\n

(Jimmy Page)<\/em><\/p>\n

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En Atlantic cre\u00edan que una portada sin nombre rozaba el suicidio comercial. Page quer\u00eda la prueba contraria. Despu\u00e9s de Led Zeppelin III<\/em>, parte de la prensa segu\u00eda tratando al grupo como un rumor ruidoso. Una funda sin t\u00edtulo obligaba al rumor a pasar por los altavoces. El disco hizo el resto. Se volvi\u00f3 uno de los \u00e1lbumes m\u00e1s vendidos de la historia del grupo, y los s\u00edmbolos no siguieron siendo misteriosos mucho tiempo: los fans los nombraron, discutieron, y siguieron poniendo las canciones. La protesta funcion\u00f3 porque la m\u00fasica no necesitaba la protesta. Habr\u00eda entrado en la sala de todas formas.<\/p>\n

Pon la primera cara al volumen que la casa aguante, luego b\u00e1jalo para las canciones ac\u00fasticas y f\u00edjate en que las mismas cuatro personas est\u00e1n en los dos tiempos. Ese es el culto de este disco, m\u00e1s que la mitolog\u00eda. Lo fuerte y lo quieto no son dos carreras. Son dos puertas en el mismo pasillo. El viejo de la portada sigue caminando bajo su le\u00f1a. El grupo, en alg\u00fan lugar detr\u00e1s del papel pintado, hace lo mismo con otro peso.<\/p>\n

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En noviembre de 1971, Led Zeppelin publica un disco sin t\u00edtulo en la portada y sin nombre del grupo en la funda, como si la m\u00fasica estuviera cansada de ser presentada.<\/p>\n","protected":false},"author":1,"featured_media":9564,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[300,299],"tags":[451,638],"class_list":["post-9574","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-hardrock-metal-es","tag-led-zeppelin-es","post_format-post-format-video"],"yoast_head":"\nLed Zeppelin IV - Led Zeppelin - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/led-zeppelin-iv-led-zeppelin-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Led Zeppelin IV - 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